Mountain View Union High School - Blue and Gray Yearbook (Mountain View, CA)

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x 2445 f UU-IEE rteamtutjtg uetw mteaun tormztiy xatal part of the character Those xxho haxe passed safelx through thas should be thankful that at as ox er 'and not wash to reps at the step for remember at would not be xouth af xou retaaned xour adult audgement and tht setoncl tame xou would probably make the same mast akes ox er tvaan or some others just ts bad af not xxorse Xou are far better off oh senev xxhere art xou VI hen I look back oxer what I haxe wratten I aan rt allx appalled hx the lack of unaty tn tt and I suppose I should do at oxtr agun but for one of the poants of youth tat least of mane! xxhath I haxt neglttttd to mentaon nanaelx andolence and as a result of s'aad andolence I shall hmd at an as ls VN- JON! CETIIXC II Bx IRID XORXIAIN ILLIOXS of artacles h1xe been xx r1tten about gettang up an the world but xxho exer r ad one about gettang up an the mornang' Gettang out of bed as the hardest job an the xxorld one that a fellow must work at sex en daxs fa week and taftx two weeks an the xt ar and xet one he nexer gets used to Man has been gettang up exer sauce -Xdam xx as turned out of the garden and wall conttnue to do so untal the end of thas member of the sol ar sx stem and I suppose he wall be no more satashed wath the adt a then VI hy as at that exerx one w ants to be an attor or an opera st ar' Is at because of the monev or the fame' No Rn attor dos nt haxe to leaxe has bed untal sax I NI There as the secret What posltaon as xx anted most an the newspaper ofnce col umnest edator sport wrater or reporter? None of these It as the dramatac edator shap for he doesnt haxe to start work untal 8 20 I 'NI Do not these examples support Harrx Lauder xxhen he sangs Its mee to get up an the mornang but tts nacer to I1e an bed The world s most enxaed laterarx charatltr as Rap X an IX ankle Ior twentx xears or sexen thousand three hundred mornangs not to count the extras of leap xear he had nothang to do but roll ox er and fro on sletpanff Next to old Rap as Commander Bx rd xxho spends most of has tame where naornanff come onlx once ex erx sax months The men xxho get the most sx mpathx an tht world des rxt at the least Thex are the malk m'an and the paper 1 arraers Ihtx rlont gat up anx more often or anx more walllnglx than anx one tlst and btsades tlatx trt so maserablt thtmselxes that thex go bangang around gettang purt entoxmtnt out of xx akanff up txtrx one else a as sometames naastaken for la thtarttdnt s and tux are thought to be oxtrtoxct xxath thear 1 arlx task xx I leaxe at x a u a st x oxx a sant e a rstm stxt xour-.e er aps xxlao just loxt ta ,tt up an tht morn tnk wt tfr w 1 1 Nam I U a t tm up an tht mt an l4l . I I x I' XX V I T , fl, 1 I x X f , ' X! 1 bf 1 1 ' 1' ls PZQQ ,vs X - f ' . ' 5 ' 1 ' 2 -' 1 1 ' ' 1 -1 5 1 ' ' ' ' ' ' 1 ' 3 ' 152. Q .' ' ' 1: ' ' ' . ' 1 . . 1 , . 1 , . . c ' . ' ' ' ' 1 1 ' ' 1 '1 1' 1 1 -' ' ' ' 1' ' ' 1 'A -' ' ' , 1 j ' , 1 .1 . 1 1 1. .. 1 ,. 1 . 1 , I . I A'i 1 ' Q C 1 1 ' 1 ' ' . Q ' Y S 1 . . . 1 , . 'x 1 ' ' 1 . 2 E 1 S 1 1 M 1 1'1- C v v 1 A 'v v 1 1 ' .1 li 'L Y' ' ' I 1' ' ' ' 4' . ' '1 5 1 . ' ' 1 ' 'Q 1 3 1 . ' ' ' ' ' ' ' 1' '1 Q 1 1 ' 1 1 .' 1 f 5 ' ' , ' f . 1' Je' 1' 1' 'Q 'sf '. I . ', . ' 1 ' '1 ' ' 1 I , - , , - ' . ' . . : . J ' - ' ' 1 1 1 1 1 ' 1 D y C C 1 . 4 1 , . a n 1' ,, . h F Y I ' N-Q , x11 lv- 'v 1 Y 1 1 1 5 V1 , ' rv A' -1 ' 'k ' 1 ' 5 1 V a ' ge 'I' ':. -'1 1 C 1 , 12 ' ,.. ' A 1 11 1 -1 1' ' if 1 1 .1 , B-,. 2 ,D-' :Q ,-. 1 , L. 1. z , , I 1 .. 1 -1 ' ' 1 ' f A .' 7' ' 'z ,. ,' .' . 'I'h's 'Q 5 ' 5 'gh tl . 2 1... 1 1 1,1 .Ut 1' ' ,1 1 1 1 1 C 1- - No ' 1 'A ' to you. lla yo loneq IU' kn ' 1 ,Ll . ta' Q , 'a O' .' lf p hi ' ' S '15 t ff- ' - ing? I th' ' '- will 1tll 1,1 ee 'ith Ln'la .1 cant get em up: I cunt ,et em ut 1 I czant tae - - arn- g. 2

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W f fQfzZ,ZQQ X X UEHEQ EELUJEIQQQZAIQIID CUHIIDZLY ON UBI IH x '111L111 C IIXNII 1 RL 11x HIS IS X NIB If I ttht onlx onel on xxhlth I think mx self cnttrelx tom petent to dtscuss x chief elum to thi r1.1 t its in n1x posstssion of e aforementtontd t1u1n1tx xxhlth should put int in 1 po 111 Il to realize 1t qualltlts 'oets h1xe been xxont to t1ll xouth tht Nlflsl ioxous period of it but 1re usuallv far D151 their own xouth bt for thex m n11on the f1tt 1nd ewdtntlx thex haxe forgotten their own experitntes or than 1ff11n stnct poets 1rt not molded of ordmarv clax posstblx thex went through no real xouth at all but were merelx en Cx sted as It were until thex reached m 1nhood n realltx xouth ls a sad sad p6I'l0fl XIh1t ls o traffic max I ask as the grte of xouth? Il hat the gr1ef max be caused bx IS ot ltttle unportanc II 15 the mam festations that are so tI'Hg1C the tearful repentances the lonffmg for death These appear 1n the earliest forms of xouthful grtexmffs seldom are thex noticeable IH mx experience after the twelfth xear After that awe come the silent sorrow the grief too great for expression the melantholx brooding The pecultar feature of this sadness l1es 111 1ts utter tatlure to solace unttl omeone recoffmses tts presence the gnexmff one must make his sorrows known not blantlx xou understand but in a QUICK unobtruslxe manner tkn ftpproxed method 1 to stand in some corner preferably dark until someone 1sks the trouble then ex es tlllinff with unshed te 1rs mouth ln a grim lme intended to portrax It s nx o lt I max not sht e t t carrx 1lone 1lonff the rockx p1thw1x of life 1t ls 1 sorrow too deep for words the terrogttor does bx mx ch mae llllSIilxCS his words tor thx truth intl protteds to the next corner if po sible 1 dtrktr ont with in 11r of Xou trtpresentmff tht cold cruel worldj htxe broken mx spirit rum d mx lift lllfl t1oxx xou toms to h1rrx mt out of mx l1st refuge and glott oxtr your lllllfllsll sucets 'Ihere tre 1lso those ptrxcrttrs of the truth who tttt th1t xouth s sorrows are quicklx forgotten 'lhex lie in their boots lhe tr1,gtd1ts ot thildhood rem 11n longer proport1on1telx to th tr seriousness th 1n mx t,r1tts of 1tttr lift Irom mx person 1l experience I knoxx mx self to htxe brooded 1ll d1x oxer 1 matter which I should not h1xe glxen 1 second thought Ihxtholo 1 t h1xt shown ffre1t sorrows sustained tn earlx XGIYS to bt the t lllst of mtnx strangt slffns IHIHIIESIUI 1n t e adult surelx that lb a fatrlx long ptr1od 'osslblx e1rlx xouths grutest Llilflll lits in its tmtffm 1t1on 1t IS this f1et t It makes the xouth actuallx to l1lIllsCll thc l1x1nf' prototx pc of his dreams he Clll without the least KllIllCllllX picture htmself the hero ot the blood md thunder to whtch xouth xx1ll commonlx addict itselt A he 'rows older this power while not decreasinv its potencx manifest ttself in other xx 1xs otten turning lJ1Cls into lls possessor l1ke an mffrown nail 1nd c1us1nff the strange un 1t1st1 d feeltng ot ado lesence Personallx I can see no re1 on for anx one w1sh1nff to rttox er his xouth Xouth IS Z1 perlod of changes which l1ke all ch 1nffes brmgs str 11ns that unless properlx taken care of IQ lxkelx to bring about 1 breakage or at le1st 1 b1d strain ot some ,XY,,, ' an Y v rs I, X 1 l I L 1 v 1 B41 I ,' , . 113 .1 Q Mi' ' 1' 's 'f h l' ' ,' th I A . A 2 .-Y ' .1 5- A . 2 S. .0 V .S I 1 1 ' ' 11 -' 1 g f I' .1 1 ' l'f', 1 , 1 1 ' ' ' ,' 1 Q 1' e ' 1 ' , 1 1 ,' ,' ' ' ' J '1 111- 1 2,2' . 1 1: 1 1 1 1 1' I--' . 1 . . - . L - rf - -v l Q ' Vw 1 Z U I ': 13' . . ' . ' 1 ',,' . : ', 's ' f ' . 1 ' 1. ,, ,, . Q 3 H. , rx 3 1 '. Q , ' j . 1 , s Q s ', 1 ig' . ' 1 j ' gs. ' N . . . A . . H . Q V V . . 4 ' . . , H 'N I H , ' ' ' ' '. ' 5 133 1 . I' i ' ' g 1 1 3. ' ' 1 ii 1,' l'1 l. , : 'lr i , 0 ' ,'1 1 ,., 1 '1j ' 1: ' 1 5 ' ' despondent one answers Oh nothing, blending is with ll sigh to make sure the in- 1 J ,'1 -'11 7 'J1 ' J ' .' ' 1 ,1 11 , . . ' 1 1 1 '1 1, 1 1' ' 1 L' ' ,, 1 . ' 1 1 J J 1 '1 1 .1 ' sz 1 1 -' J ' 1 1 ' ' ' 1 ' 1 1 1-' ' 1 ' ' ' 1 1 ' f , I 1. '. . . 1 . . 1 s -- 1 1 1 ,, . g g s s 1 1 . ,, 1 , 1 3 1, . . , . 1. F 1 A I Q. 'V 2 .V ,V .J A iz S 1 2 . . 15. 2 .Y I . 2 hi -' ,, ' , 1 ' '- ' ' ' 1 ' ' 1 'g ' 1 1:',, Q1 s1'g'e 1',, ' - u' 3 1s ' Q Q ' ,, 11 1 '5 u' . ' ' ' ' 1 ' ' . ' 1 , '. ' ' I 1' 1. 5 j ' , - ' 7' ,, ' 1 1 . if 1 1 . ' ' - 41

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iq f Q UEHLQ ELQJEE VW! LZXIQIUD CUJERZATY RIN OLCHI IO X Bt R11 XIIURD NI I IUNI txerxone 1 flllllllil' NXIIII tht chttrful ort of pcrson who deltghts 1 f 1 111111 1 e extr 1 un s Il tru or ftlse 1n m1nuf1tturt of xour f1xor1tt food IX htthtr 1h1s sort of person feels tt IS hts dutx 1 xour fellow mm to w 1rn xou tgunst pt tnut 1 tndx tmntd pe iches or tom 11o kctthup IS tht tl 1 m1 ht he or whtthtr he cnjoxs upstttmg tour petce of Tlllnf IIOI to mentton xour 1ppet1t1 I do not know lt s cms to nu 1ftcr h1v nt, h1d txptruncc YXIIII sexcrtl of thur lxllltl thtt these gcnlrl crepe hanffers must be the lslflfl th 11 Hoes tround tell1n,, l1ttl chlldren th 1t thtrc IN no 511111 t l tus I htd thc extreme nusfortune to bt se1ted the other d IX lt luncheon on 1 rest IUFIUI bes1fle one of those ltrge uncomfort tblx w 1rm tppeirtng men tprobtblv 1 shoe stlesmtnl who titer some such tntroductton IS N111 I hue the s'1lt ' con stder themselx es free to both r xou for the remamder of the me tl w1th thetr op1n1ons on m11or lewue b1seb1ll or the Ieaffue of X1t1ons He opened when I requested htm to piss the ketchup Sou wouldnt l1ke th1s stuft so well 1f xou could see how thex mtke lt h rssured me gentallx Now I entox tom 110 ketchup and 1lw1xs h ue s0 IN I fullx ll'llEIlflCCl to enjoy t it th 11 I h11 1lre1cx on mx food I 1 sured llllll 1h1t I w1s thoroughlw f1m1 1'1r Wllh the m1k1nU of tomito ketchup 1n f11t I h1d worked 1n 1 pl11e where 1t w'1s mule Whlfll st 1tement was a l1e SIIIQIIGII th tt I h1d forestalled IIIN tttempt on mx tppetlte I proceeded wlth my me1l N11 nelffhbor rem unefl qlllet lor 1 few moments ll'lCl bothered no one Ilnally he turned to the mm who w IN itxllftl next to l'lll'll on the other s1de 'tnd opened the COTIXCTQIIIUII on somewhat the stme l1ne I rlzdnt hetr 1ll of 1h1s conxersfttlon but I im sure the other gentleman w 15 dl suftded from ordermg the p1rt1cul'1rly tempt mg p1ece of aprtcot ple wht h rested under 1 gl1ss before h1 ex es bw the stout person tge s conxers11t1on1l rem 1rks on the horrors of ffllll c1nncr1es After h1 soup ctrrlxed our entert 11ner tontmued to cltscourse between mouth fuls I-Ie :gate us 1 wud word p1cture of how chocol ite fudffe w 19 m tcle or rather ITIIS made As he proceded I could tell ln the e'1press1ons on the ftces of sex eral of the men 11 the counter th tt thex were or r1ther h 1d been xerx fond of fudge Gr1du1llx loudemng h1s xotce he w cts oon ctcldresmngg ne1rlx 1ll of the men who were desperttelx trxtnff to emox the1r I14J0llCllX meftl it th1t t1ble I flmshed hur I'l6tllX pfud nw check and left X I passed out the door I could st1ll hear that worthx gentleman CIINCOUFSIIIQ th1s ttme on the methods of m1k1nff ctnned soup I suppose the moral of thls should be Net er ask for the ketchup reach for lt but It seem to me that one should be allowed to e'1t at YIICII 1n peice provtdmg he paws for It w1thout ltstemng to 11 self ftppomted pure foods expert orate on subjects XKI'llCh ire hftrdlx conducne to 1 he tlthx 1ppet1te I thtnk xou 1421 YT -L I QEQT L I ev . W -g in 513. -, X , ix f 1 , 1 1 ' J I'HI-. . 1 Ill-. 1 IAXX in 1-lling vou 1ll 1lf h 3 enely ple11:11n1 det: ls, e 1 5 , the , , . A . , V ' , ' 1 t ' ' I ' I ' ' ' 28 ' 1 '- 1 '1 d' 1 1 J -1 -i1 '2 ' 2 H 1 -'1s1 All 'Z ' 1' 1 . A . V 2 A - 2 . 1. 5111. Q- ,Q 2 , 2 I 1 2 1', 1 .' 1 -12 I , 1 1 '1 ' 1 - ' , J ' 1' 1 H ,512 ' ff ' 9 1 ' 2 1 - Q1 1 li '. 1 A , A , I 5 1 1.' 1 ' 2 - 1 1 3 1 . 2 '2 2 2 2 , 2 Q Q2 1' 1 . ' . 1 ' Q ' 15' 1,' 1 ' 1 . - I ' f e ' ' 2 ' 1 ' 1, 11' 1 . 1, . 1 ' 11, ' , K. ' , ' ' . 'fs 1 ' . ' . . , , . ' H - 1 1 1 1 , e 1,1 '. 1 ' Dj 1 ' 1 1 z':S Q hz 1 1 l 1 1 lr' ' . 1s: 1 '13 ,' 1 l. ' 1 ' ,, 1 ' ' . 1 ' 1 ' ' 1 1 ' 1 I 1 1 -f, ' ' 1 ' . .1 , 1 1 Q 1 ' 1 - ' 1 . . j ,, 1 z ' fl . ' 1 ' '13 ,3 1 .' : , 1 ' .1 . ' 1 ,1 . 1 1 3 ' 1 , 2 S ' '1 s: 1 1 1 - N 1 ' c Q 1 s ' .. ' J 1 5 ' 1 1 'Q' 3 '1 1 1. 41 ' 1 1 ' ' ' ' 1 ,, '11 1 . 1 1' ,' ' . 1 1 ' . ' ,' f . 1 1 I' ' ' 1: s 1 1 U' 1 ' - 2 j V' ,, U Y' za' 1 1 1 1 . . - ' j 3 . I 5 1 ' , 1 . ',. .. ' , ,, , , ' ,YY - - . - . , 5 - ' 1 1 2 Z . VI- - I I ' I. 'c ' I . ' ' . 1 v ' v 1 4 - ' 1 v v I c 1 ' 4 1 , 1 . 1 .