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Page 69 text:
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I earbook staff highlights 20th anniversar If one were to walk into the arbook office while the staff as working on the book, he Juld observe a number of ings going on. First off, as he ssed by the yearbook office, would hear the staff furious- working on the various ges. Whereas the golf group ot? I need a sophomore ndid! Could someone oofread this? What do you :an it was due yesterday? e would also see strange oking paper-layout sheets d copy sheets. These were some of the ngs the 1982 Etruscan was nprised of, in conjunction ,h five deadlines and an ad- er, Mr. Ted Heiser. 'I hate deadlines so much. elve got an average of 55 ies due per deadline, and ut one month to do them, X with the tremendous vol- ume of work that it involves, sometimes it just doesn't seem like there's an end to it. The- best part about deadlines is celebrating when you finish them! explained editor-in- chief Martha Russis. Those on staff subjected themselves to pressure from deadlines and lots of hard work for one credit and the satisfac- tion of seeing their work in print. Not only did they work during classtime, but often stu- dents had to work after school, on weekends, or during vaca- tion to finish the pages. During each deadline there are times that I think that it's not worth the hassles, but when the whole thing is over, I de- cide that I really sort of enjoy the whole bit, stated clubs editor Deanna Silver. Although many students complain about the price of the if 1 1' yearbook, it actually cost more to publish than the S12 stu- dents paid for their book. The book costed approximately 526,000 for 2,100 copies, which included printing, color pages, and other extra charges. Money from book sales was supplemented by ads and other fundraisers. The staff tried to use its funds as economically as possible without overriding its budget. One way the money was used was for additional color pages. Students requested that more color be used, so the staff in- creased the stipend for color pages. Also, the book tended towards leaving less white space on the pages and filling space with more pictures. Campus Life editor Kim Le- tavay commented, I feel that the new improvements made in the yearbook have made it more appealing to the whole student body, and its new ideas will carry through to make fu- ture yearbooks better than ever. The theme, At 20, We're The One, was chosen because it was the 20th anniversary of the school, however, the editors didn't want to center only around the anniversary, but to also get a positive point across. To emphasize the theme, the first-of-its-kind a 3-D cover, was designed. According to associate edi- tor Marlene Nicolas, Since the school is reaching a new decade of aging, I think it's ap- propriate to say that At 20, We're the Onel' shows that after 20 years, GBS is growing into an even finer educational institution. Dana Davenport and Martha Russis develop a format for the layouts in the sports section. Junior Val Colis types Junior Class names on copy sheets for the year- hook. I J' E!ruscanf65
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Page 68 text:
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64fEtruscan Editors Deanna Silver and Kim Leta- vay crop photos for the 1982 Etruscan. ETRUSCAN EDITORS-Marlene Nicolas, associate, Deanna Silver, cluhsg Dana Davenport, sportsg Kim Letavay, campus lifeg Meena Wadhwa, curriculum, Martha Russis, editor-in-chief. ETRUSCAN STAFF-ROW 1: Val Colis, Meena Wadhwa, Kim Letavay, Kurt Horvathg ROW 2: Jill Zakon, Mary Zorn, Deanna Silver, Dana Davenport, Dawn Gaynor, Jeff Thoe- leckeg ROW 3: Marlene Nicolas, Mr. Ted Heiser, Martha Russis, Paul Kou- Iogeorge. v n AZ f an mx...-'a . , , e 3,1 it' Z: ,Mm-.
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Page 70 text:
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Along with his fellow players junior bassoonist Peter Muckenhirn prac- tices a selection prior to a concert per- formance. B d ii? ., A DAYBREAK-ROW 1: Sharyn Rosen- baum, Sandy Stevenson, Victor Co- hen, Donna Shim: ROW 2: Lori Mar- golis, Diane Lindenbaum, Cara Houck, Marcy Kaplan, Rick Wars- kow, Jenny Laystrom, Jim Figiel, Lisa Gigante, Nancy Hoefs, Katrina Wohlschlegel, Judy Frazer: ROW 3: Mike Bartsch, John Bond, Brigitte Beling, Ava Grover, Mark Dold, Jill Rosengard, Adam Domecq, Lee Weir, Jim Winettg ROW 4: Brad Koloch, Joe Deluca, Kevin O'Brien, Jim Strangg ROW 5: Dan Brame, Ray Kile, Justin Kargulg ROW 6: Peter Langas, Bob Krizek, Pat King, Pat Harrison. ORCHESTRA-ROW l: Vicki Han- sell, Harry Hsiung, Rachel Santos, Kelle Reczek, Chris Matkovich, Ali- son Van Egeren, Peter Muckenhirng ROW 2: Kelly Otsuka, Anne Attea, Lisa Pontarelli, Chris Zabielskig ROW 3: Paul Wendland, Randy Barnes, Dave Stevens, Sue Dawson, Leslie Benson, John Muckenhirn, Pe- ter Langas, John Spalding, Jim Figiel. 66fDaybreak Jazz Band, Orchestra JAZZ BAND-ROW 1: Chris Za- bielski, Bob Owens, Matt Ferraro, Steve Ridenour, John Muckenhirn, Jeff Crimson, ROW 2: Sue Baugh- man, Justin Kargul, Jim Waechter, Dan Brame, Ray Kile, Rhonda Trop- stein: ROW 3: Amy Pena, Bob Krizek, Leslie Benson, Peter Langas, Jay Brame, John Spalding, Jim Strang, Kevin O'Brien, Paul Enzinger, Linda Buchanan.
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