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Page 21 text:
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, » ■-■T-lJ i ,: iii A ' 0i 5 9 MTSU ' s concert slate for 1973 involved performers of variously sized stardom, strong in many phases of music, from blues to jazz-rock. LEON RUSSELL was the first big-name performer to play the Murphy Center, bringing his quasi- evangelistic rock circus to dazzling life in the auditorium. Outside of the frenetic efforts of Russell, his back-up band and the vocal work of Rev. Patrick Henderson, the con- cert started repercussions that would affect the concert scene far into 1973. (Rumors of uncontrolled drug use at the concert were among the unofficial reasons given for the unofficial at- tempt by a Board of Regents clique to oust President Scarlett in the sum- mer.) But anyway, Russell ' s music was overwhelming, and never mind the bad vibes. CHARLIE DANIELS, the Uneasy Rider, gave a Freshman Week con- cert to open the 1973-74 school year. Daniels, versatile with guitar and violin, created an unusual and enter- taining set. Following Daniels was MUDDY WATERS, whose abbreviated set well defined the blues to his attentive and rapt crowd. ELTON JOHN, the first major concert for the new academic year, rekindled the concert police hassle among students. John was a spectac- ular performer, though he was dubbed mediocre on the piano by a review in the SIDELINES. Still, with this concert the pro- and anti- concert police factions began to de- fine themselves more clearly. CHICAGO, the homecoming band, gave a slick but somewhat empty concert. Their trademark, a light breezy sound, was fully in evidence during their hour-and-a-half on the Murphy Center stages, but some- thing vaguely disappointed many of the ticketholders. Possibly a lack of the old familiar tunes in Chicago ' s repertoire was responsible; never- theless, the audience liked what they did hear.
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