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Page 98 text:
KOLLEGE KAPERS (In circle) The Barndance, a hit novelty act with the show this year. Something different, this act at first gave an odiferous impression but later proved to be one of the high spots of the show. (Opposite page, above) Cleo Christian- sen, flautist, and C. H. Vandegaer, guitar- ist .. . Jimmye Brown, accordionist . . . The feminine side of the waltz that opened the show . . . Roland Achee and Camp Flour- noy, masters of ceramonies, who kept trie show going with their wit. (Above) Jean Evans, newcomer vocalist, and Charlotte Newsom, pianist . . . Mabel, " Biddie, " Boddie, veteran vocal- ist, who was chosen as " Miss Kollege Kapers " at the last home performance of the year. (Right) The Cowboy Trio assisted by C. H. Vandegaer. These girls and their arrangements of popular cowboy melo- dies proved themselves very popular before the season was over.
Page 97 text:
(Top) Marguerite Myers, soprano soloist with the choir. (Middle) ]. H. Woodall, baritone soloist with the choir. (Circle) A. C. Voran, better known to the students as " Cheezy, " took over the job of directing choral work last tall. When the finished product was publicly presented, it was generally agreed that this was the best choral group ever produced at Centenary. Breaking away from the stiffness usually associated with group singing, this or- ganization presented something different in their work. (Right) The mixed guartet of the choir: Carley Fox, baritone; Cleo Christiansen, alto; Marjorie Steph- enson, soprano; and George Brown, tenor.
Page 99 text:
The alma mater was sung and the last curtain came down on another fine season ior Kollege Kapers, student variety show. With Dr. S. D. Morehead, the originator and director, this show has played before many, many audiences since its date of birth, 1933. Although transportation facilities hampered them some, they made their annual tours to surrounding cities again this year and proved, as much as ever, to be very popular. Of course comedy prevailed, as in most college shows, and such wits as Flournoy, Achee, Carone, and even Backstage Manager Sullivan kept the audiences rolling. Besides laughter there was plenty of music, what with a dance orchestra and plenty of vocalists. An innovation to Kapers this year was the college choir, which travelled with the show and did very well with the heavier side of the show. Dancers, soloists, and magicians rounded out the rest of a good cast. Some o the girls warm up theii vocal chords before the she The Kollege Kapers orchestra, 1941-42 version.
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