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Page 10 text:
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lll III HE birth of the modern symphony orchestra occurred with the emersion of the world from the dark ages. At first small ensem- bles were used in conjunc- tion with church plays, dramatized from the Bible. This gradually grew with the addition and development ot new instruments, until at present our orchestras num- ber over lOO pieces. Editorial Staff IOHN GUNNELL, Editor-in-Chief DOROTHY HORTON, Assistant Editor REINHARDT ELSTER, Music Editor ORVILLE BElVllSDERFER, Sports Editor MICHAEL LAH, Cartoonist EDNA WADDINCTON, Artist LEONA PRICKETT, Artist HARRIET TOREN IOHN IOHNSON GORDON RANDALL ROBERT BECKER DORIS KITCHINU CECILIA HOVMOLLER GENEVIEVE DORSEY IEANETTE PERRIS ff 1,1 f. .1 X X.
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Page 9 text:
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Dedication N appreciation of the na- tional recognition brought this school by its orchestra and bands, and the immeasurable good resulting from such train- ing, we sincerely dedicate this book to Mr. Adam P. Lesinsky. TRINCED instruments, which apparently origi- nated in ancient Egypt, were used for religious services and entertainment. Ade- velopment, the lyre, was a -romantic source of inspira- tion in Greece, and was also used in Rome. Other odd forms were also prevalent during these periods.
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Page 11 text:
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Business Staff ORVILLE REISSIC, Business Manager EUGENE PRESSLER,Assistant Bus. Mgr. DICK SMITH LEE C-RAVES MARSHAL SMITH HOWARD GESCHEIDLER IAMES SHANKLIN LOUIS BERNAT BERNICE HARDIES Typists MARTHA MCBRIDE IULIA MOSKO VALLA KITTS ELSIE HOTINSKI I I I - X HE four essentials previously reviewed form the nucleus of our present symphonies- rhythm created in the percussion section, brass and woodwinds Ireedsi, and the strings. Each type was developed intc four different voices, forming the brass, woodwind, and string quartets. It remains to the future tc decide the fate of our present mode of music. Let us hope ii approaches the absolute.
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