University of Kansas - Jayhawker Yearbook (Lawrence, KS)

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UNIVERSITY OF KANSAS 27 editorials that appear in the paper, and at times hi? supply is a little short. However, a pair of. scissors and an ex- change paper are generally considered a good remedy. All copy for the paper must be turned in by 12:30 p. m., as this is known as the deadline. If not. there is likely to be some tearing of hair on the part of Lena Wyatt. (She let her hair grow out in preparation for this job). Also energetic poundings on the copy chute by the pressmen downstairs, com- bined with loud shouts of We want more copy by Mr. Dill, the energetic faculty supervisor, may be heard. About 4 o ' clock, the paper is gener- ally locked up and put on the press. Pessimistic remarks concerning the ap- pearance of the sheet can be heard from the staff members as they stand around and wait for the first copies to come off of the press. They generally are greatly relieved when they see that the paper looks as good as ever, and they pocket their free copies, still wet with ink, and leave for the day. The Kansan this year has a very ef- ficient staff. It is headed by Bill Blizzard, editor-in-chief, who, as was said before, is in charge of the editorial policies of the paper. He is assisted by Leslie McCalla and Lorene Miller. Managing-editor Wyatt is the supervisor of the whole news staff and with them, her word is law. As her chief assistants she uses Max Moxley. campus editor, whose official duties are to serve as a sort of miniature managing editor: Rutherford B. Hayes is make-up editor and on his shoulders rests the respon- sibility for the appearance of the first page: Margaret Boast, society editor; Carolyn Harper, Sunday editor: Allen Merriam, sports editor; Iris Olson, ex- change editor, and George Lerrigo. night editor. These are not the only ones who put out this famous, or infamous if you will, paper. Campus women are doing a lot of harm to that old saying of some unidentified publisher that the news- paper is no place for the weaker sex. Some of the girl reporters who are doing their share in turning out the paper are, Lorene Miller, Alice Cos- andier, Elma Carey. Genevieve Horn. Julia Markham. Lucy Trees. Catherine Penner. and Anne Hubbard. Some of the men who are still strug- gling to keep the fourth estate a mas- culine proclivity are Joe Doctor. Elton Carter, Charles Brown. Ed Willeford. Wesley McCalla, Jack Penfold, Harry Valentine, Delmar Curry. Joe Pryor. Bob Patt, Bill Decker. Theno Graves, but not forgetting the one and only Bill Blowers, who guides the destinies of the Sour Owl as well. Now for the faculty. Although the Kansan is supposed to be student su- pervised, the faculty lays a gentle hand on it at times, if merely to blue-pencil an unsolicited damn. Professor Flint heads the faculty with his soft-spoken mannerisms and philosophical sayings. His class lectures are filled with his years of newspaper experience, and often prove to be unexpected fountains of wit. He is perhaps one of the few professors who takes a genuine interest in his students after they graduate. He trys to see that they get a good break when they go out into the cold, cold world. Prof. Flint has charge of the back office while up in the news room is Mr. Dill, okaying the news. He is a curly black haired dynamo, whose chief delight is in scooping the Lawrence Journal X orld. even if it is onlv on a two-bit society item. He is equipped with a specially built chair which will take care of the bouncing he gives it when copy is late. Often a good portion of the paper comes from his pen. hen copy on the campus is scarce, he al- ways seems to be able to get a story somewhere. Keeping the editorial department in an iron hand, is Dr. Mahin. the only woman instructor in the department. She is the terror of all persons who turn in late copy, and has a good deal to say about the editorial policies. Then there is Jack Kistler. who helps run the journalism press, and also has charge of several classes. He is dubbed by the students with the highest of all honors, that of being a swell guy. Mr. Lee. a doctor of philosophy from Yale, is a new addition to the depart- ment, and has already become quite popular. He is a handsome man and his classes are full of girls. Tough, he is already married. Quentin Brown is in charge of the business end of the daily, and has about as complete control of it as any student has ever had. He is assisted by Elton Carter, and these two boys can be seen most any time of the day. going from business house to business house, in search of ads and more ads. WRITING THE KANSAN NEWS

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Behind the news THE JAYHAWKER BY GEORGE LERRIGO An account of the actual routine followed by the staff in putting out the campus paper MANY students in the University underestimate the amount of time, patience, and work, necessary to put out the University Daily Kansan, the official daily paper. If a name is spelled wrong, the Kansan receives a black eye. If the campus is unusually dead, the Kansan is blamed for putting out a dull issue, and again Dame Ru- mor takes her dig at the Kansan staff. Collecting, writing, editing, and print- ing all of the printable news on a uni- versity campus is about the hardest thing with which newspaper people are confronted. With a few possible excep- tions, campus news all follows the same Irend, and it takes an exceptional writer to make it interesting and readable. Practically all students enrolling in the journalism department, whether they like it or not, are required to take up reporting. Reporting is needed as a basis for all types of newspaper work. Perhaps students joy in the thought of writing a nice juicy murder story. But alas, on a college campus, murders are practically extinct, and the aspiring journalists find themselves tapping out L. N. FLINT a story on where Lizzie Burch of Pump- kin Center is spending the week-end. However, the Kansan does fasten on to some stories, such as convocations, enrollment, C. S. E. P., and other frivol- ous campus functionings. To obtain these bits of news, the reporters strive and sweat. When they arrive in the morning, they find on the curved desk in the front of the room, a poorly writ- ten card, which in the vernacular of the journalists, is known as the tip sheet. It is the job of the reporter to decipher the writing on the card first, and then to discover what outstanding bits of news are to ' be had on his beat. The beat is a prescribed tour which the reporter follows in his quest for news. The beat system is worked out in code, more or less, and a deciphering sheet is available to the neophyte. As the reporter covers his beat he in- terviews the various department heads, hoping, perhaps, that he can catch them off guard and get a really big story, such as the arrival of a new shipment of fish, text-books, or quiz papers. These department heads act, for the most part, as press agents for their re- spective departments, and are considered among the really good news sources. Back to the shack trips the reporter, after he has thoroughly covered his beat. He sits down to the typewriter, and writes his news in as nearly the Kansan style as he can, and places it on the copy table. Here it goes into the hands of a battery of copy readers, the size of which varies with the time of day. These copy readers work under the careful supervision of Lena Wyatt, the female managing editor. They are equipped with soft lead pencils, and find their chief delight in making long black marks through the copy that is turned in. They are supposedly con- versed with all the rules listed in the Kansan style book, and they carefully read through the reporters well-made efforts. After crossing out three-fourths of the story, and changing the rest of it, in the process known as editing, the workers on the copy desk then start to write the headline, which is a definitely harrowing process. The difficulty of this job varies with the size of the head- QUENTIN BROWN line. If the job becomes too difficult, editor Wyatt usually comes to the rescue. After all has been done that can be done to the copy in this manner it is dropped into the flat tin pipe, that is known as the copy chute. This chute carries the copy down into the plant or back office. Here it goes into the hands of the linotype operators, and is set into type on any one of the four linotype machines owned by the de- partment. From here on, the process of making the news story readable is mostly mechanical. After the proof of the copy has been taken it goes to a diminutive white haired lady, who checks it over for mistakes. This lady, Mrs. Dennis, is one of the unsung heroes of the de- partment. In her hands, lies the respon- sibility of checking all errors that es- cape the copy readers, as well as typo- graphical mistakes. Then the make-up editor checks to see how the headlines look in type. The managing editor then looks it over, as do as many reporters as can get their hands on it. So much for the news that appears on the front and the back two pages. While the news pages are being made, Bill Blizzard, editor-in-chief, is seen running around with a worried look on his face, for he is the man who guides the destinies of the editorial page. He is responsible for the selection of the

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THE JAYHAWKBB The K. U. Stadium; battleground of the Jayhawkers. Each fall all eyes turn to this stately coliseum in anticipation of the battles to be fought within its walls. Its ivy covered entrance is fast becoming one of K. U. ' s most attractive land marks, and is indeed a Filling home for Kansas athletes