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Page 139 text:
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fi' i 'Ap Wait? F Rv W.. ix K M K ..ff -' if 1 1. Junior Tammy Krcmarilc directs the class during sectionals. Students in En- semble often gain directing experience in menys and women's sectionals. 2. Vocal Ensemble Director Kathy Lopez presents her choir to the audience. Lopez has been the director here for five years. 3. Alumni Harlan Harris. grins at the improvement of the men's section. Harris was a vocal coach hired to help the men's voices. vocal ensemble - I37
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Page 138 text:
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Rough, Diane Fashing, Ron Ensemble produces soloist voices The Vocal Jazz Ensemble, the more advanced group of singers, primarily works on the individual voice on a soloist level. Each member of the Chamber Singers was required to prepare a solo and perform it in class. The first time we did a solo, in the beginning of the year, we thought we would die of embarrassment, we were so scared and nervous. But by the end of the year we grew accustomed to it, then you couldn't keep us away from the mikesf' laughed Dana Gribble. The Ensemble requires the capability of reading music. This allows them to work with a wide variety of music ranging from madrigals to jazz to ballads and blues. It's interesting working with a solo-oriented group. It allows me to become aware of each personal voice,,' explained Director Kathy Lopez. The Ensemble performed at various concerts including the 7oth birthday of the Yorba Linda Library, commu- nity concerts, and the Fullerton College Jazz Festival. 'Tve really enjoyed being involved in the music depart- ment the last four years. And although at times it was a little monotonous, live managed to learn a great deal about music and have had fun doing so,,' said Debbie Merrill. 1. Robbie Norris, David Rough, Ken Self, and Brad Goering rehearse for an up- coming performance. Self was the first freshman to ever enter Ensemble his first semester. 2. Vocal Ensemble - Row 1, Erik Mokry, Jackie Ovanin, Dana Gribble, Lisa Ardelgan, David Carrigan, Mary Clark, Connie Jasper, Tammy Krcmarik, Kim Harms, joey Dvanin, Debbie Merrill, Michelle DeTavis, Veronica Castillo, Brad Goer- ing, Kathy Lopez. Back, Ken Self, Matt Ellsworth, Robbie Norris. 2 136 A vocal ensemble ill? 1
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Page 140 text:
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Choir performs in Disneyland production In support of the 1984 Olympics, the Aztec Choir was hosted by Disneyland in a special production of We the Peoplef, This concert was held to help raise money for the United States Olympics team. It featured high schools from around the area. Patriotic music was performed consisting of We The People , The Pledge of Allegiancen, God Bless America , and They're Coming to America , a Neil Dia- in mond song. I thought it was very emotionally, spiritually, patriorically and mentally fulfilling, laughed Matt Ells- worth. Actually we all did learn something from it. We got the chance to experience singing on a more professional level. The choir held approximately zoo voices and a marching nj ,ah 1 , . , band and was climaxed by the release of balloons and doves. The choir was under the direction of Sheldon Disrewd, a noted professional conductor from Fullerton College. The narrator was Bob Seagram, a former Olympic pole vaulter. 1. Freshman Diane Frieman sings Let Us Break Bread Togetherv at the Spring Concert. That concert was to showcase all of the different vocal groups. 2. Aztec Choir - front, K. Lopez, B. Christopoulos, K. Sims, Ovanin, D. Gribble, S. Murray, Carranza, Phillips, C. Castillo, L. Post. Row 2, Ovanin, K. Briggs, L. Ardelean, M. DeTavis, A. Flint, C. R-aggard, V. Castillo, T. Krcmarik, D. Satchel, P. Fleck, C. Munson. Row 3, K. Simpson, W. Schmidt, D. Rough, Goering, R. Carrigan, E. Mokry, B. 138 - concert choir 2 3 Fray, R. Leete, Steam, K. Tanderud, H. Olivegren. Row 4, M. Beckstead, K. Harms, D. Frieman, G. Brandt, D. Frieman, R.'Norris, K. Self, M. Ellsworth, D. Glembocki, P. jaspar, C. jaspar, M. Nespa, M. Clark, D. Fashing. 3. The combo accompanies the Vocal Ensemble in 'fl Return to Musicn. They are Diane Fashing, Lisa Ardelean, Michael McAuley, David Berger and Larry Loveland.
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