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fast. This one had a very long body divided into sections.
I thought it was breathing smoke. It went like the wind,
making a clickity-clack sound as it went along its iron path.
As I kept on walking, I came to a river. Here I saw
some of our modern-day water monsters. They were quite
big, and, like the dragon, they blew smoke. One must
have been sick, because he made a low whistle like a moan.
How frightening it must be for the little rowboats.
just then I heard something in the sky, and when I
looked up I saw a flying monster of today. It was going
very fast, and it made a loud, roaring noise. As the
sun shone on it, a silvery reflection glistened like a fire.
While walking back home, I noticed more monsters. I
went by a building where they make these horrible things!
Some of these creatures are used on farms to help the
farmer. Others are used to build and tear down buildings,
and on road construction jobs. They huff and puff in
anger because they are put to such hard work. Some
were so big they were really frightening!
The main difference between the monsters of old and
the monsters of today is that every modern-day monster
has some use, and man can usually control the monsters
he lives with.
Honorable Mention, Junior High School Prose
DANCING WITH DAD
Marlys Moses, VIII
For half an hour, almost every day, my father practices
dancing with me. I don't see how he manages to push
me and shove me this way and that, but nevertheless, he
does it.
Dad still thinks everyone dances the waltz or the fox-
trot or the rumba. I'd like to see his face when he
goes on a modern dance floor and see the rock 'n' rollers
rock 'n' rolling. He would probably say that it is stupid,
senseless and a waste of energy and what is this new
generation coming to, anyway?
Our lesson usually begins with a fox trot.
"Stand on your toes," says Dad. "Well, you don't
have to fall all over me."
"I can't balance on my toes," I shout above the music.
"That's because you're fat," says Dad. "You should
go on a diet."
"I'm not fat. Besides, I hate this stupid dance. All
you go is one, two, quick, quick, over and over again."
"Look over my shoulder, you're supposed to look over
my shoulder," Dad orders.
"Well, I have to see what you're thinking, don't I?"
"How can you see what I'm thinking? Let's call it quits
for today. This is tiring for your old Dad."
Personally, I don't see what's so tiring about stamping
the same step around about twenty times, but I guess
that's how it is when one gets older.
I like dancing in spite of all Dad's criticism, and even
though Dad doesn't know how to rock 'n' roll, I think
he's about the best dancer in the world.
First Prize, Lower School Prose
THE END OF NOEL AND FLAME
Ann Overstreet, VI
The fireplace glowed invitingly in the beautiful living-
room. At the opposite side of the room, staring into the
fire, was the tall green Christmas tree. He was fully
decked out with glass ornaments and silvery tinsel. The
family was gathered round the door serving cookies to
merry carolers.
The fireplace and the tree were old friends and addressed
each other by their real names, Flame and Noel. Luckily,
the family could not hear them chatting.
"Flame, you look nice tonight, I like your red dress,"
said Noel.
Flame blushed and replied, "Well, I agree I do look fine
this evening, but see yourself in the mirror! What a
lovely green suit you're wearing!"
At that moment jerry, Pat, Kay, and Mr. and Mrs.
Williams came back to the living-room, laughing and tall:-
ing.
"Well, here they come," Noel said wearily, "My, what
a nuisance! Oh, well, look how beautifully they have
decorated my lovely branches!"
"Oh," Flame retorted, "stop bragging. Look at the
stockings hung on my forehead. One says Jerry, one Pat,
one Kay, one Lem, and one Sally. I don't see why Mr. and
Mrs. Williams couldn't just put 'Mom and Dad.' That's
what they're called."
Noel looked on disgustedly, l'Maybe they didn't want
to put 'Mom' and lDad.' For goodness sakes, you just
aren't thinking tonight! You know, I certainly am popular
around this family. Five-year-old Kay murmurs every time
she passes me. And look at all my lovely adornments!
ll5
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