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UdlC CHOIR “Obtain the spirit and understanding of the words, then the tone and quality will come naturally,” says Prof. Baker to his score or more of gospel-singing students. Not that any group can sing with harmony and balance by just understanding the words, but how true his instructions are when compared to the life of a Christian. Heart knowledge of the Word of Life leads naturally to the conscientious and successful effort to live a righteous, telling life. Such is the message on the lips of these musical ambassadors of Christ as they minister to churches and the public throughout the area. A message sung with beauty is appreciated. A message sung with beauty with personal realization as its basis and evan¬ gelistic emphasis as its motive is effective. Such is the College a capella choir’s message. QUARTET There is yet to be found, in the opinion of many, music equal to that of a good male quartet. Such is the opinion of many who heard the college male quartet this year, and that opinion was confirmed to many as they heard. Selected on the basis of aptibility and adaptability, the q uartet was made up of young men who were good examples of M. C.’s fibre. Although evangelistic in primary motive, the four men did not forget that M. C. is their alma mater and that she deserved their best recommendation. Active service in the army of Uncle Sam brought to a close the quartet service in the army of Christ when first tenor Tippey and second tenor Ott were called from their reservist status early this spring. CHORUS Community, church and college combine to make the winter and spring chorus activities high spots on the college year calendar. Voices blended in active praise make for blended personalities and interests. In such a way the chorus serves to stimulate community interest in M. C. and to serve as its higher purpose, the adorning of the gospel of Christ. Here we are moved to a deeper and more active faith when we hear a hundred voice chorus unite in purposeful harmony, when we see a hundred- person group unite in power filled cooperation, when we know a hundred- strong cotillion lends itself undividedly to a common service. Christmas brings the never-diminishing inspiration of Handel’s Mes¬ siah, while Professor Baker leads our thoughts this spring to our nation and its relation to an omnipotent God as expressed in great music sung by his well-trained chorus. Nineteen
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Page 25 text:
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F AITH in our country and faith in our God cannot be divorced. For when the people do not preserve the latter they cannot have the former. Faith in our country is indeed faith in a principle—a principle early formed in the country’s history, a principle which in our native land has found expression in its fullest: the principle of freedoms religious, personal, and political. Faith in that principle would, indeed, have been dead had there not been works accompanying it. See the marching feet, the bandaged, bleeding feet, but the feet that symbolize in each step another step toward the consum¬ mation of that faith in a principle. Men have marched for freedom before; they march still. Men have fought, have died for freedom before; they are fighting, dying yet. Today we as Christians need not be told what we are fighting for. Whatever may have been the first cause of the war, we realize today that the endangering of our heritage is the only worth-while cause. We realize too, that as Christians we have a message to tell to the nations. That message would call for active faith resident in our country, in any country that would enjoy freedom. That message: “Righteousness exalteth a nation, but sin is a reproach to any people.” “If my people, which are called by my name, shall humble themselves and pray, and seek my face, and turn from their wicked ways, then will I hear from heaven, and will forgive their sin, and will heal their land.” (Prov. 14:34; II Chron. 7:14) Twenty-one
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