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Page 28 text:
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26 A. BOUDET E. CARMELL J. CHARKO J. CHAROW D. CLIFFORD T. CYGAN A. CROWELL M. DOBRZYCKI L. DUBOIS D. EDGAR EK. ELLISON A. ENOS J. FARR M. FERGUSON ry . FULLER J. GAJEWSKI T. GIBB L. GLASSMAN W. GOLDEN S. GUMULA R. HOCK J. INGHAM B. JANAS A. JANES BE. JANES A. JOHNSTON art of whistling to Tommy Duda, and his slow walk to Tony Gregory. his drag with the teachers to Harry Reid, and his popularity to Philip Gaffney. leaves his job as right hand man for Mr. Miner to Mario Diotalevi, and his girlish blush to Frank Santos. his complexion to Gertrude Weferling, and his red ties to Teddy Ziemba. her cartooning to Mike Bolaski, and her love for cats to Mr. Longmore. leaves his quiet manner to Gildo Sergneri, and his earnestness to William Melnyk. his crooning ability to Mike Pukish, and his flashy sox to Peter Hawrylciw. her place on the bench to Clotilde Louis, and the pronounciation of her name to Margaret Bell. leaves her petiteness to Julia Barszez, and her come-hither look to Miss McDermott. ability to slay the women to Randall Messenger, and his smiles to Robert Taylor. ability to gab to Sophie Gajewski, and her 4-H Club work to Eva Ellison. his slickly-combed hair to Carlos Santos, and his ability to play piano to Leon Gagne. popularity with the Junior boys to Anna Kuc, and her school girl complexion to Stella Zuccarini. her need for mirrors to Helen Bialka, and her Danno O’Mahoney pose to Mary Przybycien. slow ease to Ruth Crowell, and to the janitors a set of tools to fix the seats in the rooms. his wavy hair to Joseph Cuscuna, and his way with Mr. Trapp to Ruben Quaglini. her plumpness to Doris Goddu, and her ability to take a joke to Sophie Dybezy. her ability to flunk subjects to Howard Randall, and her long list of titles to Dorothy Brooks. his bashfulness to Harold Vigneault, and his mag- nificent baritone voice to Alexander Johnston. her pessimistic views to Miss Elmer, and her radicalism to John Wdowiak. his growing pains to Robert Beatson, and his ability to play the tuba to Beatrice Tourville. his punctuality to Mrs. Cormier, and his German clip to Harry Merkel. her talking ability to William Mateer, and her meditative mood to Fermino Rebeiro. leaves a compass to John Thompson so that he can find the basket, and a reducing machine to Bud Birnie to reduce his height and width. . wills her home-making ability to Helen Wrona, and her love for trucks to Clarisse Dion. teaves her tap dancing ability to Doris Brehart, and her make-up slips to Shirley Consedine.
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Page 27 text:
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Class We, who are left of the Class of 36 of the supernatural roller-skating town of Ludlow, being of super- normal mind, short memory, and great misunderstanding, do hereby make and publish the following as, and for, our First and Last Will and Testament: First: We hereby appoint as our executors Owen Curtis and James Scott. Second: We leave en masse to the school the sum of $100 with which to purchase cushions along the cement walks for the afternoon “sitters”; $25 for a device to calm the breeze when the roller-skaters go by; $98.43 for books on wheels for the lazy stu- dents; $48.05 for dope for the stu- dents of the same description; a 250 horse power voice-box for the cheer leaders of 1937, and $150 for a car- penter to raise the ceilings in a couple of rooms to accommodate Mr. Mil- lane’s height. To the Junior Class—rooms 205 and 207, and all the hard work, low marks, bad luck, scratched desks, and noisy janitors that the Class of 36 had. To Mr. Baird—our thanks for ail he has done to make our four years happy ones. To Mr. Joslow—a mechanical bull- dog to bite him when he pierces the pupils with an antagonistic glance. To Miss Szczygicl—a pair of wings so she can save her feet on her tours through the school, To Miss Hoehle—a question she can’t answer and an argument she L. BALDRATE 25 Will can’t win. To Miss Whitmore—a dead horse (color—red) from which she need not fear back talk. ] To Miss Borden—coffins to bury her athletes if she uses the Coach Miner system. To Miss Bergeron—a geography book. To Mr. Hargreaves—spats and a derby to match his walk. To Mr. Burgess—ten ounces of flesh-colored paste to fill in the dim- ple on his chin. To Mrs. Cormier—a jail sentence so she’ll know what it feels like to be kept after school. To Mr. Longmore—a secretary that will meet his requirements. To Mr. Trapp—a board stretcher, rubber sandpaper, a pail of steam, glass tacks, rubber hammers, and a good joke so that his pupils will get what they ask for. To Miss Brooks — an automatic pencil supplier and a portable library so that her pupils can look up their reports and get them in on time. To Mr. Millane—a book on ‘‘How to be a Politician” so that he can put his (loud) voice to good use. To Coach Miner—beds on which his moribund athletes can sleep during games. To Mr. Messenger—a bullfrog to imitate his voice and a heavier baton with which to exercise. To Mr. Curtis—a book on “The Art of Milking a Cow”. (Pull the first valve down.) Third: Each of us leaves the follow- ing bequests: her gloominess to John Thompson, and her clever- ness in chewing gum to Mr. Joslow. J. BANAS her charming voice to Walter Janes, and her co- operation in gloominess with Lilyan Baldrate to Malcolm Petrie. R. BELISLE ry in French her straight hair to Charles Migacz, and her wizard- to Mike Olinkiewicz.
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Page 29 text:
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. KANE . KARCZMARCZYK . KARNES tf. KOGUT tj Q . KUC . LEWICKI ee . MANONI . MARTINS . MILLER . MILNE . MISHOLOVSKY - MISHOLOVSKY »- NOWAK - OWENS . PEACEY . PETROLATI PRATT . QUAGLINI . RACHMACIEJ RAPSKA 27 her wonderful disposition to Miss Hubbell, and she donates a few pairs of shoes to be used at a shoe exhibition. Her way of skipping classes to Eleanor Kenney, and her position as Mr. Longmore’s secretary to Helen Cmiel. the undergraduate boys to Betty Townsend, and her note-writing ability to James Carter. his basketball ability to next year’s varsity, and his habit of dreaming in Problems of Democracy class to Gordon Blood. leaves his puny puns to Harry Reid, and his natural wave to Walter Waleczak. his excess grammatical knowledge to Rafael Rod- riques, and his “savoir faire” to Miss Bergeron. his frail physique to Gisto Marini, and his study hall tactics to Edward Cummings. her business-like manner to Dorothy Bradley, and her cafeteria position to Thelma Doughty. leaves a magnet that will attract more pupils to the basketball games, and soap to grease the way for those pupils who are descending in their studies. one of her hair ribbons to Stanley Bator to keep his hair out of his eyes during basketball and soccer games, and a dog’s muzzle to Wanda Krawczyk to keep her quiet for once. leaves her listless manner to Julia Pedoski, and her drag with beauty contest judges to Charlotte White. his job as office boy to David Preston, and his neat- ness to John Costa. leaves Mike Bolaski car tickets so that he can “‘ride down and see her sometime”, and a book on “How to Get a Man and Keep Him” to Annie Czorny. his unusual laugh to Charles Tenerowicz, and a roll of tape to cover the hole in Leon Kras’ bat. his ability to get up in class, talk a great deal and yet say nothing to Alyce Mae Smart, and his nervous fidgeting to advertisers of Camel cigarettes. his Fu Manchu finger nails to Tommy Duda, and the hair on his chest to Frank Silva. leaves his bluffing ways to Frank Santos, and a tack to John Nowak to sit on. leaves his Boris Karloff physiognomy to Mario Ar- cabello, and all of his spare height to the Marinis. leaves her Southern drawl to Susan ‘Ritchie, and her quick tempered comebacks to Lilyan Kalita. leaves her slow walk to Mabel Santos in prepara- tion for her wedding march, and her name for Betty Townsend to try to write, not pronounce. her Joy Street acquaintances to Sylvia Glassman, and her habit of always giving her opinion whether asked for or not to Eleanor Haluch.
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