Class Will We, the 114 members of the Class of the 1940th year Anno Domini, residing at Lud- low High School, Ludlow, Massachusetts, United States of North America, in the Western Hemisphere of the Planet Earth, in the Solar System, believing ourselves in full possession of big heads containing unbalanced minds as the deplorable result of pedagogic over- stuffing; in accordance with past precedence, and mindful of our Constitutional rights, do, here and now, make, declare, and publish this, our first and last will and testament, disposing of our most cherished possessions with no strings attached. First: Yo the still emerald-hued Junior Class, with the stern admonition that they respect our memory, we leave our front rows of seats in the Auditorium. Second: To the underclassmen, we leave a kind smile and a few one syllable words of priceless advice—Act as WE did in all YOU do, and some day you'll be as great. Third: To the faculty we leave their four years of experience in supervising us. Fourth: Individually, we bequeath the following heritage— Clarence Abair—his lucky hiking thumb to Mike Ferenz. Julia Almeida—her auburn hair to Theresa Bisaillon Joseph Alves—his long sweeping eyelashes to Ronald Young. Josephine Barczynski—her vastly-improved-over freshman-year-voice to Stella Pylypow. Alfred Barrett—his oversupply of laughing gas to Joseph Sousa. Jennie Barscz—her dimples to Marion O'Neil. George Bassett—his ability to rise in class, talk a great deal, and yet say nothing to Stanley Twarog. Sophie Bator—her coquettish glances to Ralph Warner. Stella Bednarz—her shy smile to Jennie Ryba. Barbara Bell—her efficient method of doing things to Raymond Davis. Leona Bello—her neatness to Edward Trusz. Dorothy Bissell—a few yards of her height to Ruth Dion. Evo Bellucci—his “banjo” eyes to Arthur Duquette. Emily Borek—the “sunshine of her smile” to Alice Grabowski. Raymond Boudet—his “romantic drawl” to Mitchell Tenerowicz. Francis Bourbeau—his reputation as a filibusterer to Helen Anderson [with the provision that each oral talk must be at least thirty minutes long]. Fannie Brockway—her straight locks to Marie Bell. Viola Bruni—her long eyelashes to Brenda Allen. Helen Burkot—her businesslike manner to Ann Kusek. Shirley Butler—her dressmaker’s ability to Dena Catalini. Mae Cameron—her baby talk to Marjory Johnston. Virginia Chenevert—her popularity to Gladys Duda. Stella Chrusciel—her neat coiffure to Jennie Mik. Rose Czorny—some of her exuberance to Nellie Siok. Walter Dobrzycki—the break in his voice to Charles Craigie. 26 Anna Dudek—her platinum blond hair to Rita Duquette. Kenneth Edgar—his job of secretary to Miss Staton to Reno Bellucci. Frank Ellison—his skill at drum playing to George Domaingue. Celia Fidalgo—her height to Leo Roberts. Albert Fiormanti—his divine dancing to Arthur Duquette. John Fournier—his notorious reputation to John Kue. William Frennier—his Stephin Fetchit walk to James Lemos. Edna Fuller—her frequent use of Biblical statements to prove her arguments to Amelia Kareta. Percy Fuller—a few inches of his height to Alfred Henriques. Edna Gates—her aristocratic manner to Kenneth Warren. ; Stanley Gajewski—his artistic genius to Frank Ac- kerman. Walter Golaszewski—his clumsy handling of chemi- cals to William Santos. Eileen Golden—her leadership in class activities to Barbara Baird. Pearl Grabowski—her Bronislaus Szczygiel. Lourdes Guerra—her shiny black hair to Dorothy Carpenter. Lorraine Guertin—her vivacious personality to John Bourbeau. Dexter Hiersche—his meek, unassuming conduct to Edward Trusz. Lillian Hojnak—a few inches she has to spare to Ruth Dion. Helen Hull—her timid and modest ways to Sheila Stone. Edwin Janeczek—his mannerism of tipping his head sideways when talking to Sophie Smokowicz. puritanical expression to Ann Janik—her soft voice to Marguerite Beck. Remie Jarvis—his nonchalance to Dorothy Milroy.
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