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Page 29 text:
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those were the years Kathy Hiday, Teresa Mathias, Kim Harris, Debra Bennett, Debbie Silvey, Kimi Young, Mary jo Stewart, Cathy Hosier. Mr. Kirk Wible directs the band at dress rehersal. Lou Ann Young, choreographer. Mike Pitcher and Phil Roberts discuss the problems of city life
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Page 28 text:
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FI'OII1 th At 7:30 p.m. on May 2 and 3, the Marching High- landers presented the annual 1969 Plaid and White Revue entitled F rom the Twenties to the Sixtiesf, The show opened with Nothing can stop Me Now, from the Broadway hits The Roar of the Creasepaint-The Smell of the Crowdf while the Highlettes performed a high- stepping dance. The show continued with such tunes as Thoroughly Modern Millief American in Parisf and uLove is Blue. An exquisite attraction in the Revue was KThe Glen Miller Medleyv and Here's Mervv performed by the Swingin' Scots. One of the highlights of the eve- ning was a performance by the Boss Tweeds, a pop group from Highland, singing and playing Hey judef, The second part of the show featured 20 talented boys from the band who pantomimed West Side Story. Highland Tradition was proudly displayed by the bagpipe corps as they manuvered to the Sterling Castlev and Skye Boot Songf, The show closed with the traditional c'Yankee Doodle Boyf, The reception to the Revue was so over- whelming that the band and Highlettes performed six encores. ' Individual performances this year were truly out- standing. Phil Roberts and Mike Pitcher displayed up- roarious antics as they portrayed an old man and woman from the hills visiting the city. Saturday evening was the best night of the Revue for laughs-Phil Roberts lost his wig while tripping through the crowd. Added touches of humor were provided by the Master of Ceremonies, Mr. Iames Abraham. G 20's to the 6O'sg l MAIORETTES, Row 1: Terra Skinner, Peggy Summers, Virginia Bames, Iudy Cowgill, Kenetta Swetnam, Marji Miller, Kristie Edgeman, Theresa Jones. Row 2: Debbie LeDuc, Kay Campbell, Freshmen majorettes erform the Charleston to Thorougljily Modern Mi ie. 24
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