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Page 26 text:
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Page 25 text:
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F' .vii i ' Vi-'i ' 1 1 .E 'i , x Ng- .. ' -- --' . iw - V. ....-...nn l T EN EM CIT EX .i Z 5 Tp 7 I : ' 'QL . ' '-' 'f:a..,....' S L El l jl6a 5' 1 Top: DECKED in red. white and blue, the theme of the Chi Sigs-Regina show was Freedom. Above: FRONT LINE members Beth Wells and Chris Dell sing Mother Freedom. Abundant talent was evi- dent in the '78 Spring Sing show of Chi Sign and Regina, who placed second in the sweepstakes. Using the theme of Spring Sing Freedom, their music was carefully coordinated by their director, Mickey Cox, and included such songs as Philadelphia Freedom, Mother Freedom, Here We Stand. and a moving spiritual. Oh Freedom. The red, white and blue costumes inspired patri- otism and enhanced the choreography, which was directed by Wayne Reed and Vickie Durrington. Tom Clomnger Wh Left to Right HEARTILY Sue Foley sings to the au dience ARMS UPRAISED the chorus on the risers add volume to the show KEEP ING TIME with the other members of the front lme is 'M 53 Q- if Number ons: is a precarious position to main- tain, especially in Spring Sing. However, in 1978, the five-year-old show saw King's Men and OEGE win their third consecutive sweepstakes award, retiring the trophy. The competition was close in the '78 Spring Sing and many predicted a turnover in first place. However, King's Men and OEGE ,grae -W' . . ,ui , - 2?-Q :L lf? 55'-.riff-.' , , . -fu: if i followed their successes in 1976 f C0ca-Cola Can Can l, and in 1977 C'For the Love of Angels l, with another winning show in 1978 f Take Note J. Outstanding choreogra- phy has characterized the King's Men-OEGE shows, and they took first place in that category all three years. Theme and Music have also been strong points, categories in which they
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Page 27 text:
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', V1 Q r Q '. F It ,L X ar? X x j fi -mx . gil-V Y r T . 'N T W, if X .Az- 2 ..-f -- - M4 , .... Q, 1, ' si -H1 ' X 5 1 ' 1, 15, f X3 'f' .IQ ' ,T N g K ' r f W Q I i 5 i x J -,. s I l f x ff ' T f at -2 rt - I f - -f ' la .rx u mx ' l ' ,LM E ' ' ' ..- '- ' ',x1':2'U 1l , ' I 1 ' ' 'I i 1 l ' wr. , . ,S 4. th: Am I X I 14 . Q The return of THE WRIGHT BROTHERS For the past four years the Wright Brothers have been featured as the first week concert at Harding. After the act broke up a year ago, students voiced disappointment this fall upon discovering that they would not be able to enter- tain during the week. After the group reunited this winter, Harding was the first college audience. for which they performed. We've been accused of being bluegrass, stated group member Tom Wright during the concert, continuing to comment that they felt that they were more polished than traditional bluegrass. The Bison described the group as country-pop-rock,. which aptly applies to their repertoire. Included in this concert were a Beatles medley, Travelling Shoes and Anna,'f an original composition by Carl Hinkle for his daughter. The group climaxed the evening with Rocky Top, a traditional favorite. ENGLAND DHN 8: JOHN FORD COLEY Play for 2,000 Laying carpet on the floor of the New Gym- nasium and renting an 80-foot stage were only a couple of the many preparations made by the Student Association when England Dan and John Ford Coley appeared in concert. Their efforts were judged worthwhile when 2,000 people attended the April 20 concert in 1978. The two native Texans launched their act with familiar hits, Nights are Forever Without You, Sad to Belong to So- meone Else, and l'd Really Love to See You Tonight. Later in the pro- duction, the duo featured some harder rock, demons strating a less familiar, versatile side of their talent. Concerts b , 17
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