Ludlow High School - Lion Yearbook (Ludlow, MA)

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. KANE . KARCZMARCZYK . KARNES tf. KOGUT tj Q . KUC . LEWICKI ee . MANONI . MARTINS . MILLER . MILNE . MISHOLOVSKY - MISHOLOVSKY »- NOWAK - OWENS . PEACEY . PETROLATI PRATT . QUAGLINI . RACHMACIEJ RAPSKA 27 her wonderful disposition to Miss Hubbell, and she donates a few pairs of shoes to be used at a shoe exhibition. Her way of skipping classes to Eleanor Kenney, and her position as Mr. Longmore’s secretary to Helen Cmiel. the undergraduate boys to Betty Townsend, and her note-writing ability to James Carter. his basketball ability to next year’s varsity, and his habit of dreaming in Problems of Democracy class to Gordon Blood. leaves his puny puns to Harry Reid, and his natural wave to Walter Waleczak. his excess grammatical knowledge to Rafael Rod- riques, and his “savoir faire” to Miss Bergeron. his frail physique to Gisto Marini, and his study hall tactics to Edward Cummings. her business-like manner to Dorothy Bradley, and her cafeteria position to Thelma Doughty. leaves a magnet that will attract more pupils to the basketball games, and soap to grease the way for those pupils who are descending in their studies. one of her hair ribbons to Stanley Bator to keep his hair out of his eyes during basketball and soccer games, and a dog’s muzzle to Wanda Krawczyk to keep her quiet for once. leaves her listless manner to Julia Pedoski, and her drag with beauty contest judges to Charlotte White. his job as office boy to David Preston, and his neat- ness to John Costa. leaves Mike Bolaski car tickets so that he can “‘ride down and see her sometime”, and a book on “How to Get a Man and Keep Him” to Annie Czorny. his unusual laugh to Charles Tenerowicz, and a roll of tape to cover the hole in Leon Kras’ bat. his ability to get up in class, talk a great deal and yet say nothing to Alyce Mae Smart, and his nervous fidgeting to advertisers of Camel cigarettes. his Fu Manchu finger nails to Tommy Duda, and the hair on his chest to Frank Silva. leaves his bluffing ways to Frank Santos, and a tack to John Nowak to sit on. leaves his Boris Karloff physiognomy to Mario Ar- cabello, and all of his spare height to the Marinis. leaves her Southern drawl to Susan ‘Ritchie, and her quick tempered comebacks to Lilyan Kalita. leaves her slow walk to Mabel Santos in prepara- tion for her wedding march, and her name for Betty Townsend to try to write, not pronounce. her Joy Street acquaintances to Sylvia Glassman, and her habit of always giving her opinion whether asked for or not to Eleanor Haluch.

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26 A. BOUDET E. CARMELL J. CHARKO J. CHAROW D. CLIFFORD T. CYGAN A. CROWELL M. DOBRZYCKI L. DUBOIS D. EDGAR EK. ELLISON A. ENOS J. FARR M. FERGUSON ry . FULLER J. GAJEWSKI T. GIBB L. GLASSMAN W. GOLDEN S. GUMULA R. HOCK J. INGHAM B. JANAS A. JANES BE. JANES A. JOHNSTON art of whistling to Tommy Duda, and his slow walk to Tony Gregory. his drag with the teachers to Harry Reid, and his popularity to Philip Gaffney. leaves his job as right hand man for Mr. Miner to Mario Diotalevi, and his girlish blush to Frank Santos. his complexion to Gertrude Weferling, and his red ties to Teddy Ziemba. her cartooning to Mike Bolaski, and her love for cats to Mr. Longmore. leaves his quiet manner to Gildo Sergneri, and his earnestness to William Melnyk. his crooning ability to Mike Pukish, and his flashy sox to Peter Hawrylciw. her place on the bench to Clotilde Louis, and the pronounciation of her name to Margaret Bell. leaves her petiteness to Julia Barszez, and her come-hither look to Miss McDermott. ability to slay the women to Randall Messenger, and his smiles to Robert Taylor. ability to gab to Sophie Gajewski, and her 4-H Club work to Eva Ellison. his slickly-combed hair to Carlos Santos, and his ability to play piano to Leon Gagne. popularity with the Junior boys to Anna Kuc, and her school girl complexion to Stella Zuccarini. her need for mirrors to Helen Bialka, and her Danno O’Mahoney pose to Mary Przybycien. slow ease to Ruth Crowell, and to the janitors a set of tools to fix the seats in the rooms. his wavy hair to Joseph Cuscuna, and his way with Mr. Trapp to Ruben Quaglini. her plumpness to Doris Goddu, and her ability to take a joke to Sophie Dybezy. her ability to flunk subjects to Howard Randall, and her long list of titles to Dorothy Brooks. his bashfulness to Harold Vigneault, and his mag- nificent baritone voice to Alexander Johnston. her pessimistic views to Miss Elmer, and her radicalism to John Wdowiak. his growing pains to Robert Beatson, and his ability to play the tuba to Beatrice Tourville. his punctuality to Mrs. Cormier, and his German clip to Harry Merkel. her talking ability to William Mateer, and her meditative mood to Fermino Rebeiro. leaves a compass to John Thompson so that he can find the basket, and a reducing machine to Bud Birnie to reduce his height and width. . wills her home-making ability to Helen Wrona, and her love for trucks to Clarisse Dion. teaves her tap dancing ability to Doris Brehart, and her make-up slips to Shirley Consedine.

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J. 28 RAMOS . ROONEY A. SANTOS . SANTOS H. SARAD M. ‘dg M. M. . SAS . SIOK . SORCINELLI SROKA . STARZYK s STUART SZCZYGIEL . SZLOSEK TISDALE VENTURA . WADAS . WARNER WARNER - WHEATON leaves his voice to Teddy Podsadowski to use in a hog-calling contest and his wrestling ability to William Vershon. leaves Ermina Fernandes her squeaky voice to at- tract mice into Room 211, and a cement soccer ball for Sonny Wills to kick. leaves a left-handed monkey+wrench to Mr. Trapp; and a “bicycle built for two” to the Abair twins. her ability to pass notes in Mr. Burgess’ English class to Sophie Skowron, and her loud talking during recess time to Evelyn Deroche. her silly giggle to Grace Rogers, and her use of cosmetics to Stella Bal. a pamphlet on how to wear clothes to Wanda Kraw- ezyk, and her marriage intentions to Mary Low. her uncomplaining attitude to Charlotte James, and her gentleness to John Karcezymarczyk. her position as captain of the Girls’ Basketball Team to Frances Duquette, and her temper to Rose Abair. her shyness to Lillian Marelli, and her modesty to Ermina Pendrak. her ability to get along with people to Helen Cmiel, and her constant efforts to make good to Willis Warren. her blush to Julia Silva, and her ability to tell nursery rhy mes to Mr. Burgess. his argumentive ways to Elizabeth Zilinsky, and his Shopping News route to Teddy Podsadowski. his innocent looks to Joseph Shea, and his luck in guessing correctly to Julia Sarad her corner back seat in Room 207 to anyone who is going to be in that room and wants it, and her typing speed tests to Bertha Tenerowicz. her interest in the opposite sex to Julia Bramucci, and her red hair to Willis Warren to go with his temper. her ability to take part in the town’s minstrels to Mary Przybycien, and her ability to vamp the school janitors to Mary Laska. the curl in the middle of her forehead to Sophie Chrabaszez, and her agreeable ways to Wanda Wadas. leaves a quart of milk which he distributes to the Dionne “Quins” and his position on the baseball team as the assistant to the manager’s assistant to Joe Shea. his automobile sales talk to Steven Chomyn and a pair of unstretchable suspenders to Mary Low. the key to the class treasury to Francis Chenevert, and her Laboratory assistant job to Edmund Amos. her poise to Ermina Pendrak, and her height to Lena Marini.