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Page 92 text:
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Learning the ropes. New Dance Company members listen to choreographer Renee Brandon as she explains her dance. Me and my teddy. Unable to participate due to a sprained ankle, Heather Logan watches a 9th period rehearsal. Playing in the leaves. Connie Trimble and Tiffani Koch perform Themes of Boredom On a Fall Day at the Dance Collage. The faithful leader. Mrs. Dunaway leads warm-ups. ea-,,.. V, 4, ,V ...i,. K 88 PERFORMING ARTS: Dance Company Time to talk it over. Company members go over notes from a dance. Turn me loose. In the Dance Collage, the en- tire Company performs in an upbeat number after intermission. i wxdwwff ,W
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Page 91 text:
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UYS A D DOLLS A Sneezing, Stripping, Miffionmfy Maxim! -Bobby Pickard, Benny y To reach any goal, a group must have unity, talent and dedication. lThe success of an endeavor depends on the support of this ,trinity by the persons involved. L Every year, CAHS produces a musical. Every year, the trinity shows through. This year, the CAI-lSmic players performed Guys and Dolls , a crap-shooting, sneez- ling, stripping, missionary musical of the forties. A Talent is a must in theater. Although every character need not be masterful in every aspect of per- forming, each member of the ensemble must have some con- tribution to make, whether in song, dance or the swift execution of a scene change. The word ensem- ble refers to a group of people working as a team, not individuals of people performing for selfish satisfaction. A laugh is a laugh for the company, and silence is just as much the burden of the chorus as of the main characters. Mood sw- ings affect the whole cast, crew and orchestra as do lurking streptocci. ' se. IIB jun fl' Dedication is always essential, it was dedication that brought Guys and Dolls to the State Thespian Conference at Ashland College. Shared by only three Ohio high schools per year, the invitation was the culmination of over three mon- ths of hard work. Looking back on Guys and Dolls 1987, the trinity is apparent. There should be no doubt that the CAHSmic Players will retain this spirit for years. GUYS AND DOLLS Row 1: Tricia Moore, Chris Bickhart, jeff Dollinkger, IStudent Director! james Harris, Mike An er- son, Ste hanie Smith, Moll Pauken, Mike Smith, Scott Lindsey, Ienniiler Duke, Shelly Landis, Ten'i Palmer, Kathy Hom, Tuliza Fleming, Ian Wright, Tom Van Stavem, Barnett McGowan, Andrea Boxill, Madeleine Fix. Row 2: Connie Trimble, Erin Watterson, Bets Hubbard, Jeri Grier, Matt Morss, Matt Diclcs, Debbie Felsenthal, Amy Dempsey, Kiko Machado, David Schneller, Wes Gibson, Liz Wamer, lean Keinle, Amy Hill, Anne Nagel, Adrienne Tabakow, Michele Randles, Lori Houston, Heather Logan, Jessica Looman. Row 3: Yelena Baishanski, Katy Bowman, Kari Sue Kinney, Samantha A otte, Yvonne Burrell, Harvey Miller, Liz Bliandon, Merideth Greenburg, jenny Yeoh, Ruth Moeller, Jodi Siebol , Megan McGee, BJ. Fustin, Laura McMichael, julie Lind, Rachel Zutell, Laura Shea, Aimee McCoy, Stiphanie Stinziano, Uri Perrin. Row 4: Jeni eno, Robin Mar- shall, Abby Schwarzwalder, David Althoff, Iohn Curry, Sonia Almon, Katie Nowlin, Heather Rigney, Cheryl Brown, Bill Soltis, Eric Wri ht, Bryan Davis, Alan Eaton, jason Lofton, gteve Abels, Ethan Morss, Dann Kahn, Ed Oliver, Diane Ramage, Frank Thom son, Dan King fOrchestra Directorl, Erica llhomas, Becca Moots, Riba Kelsey, Jenny Taglor. Row 5: Kathy Woodrow fDirectorl, hris Gray, Keith Hartzell, Iames Cloninger, Tim King, Aimee Boltz, Sonia Hippard, lim Cancxpbell, Bobby Pickard, Scott Best, Aaron yckoff, David Fawcett fDrama Directorl, Tanya Schlam. The finishing touches. Aaron Wyckoff ap- plies his make-up before a show. Fireworks. Tim King and Aimee Boltz caught ata romantic mement. PERFORMING ARTS: Guys and Dolls 87
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Page 93 text:
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DANCE coMP NY An Ummm! Oppofffzmifyfor CAI-IS Stzzclenif -Connie Trimble, member Three years ago, when I was debating whether I wanted to at- tend my home high school, I heard about the CAHS Dance Company from a friend. Having attended , regular public schools all my life, a Dance Company sounded like fun. I decided to go to CAHS. ' My freshman year I impatiently ,waited for auditions. After I made it into Company I wasn't disap- pointed. There are many levels of experience and training. Every- thing is student-run and all dance pieces are choreographed by Com- pany members. Mrs. Dunaway, our advisor, helps us, works out the business and yells when we need it, but she lets us learn from our own mistakes. Our concert-The Dance Collage, was held in the fall. From the time we returned to school we only had 2Vz months to put together a two hour concert. It was difficult to learn and rehearse everything we needed to in that amount of time but despite the rush, nine new pieces were presented. Once again the school board re- quired us to participate in the All- City Drill Team Competition. Un- like last year, we were allowed to perform as a dance company and not a drill team. This made it much more fun. Auditions were held as we returned from Christmas break. With ten seniors leaving, there was room for many new members. Once a new company was estab- lished, we started technique classes in ballet, modern, jazz and tap. Some people found this boring, but everyone agreed it was necessary. DANCE COMPANY -Row 1: Renee Brandon, Yelena Baishanski, Po-Man Chu. Row 2: Nicole McDonald, Niaya Stigger, Renee Black, Michelle McAfee, Alan Eaton. Row 3: Pam Shepherd, Elizabeth Grace, Thanks forthe memories. Betsy Robin Marshall, Gail Davis, Nicholle Black, Aimee Boltz, Connie Trimble, jennifer Taylor, Heather Logan, Meredith Greenberg. Row 5: Rachel Moots, julie Graham, Julie Hostetler, Tiffani Koch, Elizabeth Hubbard !Student Directorl, Mrs. Dunaway fAdvisor2, Billie lo Fustin. Not Pic- tured: Jeri Grier fStudent Directorl. PERFORMING ARTS: Dance Company 89
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