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Page 30 text:
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THE 1964 SPRING CHOIR. Front row: N. Orndorf, J. Merrick, D. Caldwell, P. Macon, M. Ashman, S. Ulrich, S. Hyre, L. Masimer, M. Snyder. Second row: Prof. Ogden, D. Grady, B. Suffecool, R. Macon, G. Hedges, C. Ryner, L. Hoke, C. Monroe, L. Thiessen, S. Auxt. Third row: D. Barnhart, W. Clingenpeel, M. Hackworth, D. Neely, R. Guittar, L. Smithwick, W. Starrett. Back row: G. Bergmeier, R. Peugh, R. Harstine, R. Jensen, T. White, D. Hammers, D. Seifert, G. Herman. Choi When the choir presents its many programs through- out the year, the long hours of weekly practice are not always apparent, for their music seems to come natur- ally. The group is composed of students who really like to sing, and every member has an important part in creating the close harmony they achieve. The annual presentation of Handel’s Messiah is anticipated by everyone. During the Easter recess, the choir makes an extended tour. This year the group toured from lowa to Pennsylvania. “Who has robe number “It's only for two weeks.” twenty-two?” 26
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Page 29 text:
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fi Important practice prepares choir for its spring tour. Music is a tonal art say the theorists. But to Grace music students it is more than a definition. It is known by experience. It is long individual hours perfecting a clarinet cadenza or rigorous choir rehearsals. It is molding children’s voices into an innocent melody, copying musical hieroglyphics from a blackboard, and compos- ing an eight measure exercise. At times, music is giving the best possible perform- ance, communion with touch and sound, absorbed in music without thought of the audience, and the sur- prise at applause. : : i Prof. Ogden leads us in singing hymns everyday and twice on Sunday. r Mr. Schaffer poses with his favorite instrument. 25
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Page 31 text:
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A section of the Wind Ensemble practices twice a week. | poe) ble ; , | Bass virtuoso, B. Macon, prac- tices for an approaching concert. m Conductor White puts finishing touches on a new piece. PUY
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