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Page 11 text:
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Art Dept. 7 lined with your own creations, each a separate piece of the puzzle-like maze composing you. Art helps one learn to be honest about one's own feeling — with one’s self and the world — in that when you create, a piece of your- self is given to the creation and there it remains — undeniable — for you and the world to see, understand, and learn from. Each individual discovered his or her own medium for self-expression — for some, a piece of clay laying damp and lifeless before them acted as a catalyst to begin an outpouring of themselves flowing into that still lump of earth which previously had meant nothing to anyone but, at the conclu- sion of this flurry, is as much a part of them as their right arm. For others, having a charcoal pencil in their hand and a wonderfully blank sheet of paper in front of them — utensils with which to bring into being all the fantastic creatures peopling their minds, to give life to their varied hopes and dreams, no matter how outlandish or unseemly they may be — is the proper condi- tions to nurture and cause to grow that urge to create that lies dormant within all of us just waiting to be given a shove to grow. Still others found a brush and easel with pastels or oils were the perfect means of bringing into view the hobgoblins roaming inside their heads, peeking around corners, peering down corridors, sneaking stealthily from passage to passage, trying to find an escape route leading out of the inner dark- ness where tney subsist into the bril- liant, abounding beauty of the outside world. The medium itself actually mat- ters little — the important thing is to be comfortable with whatever you choose to work with. All this emotion that was instilled into each piece of art produced in the overcrowded, close, yet homey art room overcomes the drabness of the room itself and converts it into a sort of Eden, full of beauty and comfort, with new and different bits of marvel- ous fantasy to see at every turn. It’s a wondrous world to itself, set aside from the rest of the building by a bar- rier of joy in self-expression and dis- covery — and a definite asset to our system. Att painstaking care, Julie Kalklosch 4. Contemplating his work, Carl Price seems somewhat disgruntled. 5. Lollipop in mouth, Jamye Anders labors away. 6. Stitching carefully on burlap, Tim Roe's concentration shows. 7. Mixing to get that just right hue isn't easy, as Carol Vorhees discovers. 8. Marilyn Vickroy consults Madge Wright. 9. Rolling jute can be tedious as Cheryl Scott demonstrates. fExlPuaiun of |lou There was an aura of surrealism pervading room 114. Each of the var- ied paintings, posters, sculptures, and hangings al out the room seemed to have its own private life: its own mes- sage to give to the world, just waiting for someone to come along and listen. Madge Wright and her art students all seem to be vibrant people — brim- ming with a love of lire, allowing the overflow to be mingled with their works. They used their creative abili- ties to express their innermost thoughts and emotions some of which they themselves had been unaware existed within them. Art can help one to discover one’s own self — to see into your own soul through a corridor
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