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Un ings of 5012 BACK ROW Cleft to rightl: Betty McKay. Ioan Wilkinson. Betty DeBoer. Gene McDonald. Everett Stone. Dick Sleigh. Richard Dykmann. Bob Lilcens. Ronald Lind. Dick McKenzie. Ieannette Hayes. Helen Eilts. lean Vigen. SECOND ROW: Nyla Vinsonhaler. Marian Zweifel. Kathryn Fitch. Marlene Gates. Ioe Lesher. lim Preston. Pete Kcxrczbatsos. Bob Cul- well. LeVern Iensen. Bertha Katz. Carolyn Cox, Patty Foust. Marion Campbell. FIRST ROW: Donna McCord. Kathleen Luby, Doris lean Washburn. Shirley Snyder. Shirley Hammond. Sylvia Speir. Marjorie Huss. lean Harlan. Betty Rohliing. Dorothy Watson. Carlene Meyer tat pianol. Do you know how to breathe? Chances are you dont, although you do it every minute at your lite. This tine art was unknown to many new a cappella members last tall. However, they soon began to master it, along with the other fine arts, such as enunciation, relaxation and watching-the-director, that turn a few mod- erately good singers into a wellftrained choir. During the early tall a wide variety oi songs was used. Negro spirituals were perennial ta- vorites, but more rollicking numbers, like 'Louisi- ana l-layride, were also sung with gusto. Cctober became November, and the Christ- mas vesper service loomed up. This year, in- stead ot the usual program ot carols, the high school and college choirs combined in singing the Christmas Messiah. When practice first started, the choir mem- bers blundered along like clumsy dancers un- Page 36 certain ot the step. But Miss Henrietta Kuska, director, worked over the rough spots with patience and skill, and on December l8 the choruses sang to a tull house and received many appreciative comments. At the beginning ot the new year Ioe Lesher and Bertha Katz were elected president and sec- retaryftreasurer, respectively. ln Ianuary the choir began to look ahead to the clinic, March 31, and to the Spring Musi- cale, April 20. This combination band and vocal concert is an annual attair. Day by day, rehearsal went forward. The vigor of Country Style contrasted with the tranquillity ot There ls a Balm in Gilead. The singers also contrasted with their former selves. ln the tall they had entered SOO as individual- ists. Now they had become an individual- -'-A a cappella.
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