Natick High School - Sassamon Yearbook (Natick, MA)

 - Class of 1916

Page 9 of 36

 

Natick High School - Sassamon Yearbook (Natick, MA) online collection, 1916 Edition, Page 9 of 36
Page 9 of 36



Natick High School - Sassamon Yearbook (Natick, MA) online collection, 1916 Edition, Page 8
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Page 9 text:

THE SASSAMON 7 1916-17 SASSAMON STAFF After due consideration, with the aid of Miss Sweet and Miss Siming- ton, the Sassamon staff has succeed- ed in selecting next year's board. Editor-in-chief, William McGorum, '17, Associate Editors, Frieda Diehl, '17, Francis Buckley, '18, and William A. Hero, '18, Class Editors, Marjorie Twitchell, '17, and julia Oliver, '17, Mildred McCarty, '18, and jack Kelly, '18, Beatrice Parmenter, '19, and Elden Patterson, '19, Subscription Editor, Mary Doon, '18, Athletic Editors, Jo- seph Dwyer, '17, Lloyd Jacobs, '18, and Ruth Allen, '18, Art Exchange Editor, Eleanor Bowen, '17, Business Mana- gers, Myles Russell, '18, Walter Mon- tieth, '17, and Laura MacSwan, '17. These pupils have been selected be- cause they seemed best qualihed for the position they were chosen to fill. VVe solicit your support and promise you a live magazine for next year. You can't afford to miss a copy. Subscribe now! LATIN PLAY On May 10th, the Senior and Junior Latin classes together with a few cho- sen Sophomores, under the direction of Miss Davis and Miss Clifford, enter- tained the other Latin classes and the teachers, in the gymnasium, with the play Pyramus and Thisbe given wholly in Latin. The cast occupied the seats in the center of the gymnasi- um, while the bleachers on both sides were occupied by the audience. In the first scene, the house, consisting of the boys and girls, was successfully built by the aedificator, Annie Rosen- thal. Some of the unfortunates repre- sented the doors and hinges of the res- idence. Pyramus, Ralph Wilde, and Thisbe, Marjorie Twitchell, were seat- ed in their respective houses by their parents, the father, John Wardell, and the mother, G. Wilde. When the par- ents had made their exit, Pyramus and Thisbe, in very modern fashion, made arrangements for a meeting that even- ing at the tomb of Ninus. Then the aedificator announced the close of Scene I, and ordered the walls to dis- perse. The imaginary curtain in the second scene rose on Ninus, in the person of R. Foley, who walked sedately in and calmly announced Mortuus sum. A tomb made of the lunch table, covered with sheets, was placed over him, cov- ering all but his feet. The lion, john- son, attired in a shaggy fur rug and masked with a lion's head, made of paper, in the drawing room, roared very effectively and succeeded in frightening Thisbe away. Pyramus, a trifle late, seeing the lion's footprints in the sand and no Thisbe, tragically killed himself and fell gracefully to the ground. Thisbe returning, and finding her lover dead, thrust the same dagger into her side and fell lifeless beside him. The audience were held breath- less at this point, so realistic were both suicides! Next the mourners, wearing black crepe paper bands on their arms, and weeping profusely into black crepe paper handkerchiefs, surrounded the dead ones. The sun and moon, neces- sary to the setting of the story, were represented by Lucille Ambler and Frieda Diehl. They wore placards which read respectively, Ego sum Sol, Ego sum Luna. At the end of the second scene, the dead forms arose and proceeded to brush the dust from their garments in a very lively manner. After this, Latin games were en- joyed and refreshments were served. The audience later dispersed, much pleased with the unique entertainment. A. R. , OUR COVER The Sassamon was named after john Sassalnon, the Indian helper of john Eliot so the Sassamou is really an Indian paper. That is why we desired an In- dian design for our cover. There is no other town so full of In- dian association as Natick and South Na- tick. The Indians gave the ground for the first meetinghouse in South Natick and helped build it. NVhen john Eliot translated the Bible into the Indian lan- guage he had an Indian to help him, and that Indian was john Sassamon. So it is entirely fitting and proper that our cover design should be Indian. It'is the work of the Art Department.

Page 8 text:

o 'l'l IE SASSAMON l Once more the wheel of time has rolled around to .Iunc and brought us ctinnnenccment and the last number of the Sassamon. Looking back over the past year we see many things we would do diHerently if we had the chance. lint, there are also many things we would not change, and these are the things which give the certain- ty of success for next year. The board next year will protit by our mis- takes and successes and the Sassa- mon will be all the better for them. This year's board wishes next year's board the best of luck, the greatest success. 'l'o the Sassamon we wish a pros- perous year and ever increasing popu- larity. Both are bound to come under the management of next year's board. Gluck .tuf ! EDITORIAL ' Now the end has come, Commence- ment is over, and the Seniors of 1916 are about to find their place in the world's work. l.et us go forth, courage- ously. strong in the belief that only through giving do we receive. Let us not sit back contented to look on, but let us enter whole heartedly into the task which lies before us. Yery naturally do our thoughts turn back to the last four years of work: and it is indeed interesting to recall the many pleasant times we have shared together. The work we have done here, and the knowledge we have attained, give us con- fidence to face our new duties and we have, withal, a feeling that we have not spent in vain these last four years. M. D. W. Evidently the time has come when the present Seniors will no longer be such. The class History attempts to portray their past school life and the Prophecy their future. We would send with the Seniors the heartiest of good wishes, and hope that they all have the fullest measure of good fortune. So much is always said to and about a graduating class, that it is doubtful if they carry away one worthy suggestion that was given them, and use it to advantage. Ex- perience is the best teacher, but a principle or idea imbued with Ambi- tion can cut short considerably the way to success and contentment. Se- niors, is it not wise to select your guiding principles and stick by them? lt is really dangerous to go out from school into business or professional life without possessing a definite con- viction as to what your future course of self-conduct will be. Employers and others will analyze you and put you down for what they find you. It is very much worth while to try to make good. XV. B. M.



Page 10 text:

8 TH li SASSAMC JN 5? 5- ff: SL: Z? , fx: ? S,'fl.UT.'fTORY The class of 1916 extends to you all a most cordial welcome tonight. XVe are glad that you are able to be with us at this time when we receive our reward for four long, yet seemingly short, years of work. We have reached the goal for which we have striven-graduation. lthile I was considering what 1 might say to welcome you here, the thought came to me, the very letters of the word XYelcome stand for many useful, guid- ing thoughts which we might well keep in mind for the future. The initial letter XY could represent the wisdom we have attained here under the careful guidance of our teachers as well as the welcome that we, all of us, feel toward you tonight-the pleasure of having you with us. It expresses our worth to the world in the future, our worthiness as citizens to serve our town, our state, our country! lf designates our education: the.edu- cation that our town has given us as an example of its faith and trust in usg an education that has fitted our class for bigger, better, broader citizenship. lf, likewise, designates our earnest endeav- ors in our school life. Our equipment is good, our armor is strong: so let us meet the battles of life face to face. l. stands for the great field of l.ife which stretches out before us. It stands for the language of that life-for the language and the lessons that we have yet to learn. I, symbolizes the love that we x bear towards our Alma Mater, a love that has increased through the close com- panionship of our life hereg and it rep- resents the loss of these friends and these teachers that have meant so much to us. C indicates first of all our class. The class of 1916! Long may it live, united in spirit though our ways may be far apart. May we be able to come back as alumni, when opportunity affords, and live over again scenes that are dear to us. C is for the character we have been moulding during the past few years. XVill it stand the test of Life? C stands for this Commencement. Let this day be the brightest and happiest of our high school course. Let us be of good cheer and enjoy these last few hours while we still have them with us. O expresses the oneness of our hearts and minds on this occasion, a parting which is one of both joy and sadness. It represents, too, the door of opportun- ity. XVe, alone, can find the key which will open to us, perhaps, Success. M points to our class motto I serve. Certainly one worthy of any class. Let it be our motto through life. None bet- ter could we find. M speaks of the mem- ories that will be left us after Commence- ment is over. Some will be happy, some, no doubt, will be sad. It would not be right if it were not so, for sadness, in its opposite quality, serves only to heighten our happiness. lf reminds us of the end, the parting of the ways. that is so near, Some are to enter directly the school of life-

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