Manchester College - Aurora Yearbook (North Manchester, IN)

Page 30 text:

uncorj Problem: Is Elinor Huffman leaving or arriving? — Answer: Leaving if it ' s before 10 p. m. . . . Dave Richardson horns in. . . Why, Mary Ellen Overman, what lines you ' re giving us! When Darrell Dunham plays around, he faces the music. Bobby Brandon, Burt ' s handy man, is always Neher. . . . Keep- ing posted made simple by Jane Smith. . . . Since music makes the world go round, Bob Zigler makes us dizzy. . . . Gladys Dumond (Zimmerman now) gives us that Quiet, Please glance. Here ' s Virginia Wagner with that Far, Far Away look. . . . Isn ' t that bottle empty yet, Gene Menzie? . . . Emma Gossett makes a pretty picture — two pictures to be exact. . . . Pre- senting Harold Drummer Boy Fearer. Dale Salty Peters prepares to Rohrer. . . . Here we have Joan Miller getting the air or a station or something. . . . Get back to your work, Bob Pfeiffer! — You can ' t loaf on library time. . . . Does every letter from home make you that happy, Lor- ena Kuhn. (J p. ' UMLOPd Page fifty

Page 29 text:

Class of 1942 Hurry up, Leo Merzger; you ' re going to be late to class. . . . Organ-ically and a-chord- ingly June Replogle poses for us. . . . Jim Mowrey leaves Oak Leaves and forgets his dead-line for a minute. ... Is Emogene Hossler penning in or penned in the registrar ' s office? Take a tip from Ruth Fuch- shuber, The way to a man ' s heart is through his stomach. ... Jim Pusey (long u please) hob nobs with the pallid bust of Pallas. . . . Make up your mind, Irma Grace Fisher. Are you coming or going, or coming? . . . George Bunce gets all steamed up. Yes, we see what you mean, Benton Rhoades. . . . Betty Baker steps out — on the steps of Oak- wood. . . . You ' ve got an under- standing look, Eldon Pippen, so maybe you ' ll explain what goes on here. . . . This Borders on the studious, don ' t you think so, Esther? Helen Bollinger, a pedaller deluxe. . . . Oh, she ' ll go, will she, Lloyd Hilbert? What else could that grin mean? . . .Ah! what a charming smile from Evy Stouffer. . . . Well, here ' s one of the Jones boys — William R. to be specific, Bill in general CLss of 1942 Page fifty-three

Page 31 text:

An easy chair, a fire place, a quiet nook — Phoebe Anne with nary a Theye (pardon the tithp) gives us comfort a la Fish. . . . Phil Griffiths is getting all keyed up for — well, what would you say? . . . Two, four, six, eight, ten books can ' t hide Marge Mil- ler. . . . Going to ball out someone, Burdette Hoke? Don ' t you see that No Park- ing sign, Loren Metzger? . . . If Frances Parks goes domestic, you can ' t beat her cakes. . . . When we do that Wieland on a finger, but Larry doesn ' t even watch what he ' s doing. . . . Who are you waiting for, Dorma Eu- bank? You won ' t wait long with a smile like that. Marge gives us that Young look. . . . Sorry we bothered you. . . . Take care Dale ( Doc to you ) Kinzie; you may get mixed up in that mix .... Just a minute, Esther Buschman, don ' t work Sew hard. . . . Tsk, tsk, laugh- ing at your own jol.e again, Ed Crill? Arresting pose by Frank Ire- land. . . . We juniors are such busy people! . . . Thank you, Feme Searer, for a real display, two sets of ivories. . . . Uh — Oh I We ' re late again. John Noff- singer ' s ready to start Sunday School. . . . I ' m sorry I can ' t understand you. Would you re- peat that please, Eldonna Car- biener? Appearances may be deceiv- ing. Are you really two tired, Frances Studebaker. . . . Can ' t fool us, Merle Newby, you ' re not eating in the dining hall. . . . Eileen Emley at the Show backs of books desk pauses to smile for us. . . . It ' s curtains for Lew Williams if he ' s really try- ing to study. Clam of 1942 Page fifty-three