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Page 6 text:
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The sand painting depicted on this year's Hoofbeats cover represents a Navajo wish for health, wealth, and happiness. The corn symbol used in the design represents abundance or wealth. Corn is essential in the life of the Indians, for it is one of their staple foods. The drawing of the cloud symbolizes rain, which is important to the desert- dwelling lndian, who depends on rain to produce his food. The symbol of the sun is also important to the Indian as a source of nourishment for the crops on which his livelihood depends. Health, wealth, and happi- ness-not only is that the wish expressed in the cover design, but it is also our wish to you for the years to come. May you succeed in lite and achieve everything you undertake.
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Page 5 text:
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Hoofloeots North Phoemx Hugh School Phoenix Arlzono Edntor Yolondo Leonord Volume 21 1959 60 I Q -
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Page 7 text:
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N A I ILX xkLl NN xl L ,.fI J X. The native lndIans of the Southwest have had considerable Influence on the life of this area They have Introduced many of the unusual foods of the South west they have Influenced the archi tectural style widely used In public buildings and homes and they have ful art Including the distinctively de signed Iewelry rugs and textiles which are admired throughout the world for their craftsmanship Many Indian words Including the names of cities rivers and even the states themselves have become rooted In the regional vo cabulary Indian religious festivals and gatherings or pow wows play a large part In attracting the tourist trade which IS so vital to the economic life of the Southwest Almost as Important to the tourist trade are the trading posts which sell Indian style souve Thus as the Indians of the Southwest play so large a part In the lives of all of us IH Phoenix and Arizona the theme of Indian art sandpaIntIngs IH partIcu lar IS especially appropriate for the l96O l-loofbeats I. I . .1 - . , . , . ,, . I . ,, . . 1 - 1 originated unique music and a beauti- nirs, clothing, and jewelry. . 1- . . T l I - 1 1 ' ' I ' ' ' ' y . 4 . ' 1 I H I I
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