University of Kansas - Jayhawker Yearbook (Lawrence, KS)

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II THE I!HII 01 IK I Its Assistant Directors . Curtis Johnson Jack Dalby President Robert Hampel First y ice-President . Jack Happy Second Vice-President . Rex Cowan Secretary-Treasurer Clayton H. Krehbiel Business Manager . Leslie Sperling Quartermasters . . Curtis Johnson Arthur Harris CLARINETS : Robert Pine Bruce Thomas Sam Hepworth Bud Balzer Rachel Parks Richard Tippin Lloyd Lohr Gussie Helmig Herb Stewart Merrill Jones V. L. Cline Robert Moses Gerald Cantesey Kermit Lorenz Ralph Allen Robert Groff Luther Fowler Ralph Adams Warren Snyder Carlysle Cummings Pete Tappan Vernon McKale Guy Davis Paul Woolpert Joe Davidson FLUTES : Jean Klussman Erna Carl Olga Carl Ruth Beeler Martha Briggs Jeannie Garrison Berlin Hanchett Donald Nigg Ralph Jackson OBOES : Robert Forman Wendell Plank BASSOON : Jean Moyer Martha Sharer Malcolm Harned Robert Wolverton ALTO CLARINET: Larry David Mildred Clevenger BASS CLARINET: Kenneth Shook Glenn Ruff Ida Anderson ALTO SAXOPHONE: Russell Chambers Joe McAnarney James Berkson Joe Holt Benny Wolfe Paul Evens TENOR SAXOPHONE: Bud Weir Ben Mayer BARITONE SAXOPHONE: Ed Badsky FIELD MARSHAL: Robert Hampel DRUM MAJORS: Jack Dalby Eldo Cordes Rex Cowan James Berkson Saralena Sherman FRENCH HORNS: Edward Allsup Joe VanSickle Robert Hedges Jack Happy Garry Graham Willis Tompkins Wendell Tompkins Robert Hampel Junior Ford CORNETS : Eugene Crabb Leo Horacek Clayton Krehbie-1 Gene Whetstone Joe Langworthy Howard Harms Richard Trubey Lawrence Blair TRUMPETS : Wallace Kunkel Jack Mankin James Bond Harry Johnson FLEUGEL HORNS: Jack Stevenson Jack Henry TROMBONES: Dean Brooks Hobart Potter Joe Gregory John Weatherwax Lloyd Reist Kenneth Cederland Leslie Sperling Aliere Witherup Keith Allen Clyde Woodman BASSES : Curtis Johnson Arthur Harris Glenn Bremer Kenneth Nelson Franklin Miller BARITONES : Jack Dalby Bill Miller Joe Tihn Merle Bailey Ralph Burson Robert Talmadge TYMPANI: Robert Jenkins BASS DRUM: Bill Ward SNARE DRUM: Jack Moore James Hostetter Bill Smith Rex Cowan Edward Cooper STRING BASSES: Charles Paxton Bill Langworthy Charles Hopkins

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THE J A Y H A W K E R TOT1IINSTEI I Cappella CHOII! FUST SOPRANOS lis Ballcw, k.ui-.i- City. Mo. Helen Coliurn. McCune llolrn Cronemeyer, Chanute I . .ih I Mm. .inl-. Leavenworth Kutli t .id-.. n. Si, .1111 Lake. Iowa Margaret Hanrlirtt, Colby Donna Hughes. Lawrence Marvel Johnson. Topeka Elizabeth Morley. Kansas City Mary Ix u Noble, Oskaloosa Crystal Price. Lawrence Agnes Komary. Burlington Eva Teaganlen. Phillipsburg Treva Thompson, Colony Joyce Viesselinan, Lawrence Lily Wilkinson. Argonia SECOND SOPRANOS Dorothy Allen. Ottawa Cathleen Beyer, Lyons Betty 15u i i-li. Kansas City Ethelync Burns, Lawrence Louise Green, Independence, Mo. Phyllis Gossett, Coldwater Flora K .mil in. in. Topeka Selda Paulk, Coffcvville ilin.i Medlin. Oakley FIRST ALTOS Bettee Campbell, Kiowa Anitanne Clements. Madison Dorothy Klawuhn, Lawrence Nina Nelson, Lawrence Virginia Ruse, Chicago, 111. Hazel Scheer, White Cloud J une Steeper, McLouth Louise Tanner, Aurora, 111. Betty Ann Griffith, Hiawatha SECOND ALTOS Mary Anderson, Minneapolis Geraldine Burton, Lawrence Mary Elliott, Kansas City, Mo. Lenora Grizzell, Bushton Lenore Knuth, Burlington Evelyn Nielson, Monument Veta Riegel, Trousdale Mildred Stoenner, Sibley, Mo. Bernice Zuercher, Macksville FIRST TENORS J ack Armstrong, Wellington Clayton Krehbiel, Mound Ridge Jack Smith, Richmond Dale Stewart, Marysville SECOND TENORS Jack Happy, Ottawa George Johnson, Oskaloosa Wendell Plank. Ottawa Richard Tippin, Wichita Gilbert Burmeister, Ellsworth Richard White, St. Joseph, Mo. Win. Leech, Lawrence FIRST BASSES William Evans, Lawrence Lc Roy Fugitt, Hoisington Howard Harms, Hillsboro Allen Nipper, Topeka Earl Padfield, Salina Harold Phillips, Haviland Victor Wagner, Lorraine Hal Whitakcr, Lawrence Hampton White, Lawrence Loyd Wilson, Turner SECOND BASSES Russell Baker, Lamed J ames Holmes, Englewood Sam Iwig, Topeka Arthur Martens, Buhler Clarence Peterson, Lamed Leslie Sperling, Inman Sixth Una-: Stewart. Nipper, Armstrong, Sperling, G. Johnson, Peterson, Martens, Fugill, Wilson, Evans. I nih Rote: Tippin. Smith, R. While. Burmeisler, Happy, Baker, Wagner, Padfield, Harms, Whitaker. Fourth Hun : Crizzell. Ballew. Krehbiel, Leech. Plank, Holmes, H. White, Phillips, Iwig, Griffith, Noble. Third Kou : Nelson. Burch. Morley, Gibson. Allen, Anderson, Hanchett, Thompson, Viesselman, Romary, Medlin, Davis. Second Ron-: Sleeper, Wilkinson. Green, Elliott, Nielsen, Zuercher, Clements, Teagarden, Ruse, Tanner, Stoenner, Knuth, Scheer. First Rou-: Paulk. Colburn, M. Johnson, Price, Hughes, Cronemeyer, Campbell, Dean Swarthoul Director, Edmonds. Burns, Gosselt. kaufln Beyer. Burton. Riegel. i i i wm

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Srnl|ii HIT vs. Packaging BOTH MAY BE FOUND ON THE TOP FLOOR OF All. ALONG WITH ONE-FOURTH OF THE FINE ARTS SCHOOL liy BILL SHIPLEY and RUSSELL BAKER . r. t ;r,- tlirr,- dratcing-and-painting students drawing and paintinp. And, still, three times as many people enroll in design! . . . One student shows hotc the airbrush is used. , . . Ano ' hvr is stamping gold leaf on a froo e. . . . It nicer It-it. Prof. T. I). Jones handles the controls of his men color organ. (Photos fry Art (To , m vr left fry Jackson.} IF SHERLOCK HOLMES should some morn- ing tramp around the third story of Frank Strong Hall, even he would come to the con- clusion that K. U. must be a bona fide institution of culture. Up there, sculptors are sculpting and painters brush art on squares of canvas, while other artists design patterns and study color effects. Yes, sir, that atmosphere is cultural, as con- trasted with the hurry-flurry-analyze-prove-dis- prove environment of our science classes and labs. But even the artist ' s studio is not exempt completely from a worldly touch, for alongside the painters in oil are the artists of industry who deal in such products as: tricky perfume bottles resembling feathers or elephant heads; adver- tising layouts and deceptive, good-looking pack- ages for those perfume containers; window dis- plays; attractive wallpaper; light fixtures; even automobiles. Mr. Holmes and his magnifying glass could probably tell you that the be-smocked individuals in his view were of two types. Those thoroughly splotched with oil paint would be Drawing and Painting majors. Those whose smocks were etched with acid, ink, and charcoal would be Design majors. The eager freshman artist enrolls in a general art course in which he studies the fundamentals of art, drawing from the human figure, and from plaster casts. He studies perspective and nature drawing. He is the one whom you see reproduc- ing the pillars in center Ad or the entire Waka- rusa Valley. Sophomore year brings an excur- sion into the major field. He becomes a painter, a designer, or a future teacher of art. Rosemary Ketcham heads the design depart- ment. Since she studied bookbinding under the prominent English craftsman Douglas Cockerell, the classes here follow the practices of his studio even to the serving of tea at 4:30. Drop in just any Friday afternoon fora spot of tea. liirh brings us to another characteristic unique to the art school there are only three lecture cl;i-- - in the art department. I didn ' t say it was better that way; I just said that there are only three lec- ture classes in the art department. Of course the (Continued on Pnge 231)