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Page 29 text:
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Class of 1942 Hurry up, Leo Merzger; you ' re going to be late to class. . . . Organ-ically and a-chord- ingly June Replogle poses for us. . . . Jim Mowrey leaves Oak Leaves and forgets his dead-line for a minute. ... Is Emogene Hossler penning in or penned in the registrar ' s office? Take a tip from Ruth Fuch- shuber, The way to a man ' s heart is through his stomach. ... Jim Pusey (long u please) hob nobs with the pallid bust of Pallas. . . . Make up your mind, Irma Grace Fisher. Are you coming or going, or coming? . . . George Bunce gets all steamed up. Yes, we see what you mean, Benton Rhoades. . . . Betty Baker steps out — on the steps of Oak- wood. . . . You ' ve got an under- standing look, Eldon Pippen, so maybe you ' ll explain what goes on here. . . . This Borders on the studious, don ' t you think so, Esther? Helen Bollinger, a pedaller deluxe. . . . Oh, she ' ll go, will she, Lloyd Hilbert? What else could that grin mean? . . .Ah! what a charming smile from Evy Stouffer. . . . Well, here ' s one of the Jones boys — William R. to be specific, Bill in general CLss of 1942 Page fifty-three
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Page 28 text:
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Gene gives us a chance to tell a woman ' s success story, Cot-to- er-man .... here we have Roma Glee Wilson brushing up. . . . Do you suppose Paul Dotson strayed from his lessons to listen to the song, Eloise? .... That is a huge book Isobel Rarick has. ... I didn ' t think she needed one. Alyce Skidmore is sewing us a fine seam — it seams sew any- how. . . . Darrell Fryman is going to show us what the score is maybe. . . . Maxme Young is doubling up on her reading. . . . here we have chivalry a la Rich- ard Beck. That is a Price -less smile you have, Doris. . . . Vera Wet- ters shows us one way of looking over the International situation. . . . The French horn Robert Schnar has looks rather con- fused. . . . Lois Hartsough seems to have a lot of Le asure time. Let ' s ask Ned Hutchinson how his garden grows. . . . Lois Snyder is dialing in. . . . Edith Blough is very Young Evan now (excuse my Swedish). . . . Don Rowe is cutting up again. Draped in this easy chair is Virginia Stoner. . . . Row, row, ' Royer ' boat sings Dee. ... A pill in time saves Leah Stone more work. . . . She is not sweet sixteen but sweet Christine Frederick. uncord Page fifty
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Page 30 text:
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uncorj Problem: Is Elinor Huffman leaving or arriving? — Answer: Leaving if it ' s before 10 p. m. . . . Dave Richardson horns in. . . Why, Mary Ellen Overman, what lines you ' re giving us! When Darrell Dunham plays around, he faces the music. Bobby Brandon, Burt ' s handy man, is always Neher. . . . Keep- ing posted made simple by Jane Smith. . . . Since music makes the world go round, Bob Zigler makes us dizzy. . . . Gladys Dumond (Zimmerman now) gives us that Quiet, Please glance. Here ' s Virginia Wagner with that Far, Far Away look. . . . Isn ' t that bottle empty yet, Gene Menzie? . . . Emma Gossett makes a pretty picture — two pictures to be exact. . . . Pre- senting Harold Drummer Boy Fearer. Dale Salty Peters prepares to Rohrer. . . . Here we have Joan Miller getting the air or a station or something. . . . Get back to your work, Bob Pfeiffer! — You can ' t loaf on library time. . . . Does every letter from home make you that happy, Lor- ena Kuhn. (J p. ' UMLOPd Page fifty
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