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Page 25 text:
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Onday ormng lues 4,z3,ig 526 galax y 'A ......-f.,-.W M 5.31 ., f' 3' K T - ' y ' ' 5 4 ,gli XXL? A - 4 1' , 4 5421 '.,, .- H1 X 02 Y ' , Lf? nh, in tx , ,,., . i ,-I,-5g mf ,V x 1 5-ifiiz ' ' ..g.u'l' V M121 1 59,3 gf XHQXEM 13 .iig 2,. ,, , A ' f Q 55 K rom ine! +026 .,,,-on-rf Everyday Dilemmas 21
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Page 24 text:
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...Ever da Dilemmas by Elizabeth Blackwell o, We not security guards, final exams, cafeteria food, or a. junior theme paper. The number one most disturbing thing about school is not the school itself, but the transportation there. Yee, the worst enemy of! any civilized mind is the common CTA hue. ' ' V At Ilrst glance it 1ne.y seem innocent, just s. cog in the ,political xnachineytsklng people safely from one plaoeto another. But Looks are deeelvingg the reel secret lurks sleep. The mein principle involved is to meke the rider as miserable as possible. From the moment the driver sez-eeches to s stop, you can be sure that things wen't be pleasant. To start it oft, the driver will not accept dollar hills. If you ere short on change, the only thing to do ls to announce your problem to the rest of the passengers. Most of them will keep the same deed expression, but one in the very back will volunteer change, mostly in the form at pennies or nickels. Once you have paid, no matter how early you are, there will not he one seat left. Left
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Page 26 text:
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Ushers: L' hted ond rs of th T ate by Ann Theodore t's closing night, your last chance to see the show, and you're twenty minutes late. You've already bought your tickets, so- you race to the theater and go right in. You pause to let your eyes adjust to the dark but, oh no! You don't know where to find your seat, especially in the dark. Suddenly a light appears and with a polite May I help you? your savior takes you to your seat. Who are these lighted wonders of the theater? The ushers, of course. lust one of the important parts of any production that goes unappreciated. Excepting YAMO, ushers get very little recognition. Their names do not appear on the programs, and they are considered by many as necessary but lower forms of help. Ushers must be at the theater one hour early, to do what needs to be accomplished before the audience comes. Most people think that an usher's only job is seating people, but according to sophomore Hilary Nigro, a YAMO '81 usher, it is more than that: As an usher l sat people, gave out programs, cleaned the garbage from the seats after the show, tore tickets, and took flowers backstage to the performers. Debbie Gold, another YAMO usher, said, Ushers do a lot of different things on different nights but always her most important job was making sure that the audience was happy. Another important, yet seldom appreciated part of the show is the make-up crew. Amy Kavka was one of the members of the make-up crew for YAMO '81. I made sure that all the make-up was in order for the actors, Amy said. And for those people who could not put on their own make-up, I would do it for them. When asked, the ushers and the make-up crew agreed that the reason they applied for their positions was so that they could somehow be part of the show. The Unnoticed 47 flglbt '.'f12Wll y l I f -cf' nf' l' Z' sf Ms? ew, nge. ' 1 , ,, -- Y N ,f ,f If f f llkllllll vlili' -. 2-N. tx lil r ,iifagr wil 'Wlli . - at 'few 1-WLKQTX t. ,ly Willa, t as 5 g We .jwlll i. lllll- gi, ,hi 'X liigi. i l ' 1 Al x ll I it ll X -ill l ------N il r' ll . -, ,
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