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Page 26 text:
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.4 'x ,,.q.,,.n..,,.F. Paul I. Willwerth, Mus.B., Mus.M. Discipline: Associate Professor of Music Touring the art museum in Boston or singing My life, my friend, my soul, I leave entirely to thy caref' with the A Cap- pella choir are obvious pleasures of students in the music and fine arts department. But the glamour of concerts is the product of hours of prac- tice in sight reading intervals and of training in supported breathing. Delightful performances of Chopin's preludes and Gershwin's Rhapsody In Bluei' can't reveal the hours of playing arpeggios and two part inventions by Bach neces- sary to develop creditable technique. We learn the science of music by leading our classmates in our course in choir directing and by avoiding parallel fifths in harmony. In our study of fine arts we learn that the beauty of an artist's creation is enhanced by understanding of composition and design, by recognizing distortion, abstraction, and real- ism. We learn to look for religious symbolism not only in Michelangelo's paintings in the Sistine Chapel, but in the architectural structure of the chapel at Massachusetts In- stitute of Technology. Whether we are enjoying listening to a composition by Beethoven or Stravinsky, or seeking the artist,s meaning in a beautiful painting, we are gaining professional training and enriching our spiritual experience. Chairman of Division of Fine Arts i - 0 D6'lfI'C'0ff0I7.' Church Choir director, Choral Union Diversions: Boating, model railroading, Assistant conductor of Quincy Civic Symphony Alice N Kauffman, A.B. Barclay F. Wood, Mus.B. J. Gregory Larkin, A.B., Th.B. Discipline Assistant Instructor in Violin Discipline: Instructor in Organ Discipline: Instructor in Music Dednanon Supervisor of Junior Society Dedicarimz: Church organist, choir director Dedication: Church music Dixeismns l-lomemaking, violin, reading Diversion: Training boys' choirs Diversion: Society advisor 'S' if if
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