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Page 32 text:
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Mixed Glee Club is composed of vocalists who have learned the basic fundamentals of music in chorus and ore ready to approach more difficult types of music. Front row, l-r — Jim Neal, Rita Carroll, Beverly Celli Sue Whitaker, Edith Warner, Carole Ruhi, Tom Newcomb. Row 2 — Bennett Mayer, Linda Free- man, Potty Mote, Dale Dycus, Margie Bree- zan, Gaye Plunkett, Torol Hjertquist, Carol Hjertquist, Sylvia Szony, John Hegyes. Row 3 — Louise Tatara, April Metcalf, Mary Doug- los, Patty Emerine, Roberta Johnson, Teth Bullard, Judy Waechter, Alice Chandos, Phyl- lis Dreggors, Rosalie Shrago, Joy Gray. Back row — Russell Nelson, Frank Schweighardt, Ronald Robertson, Ron Sovola, Robert Weeks, Jim Lawbough, Jim Schaertl, Dominick Ca- priotti, Gary Stanford, David Schmidt, Wil- lie Davis. There ' s a Song in the Air Selected girls from the Glee Club, A Cap- pella Choir, and the Girls’ Choir make up the Melodaires. Front row, l-r — Marsha Heil- man, Virginia Shy, Janet Gledhill, Pat Sib- bert, Robin Craig, Pam Swick. Back row — Susan Ordyna, Joan McFadden, Jane Bom- berger, Sharon Tyler, Judy House, Joy Gray, Mary Douglass. J . J J Music for the Girls’ Choir is composed for use with soprano and alto voices. Front row, l-r — Marsha Heilman, Pat Ta- lieferro, Betty Blackman, Pom Swick, Cheryl Opdahl, Pat Psaros, Sandra Smith. Row 2 — Mary Boyle, Gloria Maca- luso, Susan Ordyna, Jeanne DeBoe, Julia Thrall, Kathleen Marks, Pat Sibbert, Mar- jorie Curtiss, Dona Bodenhofer, Barbara Reese. Row 3 — Rita Lander, Sue Millan, Michele Milakovic, Alden Gates, Roberta Kretsch, Sandra Stilwell, Jane Bomberqer, Diane Shaw, Ann Gerritsen, Diane Fuller. Bock row — Deborah Woody, Judy House, Phyllis Messman, Sharon Tyler, Louise Whitmer, Cheryl Smith, Mary Mitchell, Nancy Thomas, Bernadette Engel, Ida Wilson, Camilla Colantonio.
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Page 31 text:
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the Sound • • • Taking the place of the Triple Trio of lost year ' s Music Department, the Tentones is the only boys’ ensemble of smoll size. Seated , l-r — David Schmidt, Jim Orr, Mac Neal, Cecil Campbell, Larry Loser. Standing — Ricky Lipsig, Jessie Smith, Russell Lee, George Hug, Dennis Willis. Madrigals is a choral group repre- senting authentic sixteenth century singers. Seated l-r — Jacky Dase, Karen Kleinschmidt, Sharon Reiter, Barbara Beanbl ossom, Lynn Arrowsmith, Kay Dell Franklin, Thelma Klein, Pat Cave. Standing — Allen Zinski, Larry Loser, Larry Hamm, Carl Lovely, Terry Davis, Chuck Hall. The one large boys’ group of singers, the Boys ' Chorus, practices during class hours. Front row, |-r — Jim Orr, Louis Gerovac, Robert Massey, John Drutis. Row 2 — Ken Lunsford, Irwin Kleinman, Cecil Campbell, Ken Lawson. Row 3 — Joe Pruett, Dan Vaughn, Ron Holder, Dennis Callahan. Row 4 — Keith Brim- bury, Greg Cox, Larry Loser, William Noel. Row 5 — Tom Lasbury, Jim Jack- son, Harold Sickles, Dexter Vergin. Back row — Louis Szany, John Bell, John Muehlman, George Hug. Page Twenty-seven
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Page 33 text:
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Concert Band: Front row , l-r — Bob Phillips, Walter Brown, Carl Smith, Jan Suliss, Dan Mankowski, Kenny Kaply, Bob Paratore, Jim LaMantia, Tom Ayers, Tom Osborn, Bill Bailey. Row 2 — Raleigh Dahl, Carl Schmidt, Neil Anderson, Jay Karol, Rick Wilcox, Chuck Biller, Bob Wade, Jack Chigas, Bob Thorn- ton, Dale Dycus, Ray Ruark. Row 3 — Roberta Nalezny, Dave Cook, Pat Harding, Ronnie Berg, Cheryl Tromm, Carol Fyte, John Puskas, Michele Fisher, Carol Norton, Kathleen Marks, Denise Keightley, Dale Collard. Row 4 — Harriet Aleksick, Diane Anton, Jane Penman, Richard Phillips, Gladys Gold- smith, Marsha Heilman, Diana Rochelle, Bill Phillips, Judy Crum, Dixie Antrim, Lela Ives, Marie Price, Betty Ahlf. Row 5 — Alexandria Skordas, Betsy Christman, Virginia Barnett, Joy Hinrran, Jonell Paul, Lauren Hass, Jay Inch, Beverly Anderson, Roberta Aller, Marty Kocman, Larry Long, Paul O Brien. Bock row — Sue Jonas, Bill DeLong, Janice Lape, Bill Moore, Tom Arnold, Linda Bronas, Bob Schoop, Tom Prater, Joe Matheny, Hal Waldron, Janice White. The marching band displays its vocal prowess as well as its instrumental talents as Wildcat gridders make a large gain. Marching formations are not as easy as they look. Many hours of hard work and precision drilling went into the unique shows pre- sented at football games.
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