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Page 29 text:
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Stanley Jasienowski—his fancy suspenders to Emile Swiatowski. Jean Jez—her diminutive figure to Jenny Kogut. David Johnston—his sincere good nature to Mr. Bur- gess aS an example to future Hi-Y members. Ruth Kartz—her inexhaustible supply of gossip to Rita Gauthier. Helen Kielbania—her sports prowess to next year’s girls’ basketball team. Walter Kopyscinski—his courteous manner to Mit- chell Kogut. Walter Kosciw—his excess scientific knowledge to Arlindo George. Nellie Kurpaska—her so-called aversion to male company to Mabel Luzi. Jane Laska—her classic profile to ]da Hiersche. Gloria Lemos—her crooning the latest popular hits to Gertrude Hughes. Alice L’Esperance—leaves her job as assistant to Mr. Millane to James Gillan. Catherine Liecivitz—her blushes during oral recita- tion to Edmond Wallace. Catherine Lewicki—her ambitious manner to Roger Ackerman. William Low—his worldly wisdom to the next gener- ation of seniors. Jane Lysik—her difficulties with “th” to Walter Lazarz. Felix Marelli—his ““mustachio™ to Leonard Nietup- Ski. Norman Mart in—his current flirtations to any boy in the Junior Class who wants them. Celeste Martins—her “Mexican appearance’ to Mar- cellino Silva. Rosalind Martins—her ability to shoot baskets from all angles on the basketball floor Ezaura Carrolo. Molly Mateer—her “six feet” of height to Herbert Wilson. Frank McLeish—his liking for green clothes to Robert Tibbetts. Mike Melnyck—his success in thumbing rides to Edwin Allen. Rose Melnyk—her trips to New York to Mr. Curtis. Helen Miazga—her ability to do a hundred things at once and do them well to Nellie Siok. Robert Miller—his studious manner during lunch time to Kenneth Damon. Alice Nedeau—her ready excuses for any and every- thing to Cassmeda Campora. Mary Nunes—her unobtrusive presence to Phyllis Cornell. Nellie Obrzut—her art of whistling to Mabel Almeida. Peter Osolinski—his tardy slips to Mitchell Kras. Albert Ouellette—his bushy hair to Arlindo George. Vivaldo Pancotti—his habit of talking out of turn to zuara Carrolo. Andrew Panek—his constant grin to Frank Lewicki. Steve Pawliw—his surprisingly clever comments out of a dead silence to George Domaingue. Lillian Pease—her “Fu Manchu’ fingernails to Marilyn Munsing. Gloria Pereira—her daily pepared French lessons to Beverly Chevrier. Ida Piangerelli—her Dorothy Craig. good-looking wardrobe to 27 Alexander Polansky—his fidelity in matters of the heart to Ray Davis. Marian Potter—her taste in color combinations to Beatrice Filer. 7 Wilder Rice—his Vermont drawl to Manuel Cabral. David Ritchie—his ability to solve difficult mathe- matical problems to Russell Godin. Antonio Rodriques—his ability in soccer to William Santos. Mary Rodriques—her quiet manner to Roy Hiersche. Ralph Rossi—his “German Clip” to Robert Tibbetts. Reno Salli—his voice to David Heron to use in a hog- calling contest. Arnold Santos—his shy bravado to Frank Lewicki. Emma Santos—her rendezvous in the hall with a library slip for Miss Elmer to sign to Edward Ryba. Marie Severns—her blond curls to Felicia Makuch. Mario Silva—his quick thinking at unexpected moments to Gloria Sorrel. Sara Silva—her nickname “Pussy” to rene Santos. Stanley Slosek—the crease in his trousers to Walter Marszalek. Helen Smolak—her quick temper to Anna Jez. Warren Stone—his ability to concentrate to Elio Sergneri. Josephine Surowiec—her taciturn manner to Helen az. Fabiola Syriac—her ability to do herculean amounts of work to Victoria Ziemba. Emilie Szczebak—his streamlined wave to Walter Peacey. Annie Szydlowski—her friendly smile to Genevieve Dziura. Wilfred Tetreault—his ability to play the villian in school plays to Harry Bosyk. Margaret Thompson—her thousand freckles to Ruth Freitag. Mary Thompson—her infrequent but always correct answers in class to Edward Trusz. Nancy Topor—her A’'s to Lucien Therrien. Beatrice Tourville—her indescribable giggle to Annie Zajaczkowski. Josephine Ventura—her pleasant voice to Jeanette Bourbeau. Teddy Waz—his shy orals to Vergil Jorge. Grace Wilson—her small meek ways to Dorothy Milne. Steve Wojcik—his serious studious manner to Joe Nowak. John Zina—his curly hair to the Junior girls. Helen Zych—the space she occupies in the corridors to Mabel Almeida. End of Will And we do hereby appoint the great American Dictator, Donald Duck [Remember?], our sole executor of this, our last will and testament. In witness whereof, we the Class of 1940 set our hand and seal [the town clock you know!] this eleventh day of June, nineteen hundred and forty. [Signed] Class of 1940 THE HONORABLE STANLEY S, SLOSEK Attorney-at-Law ME You THE OTHER Guy Witnesses:
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Page 28 text:
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Class Will We, the 114 members of the Class of the 1940th year Anno Domini, residing at Lud- low High School, Ludlow, Massachusetts, United States of North America, in the Western Hemisphere of the Planet Earth, in the Solar System, believing ourselves in full possession of big heads containing unbalanced minds as the deplorable result of pedagogic over- stuffing; in accordance with past precedence, and mindful of our Constitutional rights, do, here and now, make, declare, and publish this, our first and last will and testament, disposing of our most cherished possessions with no strings attached. First: Yo the still emerald-hued Junior Class, with the stern admonition that they respect our memory, we leave our front rows of seats in the Auditorium. Second: To the underclassmen, we leave a kind smile and a few one syllable words of priceless advice—Act as WE did in all YOU do, and some day you'll be as great. Third: To the faculty we leave their four years of experience in supervising us. Fourth: Individually, we bequeath the following heritage— Clarence Abair—his lucky hiking thumb to Mike Ferenz. Julia Almeida—her auburn hair to Theresa Bisaillon Joseph Alves—his long sweeping eyelashes to Ronald Young. Josephine Barczynski—her vastly-improved-over freshman-year-voice to Stella Pylypow. Alfred Barrett—his oversupply of laughing gas to Joseph Sousa. Jennie Barscz—her dimples to Marion O'Neil. George Bassett—his ability to rise in class, talk a great deal, and yet say nothing to Stanley Twarog. Sophie Bator—her coquettish glances to Ralph Warner. Stella Bednarz—her shy smile to Jennie Ryba. Barbara Bell—her efficient method of doing things to Raymond Davis. Leona Bello—her neatness to Edward Trusz. Dorothy Bissell—a few yards of her height to Ruth Dion. Evo Bellucci—his “banjo” eyes to Arthur Duquette. Emily Borek—the “sunshine of her smile” to Alice Grabowski. Raymond Boudet—his “romantic drawl” to Mitchell Tenerowicz. Francis Bourbeau—his reputation as a filibusterer to Helen Anderson [with the provision that each oral talk must be at least thirty minutes long]. Fannie Brockway—her straight locks to Marie Bell. Viola Bruni—her long eyelashes to Brenda Allen. Helen Burkot—her businesslike manner to Ann Kusek. Shirley Butler—her dressmaker’s ability to Dena Catalini. Mae Cameron—her baby talk to Marjory Johnston. Virginia Chenevert—her popularity to Gladys Duda. Stella Chrusciel—her neat coiffure to Jennie Mik. Rose Czorny—some of her exuberance to Nellie Siok. Walter Dobrzycki—the break in his voice to Charles Craigie. 26 Anna Dudek—her platinum blond hair to Rita Duquette. Kenneth Edgar—his job of secretary to Miss Staton to Reno Bellucci. Frank Ellison—his skill at drum playing to George Domaingue. Celia Fidalgo—her height to Leo Roberts. Albert Fiormanti—his divine dancing to Arthur Duquette. John Fournier—his notorious reputation to John Kue. William Frennier—his Stephin Fetchit walk to James Lemos. Edna Fuller—her frequent use of Biblical statements to prove her arguments to Amelia Kareta. Percy Fuller—a few inches of his height to Alfred Henriques. Edna Gates—her aristocratic manner to Kenneth Warren. ; Stanley Gajewski—his artistic genius to Frank Ac- kerman. Walter Golaszewski—his clumsy handling of chemi- cals to William Santos. Eileen Golden—her leadership in class activities to Barbara Baird. Pearl Grabowski—her Bronislaus Szczygiel. Lourdes Guerra—her shiny black hair to Dorothy Carpenter. Lorraine Guertin—her vivacious personality to John Bourbeau. Dexter Hiersche—his meek, unassuming conduct to Edward Trusz. Lillian Hojnak—a few inches she has to spare to Ruth Dion. Helen Hull—her timid and modest ways to Sheila Stone. Edwin Janeczek—his mannerism of tipping his head sideways when talking to Sophie Smokowicz. puritanical expression to Ann Janik—her soft voice to Marguerite Beck. Remie Jarvis—his nonchalance to Dorothy Milroy.
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