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Page 22 text:
"In this class girls,
Sister Cecile Marie tells her freshman solfeggio clas
Before Sister Michael Ioseph arrives for string class,
Sophomores Fran Tamburino, Paula Cenaurdi, juli
and Joanne Salvitti practice their techniques.
e M cKeon
Page 21 text:
, , .sa s if s ,. f , ,
f, ,W t -, 1 s
Our Chaplain and Religion professor, Father Nolan, finds information
for a future assignment in the carrels of the library. We hope it
Love - the basis of our faith - is emphasized in the course of
the religious studies which Immaculata offers her students.
The Immaculatan considers deeply the dogmas of her
Church to enable her, in the materialistic and atheistic
world of the twentieth century, to better live and defend her
Faith. Through her searchings into the philosophical sys-
tems of the past, she acquires a better comprehension of
their influence on the thought of the modern world. Her own
basic philosophical studies, however, are of the Scholasticism
of St. Thomas Aquinas, the focal point of her way of life.
The Immaculatan derives a deeper love for her Creator and
a greater appreciation of her Faith from her deliberation of
religion and philosophy - a love which she will pass on to
her children and her childrenis children, These studies serve
her well for they are the directing principles on her journey
to the perfection for which she strives: the perfection of the
wi: ' Eiscrgulg J, .7
wonlt be too difficult!
At a heated Contemporary Philosophy class,
Patricia O,Neill's argument captivates every-
one's attention, including Father McTigue's.
3' 4 ,
Page 23 text:
"Make sure only the tips of the fingers
are on the keys,"
Mr. Ciccimaro explains to his junior-senior woodwind class.
. . the essential aspect of that which is
womanly is by its nature determined from the
vantage point of both beholder and beheld and
their potentialities extend through all the spheres
of human existencef, A student of music cannot
be the sole judge of her performance. She must
learn to accept criticism from her professors, the
"beholders.v Our music majors, in the role of the
ubeheldf, practice the techniques taught them
in each course, anticipating the time when they
may be Worthy of distinction. Hours are spent
in the music rooms painstakingly practicing both
vocal and instrumental assignments. However,
subject matter, such as the history of music,
orchestration, and teaching methods, being so
vital to the attainment of perfection, must also
be mastered. Then, through self-criticism and
that of her teachers, her potentialities and prog-
ress are evaluated on her mastery of those skills
and techniques so essential in forming the true
Senior music rnajor, Barbara Koysla, watches classmates
Helen Dawson and Kathleen Doutt approvingly,
as they join hands in a duet.
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