New England Conservatory of Music - Neume Yearbook (Boston, MA)

 - Class of 1968

Page 77 of 104

 

New England Conservatory of Music - Neume Yearbook (Boston, MA) online yearbook collection, 1968 Edition, Page 77 of 104
Page 77 of 104



New England Conservatory of Music - Neume Yearbook (Boston, MA) online yearbook collection, 1968 Edition, Page 76
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Page 77 text:

Marc Blitzstein ' s Regina 73

Page 76 text:

Barbara Hocher as Carlisle Floyd ' s Susannah in another scene from the Opera Gala. From serious drama to comedy is a natural step in the spring, and the first week in May brought AN EVENING OF DONIZETTI. Scenes from two of the composer ' s comic masterpieces, DON PASQUALE and L ' ELISIR D ' AMORE, led off the evening, which highlighted the world premiere of a new revision of an early Donizetti comedy. LE CONVENIENZE ED INCONVENIENZE TEATRALE (or. Opera: Italian Style), dealt, appropriately enough, with the trials and tribulations attendant upon opera production! What more fitting way could there be to wind up a busy and exciting year for the Opera Theatre? Although the Opera Theatre ' s year was officially over, there remained one more production to be presented under the direction of Mr. Philips, whose final year at the Conservatory this was. On July 24, 26, and 27, members of the regular Conservatory Opera Theatre and students at the Castle Hill Summer School in Ipswich presented Mozart ' s COSI FAN TUTTE. As his last presentation with his students here, the completely restaged opera was a fitting swan song for Mr. Philips, and was warmly received by capacity audiences and the press. By moving the locale of the opera to British-occupied Victorian India, and using an English translation, the production was able to communicate more clearly the workings of Da Ponte ' s involved plot. The audience ' s response indicated its approval, and made COSI FAN TUTTE a grand finale to a blue- ribbon year for Mr. Philips and the Opera Theatre he has so capably class, instructing Diana Cole directed. 72



Page 78 text:

Randall Thompson conducts his Psalm of Thanksgiving at the Centennial Concert on November 16, 1967. New England Conservatory Orchestra Frederik Prausnitz, Conductor The first of a recording series, a Conservatory record album starring the Conservatory Symphony Orchestra. Two appearances on television specials with Erich Leinsdorf and Gunther Schuller. A premiere performance of Randall Thompson ' s A PSALM OF THANKSGIVING, a world premiere of Robert Cogan ' s WHIRL . . . DS(I), the Boston premiere of Gunther SchuUer ' s SACRED CANTATA: PSALM 98. A guest-conducting visit by composer Henry Brant. The exciting four-day Centennial Festival in New York featuring performances in Town Hall and Carnegie Recital Hall. All these were keynotes of the Conservatory Symphony Or- chestra ' s varied activities in the 1967-68 season. On November 15, 1967, the Conservatory Orchestra under the baton of Frederik Prausnitz commenced its activities with a concert celebrating the Centennial year and President SchuUer ' s inaugu- ration. The concert began with Mahler ' s SYMPHONY NO. 1 in D major, and then the Orchestra joined forces with the Conservatory Chorus and the Preparatory Department ' s Children ' s Chorus to present Randall Thompson ' s A PSALM OF THANKSGIVING, con- ducted by the composer. During the Christmas season the Orchestra gave two concerts. The first, in December, featured Gustav Hoist ' s chamber opera, SAVITRl, with vocal soloists Jan Curtis, Roger Lucas, and Jesse Coston. Also on the program were the Passacaglia from Britten ' s PETER GRIMES, and Brahms ' SYMPHONY NO. 2. This concert was followed shortly by the Conservatory ' s annual Christmas Con- cert in Symphony Hall, where the Chorus and Orchestra again joined to present two premieres. Under guest conductor Gunther Schuller the Orchestra and Chorus introduced to Boston audiences Mr. SchuUer ' s own SACRED CANTATA: PSALM 98, and Robert Cogan ' s WHIRL . . . DS(I). Valentine ' s Day brought the airing of the hour-long NET Festival television special entitled " Leinsdorf Re-creates. " Featured was a half-hour rehearsal by the Conservatory Orchestra conducted by Erich Leinsdorf, music director of the Boston Symphony. Following the rehearsal was a discussion of the work which had been re- hearsed, Mahler ' s SYMPHONY NO. 3. 74

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