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Page 17 text:
of The Footlights
For four nights the same procedure
and for four nights the same fears and differ-
ent mishaps. For four nights we sense the
smell of greasepaint and the new feeling of
the costumes, the bright lights, laughter,'and
applause. That's our goal-to make the au-
dience laugh, to make the audience appre-
ciate the talent-to entertain. For four
nights we have a taste of show business.
"Waiting for the train to come in."
Left to Right: Lou Davis, Pat Livi, John Matthews,
Judith Price, Shirley Keats.
As each act is over we breathe a sigh of
relief and prepare to hold our breath for the
next. But the performance always goes over
and we're well repaid in compliments for the
many afternoons, Saturdays, and even nights
that we,ve given up for rehearsing. As the
curtains close on the last act and the cast
crowds onto the stage you get a lump in your
throat. You're happy and still sad that it's
Diane really sends them!
And then the traditional song "You
Will Remember DeVilbiss,' sends shivers up
and down your spine and you know that
you'll always remember this momentearm
in arm with the other cast members, swing-
ing and swaying to the rhythm of the song,
the spot lights playing and dancing like
bright sunbeams up and down the linesg
yes, you'll always remember Devilbiss and
you'll never forget the DeViltries.
"Dirty old K.P."
Left to Right: Bill Humphrey, Deane Osborne, Al-
The DeViltries could not have gone so
smoothly nor would it have been as much
fun if it weren't for the Steering Committee.
Through their work, they and the students
feel and know that the DeViltries is truly a
DeVilbiss student production.
Council Steering Committee and Student Directors
Row 1: Bob Terry. Sue Shanks, Ruth Crockett,
Sue Lattin, Nancy Stalker, Mary Perry, lim Villwock.
Row 2: Dick Hehl, Clark Holt, Roger Bulk, Sue
Kipperman. Marilyn Hartman, Norman Thal. Top
Row: Dick Hamilton, Iohn Matthews, ,lim Yobst.
Not in picture: Gretchen Hauser, Gloria Fish, Hazel
Murphy, Thurayne Thomas, Barbara Lukens, Peggy
Lukens, Fred Haase, ,lim Robertson.
Page 16 text:
Frisco Frolics In Front
HHand me another paintbruslf'--"Now
where am I going to find a property like
thatll'-'4Give that line once more" all are
cries heard in the auditorium or the many
rehearsal rooms after school. The people
quoted above are working on an important
jobg they're practicing for the biggest show
held in school-The Deviltries.
Fancy F oolwork.
But, before you can have any rehearsals
there has to be a scriptg before you can build
scenery there have to be plans. Miss Frances
Giffin, director of the DeViltries, chose a
Council Steering Committee to perform the
duties of making these plans and shaping a
show. Each member of this committee, in
turn, was made chairman of a smaller com-
"Pass that Peace Pipe."
Dick Hehl. Back row: Virginia Welsh, Sue Zbiera-
jewski, Connie Cromwell, Ruth Chandler, ,loan Fer-
rall, Joan Skurzyn.
After the tryouts were held the script
committee wrote the show and rehearsals be-
gan. Every night after school, Saturdays,
and some evenings were given over to prac-
tice and work. Finally the big night comes!
The house lights dim, and the roll of the
drum brings the audience to their feet for
the playing of the National Anthem.
"Your order, sir?"
Left to Right: Bill Lunbeck, Ed Binkleman, Pat
Liui, .loan Michelson, ,loan Billet, Nancy Campbell.
When the piece is over and the people
take their seats, the orchestra swings into the
theme 'LSan Francisco Here We Come", the
curtains open, the Frisco Frolics are on!
There's no turning back now. An audience
has come to the 15th edition of the DeVil-
tries. The actors., actresses begin the dia-
logue, the talent performs, the stage crew lis-
tens for comments in the earphones, the stu-
dent directors stand back stage and bite their
"Add a touch of rouge."
Left to Right: Dorothy Fash, Richard Boell, Alton
LeBeau, Nancy Anderson.
Page 18 text:
The Athletics Shine By
XZ, N R I S
Kyo f f IEX
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