Emory University - Campus Yearbook (Atlanta, GA)

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p w F Goofing all: Even tlmugh the muck touk I-ill df Chr-rl uulp Food fun and fancy vwre frm:- months of hard work, K'l7lYlI'!1illFFlTl6fDlbC! -AFH' aa tmisllc uf the awning joyed cve ry minute. Dooley lives on forever: At the ball, D-mole-y 5 timing lun: John Boozer and Carolyn Hum- anlirs delight the crowd. plucy enjoy the romanfe of D0nley's Ball, vw z v-1' , . ,x ,v Do0kyE'H

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f-X ,X he legend of . Dooley began :: .,-.,.,,-s in 1899 when an esteemed, anonymous joumalist writing for the Phoenix fan Emory publication! wrote a series of articles lampooning the conservative admin- istration. lt was later discovered that the author was supposedly a skeleton hanging in the Biology Department. He first appeared on the Oxford cam- pus when several of his friends helped him hang from a perch above the president's chair during chapel activi- ties. Later someone dressed as Doo- ley began to terrorize teachers with squirt guns, kissing females on cam- pus, firing administrators, writing let- ters telling all the gossip on campus, and overall, disrupting the bland spir- it of apathy which was left from the winter. In 1941, he was resun'ected once again and with a budget of S2Z5.00, Calvin Kytle and Jim Ed Fain of the Emory Press Club programmed and publicized the first Dooley's frolic. Smiles of Success: The Dooley's Week Committee, can now relax and enjoy the hall after many months of work. The Ball is a long standing tradition, but the week was filled with many firsts . Including a spectacular firework display. 10 Features .7 H wh KKA, ,T -H -' in ' i rf' -ff t H7 1 l ggi .. 'ff ,r 2 f 'XX .lain ,Ulf , 12' N lf xxx . x gif I ,Y W xs, . V Events that took place were a great Sleepout, camivals, sporting events, dances fusually masqueradej, and of course fratemity skits. wikis l Spirit ofthe evening: Margot Rogers and Greg Vaughn enjoy dinner together. Currently, Dooley's Week is a week . . X ........s R2 ,YJ ...... i 1 in the spring dedicated to honor our legend. lt is completely organized by students and student committees. Planning begins in the fall semester. A theme is set for the week and the ac- tivities compliment the theme. In 1987, the theme was The Future is So Bright. Included in the programs were George Carlin, band parties, wonderful Wednesday with a bal- loon ascension, cake cutting, a jazz band, fireworks tfor the first time on the Emory campusb, annual talent show, fratemity skits, and finally the Dooley's formal. The mystique of Dooley's is known by all and he is respected and hon- ored bythe students of this university. Students realize that Dooley is im- mortal and his tradition will live on at Emory. Therefore, presidents may come and presidents may go, profes- sors may come and professors may go, students may come and students may go, but Dooley lives .on forever. Maria Salterio

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.,v.a a 1 an ., ,. , ,.,.A ,., ,- ..., , , - .1 -1- ,-,.. . ,Y ,. ,1.... ,--'mg' A-fpf 1-ra-,--1 a- -A p7-flfi f f-4-1,-fj,-7- he 11th an- nual lntema- tional Cultur- al Festival took place on Sunday, April 12th, 1987. The Festival was co-spon- sored by the lntemational Associ- ation, the lntemational Student Programs Office, a division of Campus Life, and was held in con- junction with the Sesquicentennial Celebration. This Festival was quite different from the past be- cause of the new location. lt moved from Rudolph Courtyard tnear White Halll to the Dobbs Uni- versity Center. The attendance at the Festival increased dramatical- ly because of the centrality of the DUC. The lntematonal Cultural Festival, in general, consists of en- tertainment such as dances, and booths organized by students, displaying their native country's culture, tradition, and heritage. This year's entertainment con- sisted of the Unity Dance spon- sored by the Atlanta Baha'i Orga- nization: a fencing exhibition, sponsored by the Emory Fencer's flllillllil llu' umld Ill fl clara' lndocwsmli cialis A 1 .lrtwmk .ur lm display lm .III to sec. Imiamrsm was gust our ul nw: lmty fllllllllll'N lmm .ill lUIllllN'Ill.'1 llml was rvprr-.cnlrcl al ilu- cnlmlul rvrnl, Features f -, 1,-1, 1,', 2 1, ,,'f1,,,p,,, f,,XrfiJf,,.ff,,,l,f c.-.,u-f--.,,- O.-- ,fsck '.,,. C,.,--t,.,,.1t.f- Q..c,.l.4u,,J.,...i, c,J,.l.1c.l .1.iL.1...J.,t,Jx. so . 1 1 Club: Chinese Lion Dance led by Lin Cheng-lrlsiu: singing of German and American folk songs led by Qmwtmns .ummm-4' larry Ilunlq stands ly l Il ll 1 I ll v tcm u .mswcrc :cs in S pq-up 4' gl 1- .llmul I'-.mrl Wemer Kahlp the Bhagara, an lndi- an folk dance sponsored by the lndian Youth of Atlanta: the Co- lumbian Dance Group led by Mr. Cardoso: a Korean Martial Arts ex- hibition led by Park Jung-Soon: the Filipino Dance Group spon- sored by the Philipine American Association, and the Debka, a Leb- anese dance led by Naila Kharil- lah. Over 40 countries were repre- sented at this year's festival. Each booth had food, drinks, posters, and costumes representing the culture, history and heritage of each country. Some of the coun- tries that were represented were: Brazil, China, India, Mexico, South Africa, and the Soviet Union. ln ad- dition to the booths, the Festival also included a sports exhibition and a steel band. The day ended with the announcement of the best booth award. India fin- ished in first place followed by Pli- geria in second and Puerto Rico in third place. A sincere thanks went to the ln- temational Cultural Festival Plan- ning Committee, the performers, all that set up the booths, Delta Sigma Theta, UPC, Longstreet- flvleans Hall, Trimble Hall, SPlCE, chairperson Esther Beyda, and a special thanks to Denisa Files. Anuj Paul Manocha