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Page 15 text:
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FACULTY W. H. Halverson Miss Dorothy Burgess Miss Lois Merwin Sydney Hillyard 3and Science Physical Education Commercial Miss Rose Tognatti Miss Alice Jongewaard Anita Leonard Miss Mary Petty Art and English Mechanical Drawing Secretary Home Economics Howard Rowe Miss Annabel Hall Mrs. Mar Physical Education Spanish Dramatics Agriculture zaret Hubbard Byron J. McMahon SS i
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Page 14 text:
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FACULTY Geo. M. Sheldon Miss Lois Bennink Mrs. Bonita Maloy Chester C. Smith Science Vice-Principal English and History Shop History Mrs. Alice Teall Robert J. Teall Miss Nellie McSweeney Mathematics Principal Treasurer and Commercial L. C. Thompson Miss Mary Kger Mrs. Florence Williams Miss Virginia Short History and Civics English Mathematics and Latin Music and Library 10)
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Page 16 text:
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APPEARANCES ANXIOUSLY AWAITED Many agree that our Leisure Class has dramatic possibilities, but difficulties arise over the selection of roles best suited to the in- dividual. It is thought that futuristic faculty flashes, giving a list of suggested plays, together with judicious criticism of each, will be of material aid. ‘The following are respectfully submitted with deep obeisances and profound apologies: “Silence,” with R. J. Teall—Impressive. “Obey the Law,” with Lois M. Bennink—Too realistic. “So’s Your Old Man,” with Mary Petty—Highly improbable. “The Play’s the Thing,” with Margaret H. Hubbard—an extra- ordinary bit of satire. “High and Handsome,” with L. C. Thompson—A play with a queer point of view. “Freedom of the Press,” with Mary Eger—A notable fantasy. Intense melodrama. “Just Another Blonde,” with Anita Leonard—Pathetic and tear- compelling. “The Kickoff,” with H. L. Rowe “The Phantom of the Opera,” with Virginia Short—Haunting and weird. “Scraps,” with Alice Jongewaard—The sensation of the year. “The Wizard of Oz,” with Geo, M. Sheldon—Annusing slapstick. “Senorita,” with Annabel [all—Modern Spanish comedy. “The Sporting Life,” with Lois Ford Merwin—A guaranteed thriller. “Blarney,” with Nellie McSweeney—Strictly Irish, “White Mannels,” with Sydney Hillyard—An American tragedy. “Taxi, Taxi,” with C. C. Smith—The heart-rending lyric of a Lizzie. “Trish Hyves Are Smiling,” with Bonita Maloy—Very pleasing. “The Lady in Ermine,” with Madame Teall—A striking character study. “The Unknown,” with Ilorence B. Williams—An absorbing mystery drama. “Some Pun’kins,” with Byron McMahon—Small-town hokum, “The Rough Riders,” with Dorcthy Burgess—Exciting Western. Curtain or soft-focus fade-out. Note: The above are, as said betore, merely “suggested.” If anyone should follow a suggestion made, he will do well not to mention itn his autobiography. —By La Verne Lathem
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