Harding College - Petit Jean Yearbook (Searcy, AR)

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U- -t !- !- i-U-U-U-U-U-H-I -l -0-H-H ! 1-1 !- ,- 1- '- -t ,- -1;-u-n- v-U-I -0 Iuvlm l Rum le Iuhn I Rutlrll 3 Iuhn l Rum IIHV ,uhn l Rwhh 1-0-0-0-! - 1- ;-u-n-n-u-n-n-t ,-t 1-0-0-n-1r-H-n-n-U-lb-tw -l l- '-H-U-t i- 1- ?-! '-U-U- ,-U-U-U-U-U-I 1-1 -ll-l l-U-t -0-1 ,- I-H 18 Fiddler on the Roof

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- Iuhn l. Radcliffe - Iohn I. Rndeliffe 1. Activities take their toll 115 Greg Lucas finds a comfortable place to sleep off the afternoon. 2. Flower petals, expressed by their finely woven veins, help prove God's intricate hand in nature. 3. Like droplets of melted silver, the 1in pool fountain helps cast a peaceful attitude on campus. 4. Sta- tioned at various spots on campus, the red Harding benches give students like Darryl Petree a chance to relax and write home. 5. Silhouetted by the set- ting sun, the delicate detail of the leaves fade into the night. - Chris 021' Peaceful Moments 17

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rtt-t 1-' t-t t-l t-t t-U-K t-t t-t 1-1 t-t i-t i-ri-n-u-tiw On the eve ot the revulutionary periud in 10054 a small village in Anatevka, Rusxia, traditions were broken. The 1083 homet'oming musical Tiddler on the Root, portrayed the Lhanges that took place in this Russian town and provided an entertaining show tor the t'tai'ding utudentx and alumnit Selet'tiun tor the east at Fid- Idler'i proved to he a tone, task, Out Ui the nine hundred plus stu- dents to try iUl' parts, only titty- tour succeeded, Lead actor Bub 'Ritchie portrayed Tevye, a pom milkman with three daughters iwho broke the lewish tradition at marriage. This cugtom had given parents the right to pick their Children's mates, but Tzeitel tMar- tcia Mathiekt, Hudei tLOri Baileyt and Chava ttolillen anandt had other plans. From the oldest t0 the youngest, Tevye'r. daughters tell in luve and married. Contused and disturbed by these and other radical changes, the little Russian ; ,mm M WWMWMWW, ,, ,, 9 Village was faced with the pro- hiem 0i adapting to the new ideas. Some cast memhers lound the hold, English-Yiddish language a dittieult style t0 cnpyt Diaiett and expression were such essential parts in the play that Dan Tulhis, Asaistant Prutessnr 0t Speech, was tailed on tu Hiat h the aetors. Rich, LiCdt' prunum'iatiuns in the actursi speech and song were needed t0 penetrate the huge Ben- Audituriuin Singing and speaking warm-up sessions paid utt tor the actors by giving them a contident, .wtid sound. sun Extensive practice and hard work Characterized the ehoreh ugraphy 0t Fiddler. Pertecting various movements into precise timing required great deal of time and halanee from the atturs. hut it was wurth it in the end Espeeiatly in the Russian dance Tu Lite, the suliders perturmed Hips and smooth kinks that amal- ed the audience into applause Inhu I 14ml. hm t F139LER ON THE ROOF A FROKFN TWITION Directing the whole show was. instructor 0t Speech, Robin Miller. During his tour years on the Harding .statt, he has been in- volved with every major drama production. On the set at Hd- dler, all decisinns were ultimately his, and was one reasun tur its sumess. Miller buttered his tast 0t rough uirners into a pulished group 0t actnrs that were umti- dent hit each pei'tnrmame Friday and Saturday night, The hasie concept ut the play was dealing with a changing smith ty. Russian tradition, baeked by many .suiid yearx was always the main issue. lntrnducing new atw titudes and ways 0t lite, Fiddler on the Root described hnw a Iewish village dealt with these changes. The 1083 pmduetinn nt Fiddler en the Rout helped make hnmetoming nut juxt a traditiun, but a niemnrahle event, n' Ix'humtu Itua'lxim mitt Mu hm-I Ixt'llu mm 1 1mm 1m.- ,-t ,-t ,-t .-t i-: .-t v-n-r i-u-t i-n-t i-t ;-. i-i i-H-Ud .99 -4 t-t b-tt H-1t-H-t t-K t1 1. The three thmehtt'is lizettel tMm ttll Milthirlx t Hintet tlatlt Huileyt, mitt elm; a tlul'tlen anmult tltt'tHH tit ttmtr mg n nlutt'h wnmtutt m they mtg Mutt hmulxer Aitttt'ltnttlht't. 2. Radical rhmigtx tlI-NIIHIV 'I'eeyt' tlitih Rm htt't m he tetmmt tit htk titlllxlltt'lN hreukmg the h'zetah tunhtiml Ht nmr tinge. 3. Tevye imtt Ink Zt't't' titvtttt' tli'et hi1 Mutmmt tmhze they twee eurh twther utter tieelititrtiee yeah tit mm The Ktthhltllt HUItUt't'N tllltttt' Tu lite ill the Ht'ttN tif 'l'2e1tel h tint engagement. 5. Yenta tt't't'miitu lt'ith'mnv t'ltillftkuy ieemtx hm tutm'e plum tn Utittte while they way gumt hue In em h tithet. 6. The young Ix'eunlutttitiiq Pen hik tTmttt Thump ptwlitit'ul mti'mr Iugtw tit Huuriuxe white Hmtel Ietlet'h ml the Het'ewztiiw tit ttth't'tztm. 7. Shprintze ffiumh Hntlslemtt umt Hielke thiHy Nit hnlat zetilztter Iehn they ItttH he mtitrhetl with m the tutmev 8. Tzeitel's unwitting h t'elehluteit by all the minim! U! the village pt'rttiimtng the at mt than V Huge mm, tttat'tusex the tuhu l Ix'uilt MW '1 p-t l-t i-t i-t i-t i-U C -1 t-U-t 1-0-0-! t-t t-1 1-! t-H H-tl-tl-U-U-H-lt-U-U-H-U-H-U-t1-H L Fiddler on the Roof 19