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Page 22 text:
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Edward Dankert’17—An Appreciation mm mam If there be any exceptional merit in this production, any feature which sets it off from the ordinary high school annual, it is the art work. The difference between the illustrations in this book and those in the majority of secondary school publications is the difference between Forbes-Robertson and a third-rate actor playing Hamlet; they both say the same words, do practically the same things, but from one we get inspiration, from the other, the mere story; from one, a realization of the emotions and passions of Hamlet’s heart; from the other, only the printed words vocalized. And so it is with the illustrations herein reproduced. From Edward Dankert’s art work we get an anticipation of what is to follow; an atmosphere is created which aids materially in the enjoyment and appreciation of the department. His products have the snap, the humor or the artistic element in just those proportions which proclaim a triumph of the pen. And so the reader, as he views these illustrations, cartoons and sketches, can realize how grateful we are to Edward for the conscientious task he has performed. For every drawing in this edition, as in the one of last year, is from his prolific pen, and though he is not a member of the graduating class, yet he has worked with a vim and enthusiasm that is most gratifying. Had every one of us the generous school loyalty that is Edward’s, our institution would lx? unsurpassed in the state. That he may enjoy the success he deserves when he takes up the profession of art, is the hearty wish of the Class of 1916. 18
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Page 21 text:
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THE GUILTY ONES Seated on floor, left to right—Edith Young, Seniors; Esther Rommel, Society; Mary Flora Fogarty, Jokes; Grace Kerrigan, Ass’t Jokes; Doris Card, Faculty. Standing—Warren Rogers, Snaps; Leo Rosenak, Athletics. Seated at table—Alice Hill, Ass’t Literary; Vernon Claypool, Business Manager; David Lilienthal, Editor-in-Chief; Norman Reiher, Ass’t Seniors; Doris Levenberg, Dramatics and Music; Margaret Dunlap, Ass’t Society. 17
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