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Page 123 text:
The shoe-shuttling tiio swing out . . . Coo-Coo Comedians " wow " another audience . . . Vocalists PTickeii, McCord and Stewart pose ... as do equally vocal Raihburn, Grigsby and Richards . . . The harmonizing trio made anything sound like music . . . Kollege Kapers Kontinues Kute, what with Sarah Williams acting as official pianist: with Jo Beth Nelson and Joy Clark doing their tap duet; with Jo Beth singing and playing to herself, all by herself, and with Winifred Boles giving her own highly original versions of popular pieces. Kollege Kapers Kontinues Klassical. Under this heading comes — well, well! here ' s Jo Beth again — Jo Beth Nelson and Shirley Simmons. This time Jo Beth plays, and well, serious pieces. Shirley Simmons is the blonde orator of Kollege Kapers, who delivers her recitations with a fire that contradicts her coolness. And so taken altogether, we have here — well, we have somiothing here! And so we hope that Kollege Kapers Kontinues! • Paga 119 •
Page 122 text:
Kollege Kapers J_ _OLLEGE Kapers Kontinues Komic — to be specific, it grows in comicness, if there is such a word (or even if there isn ' t) with the addition of such shining Thespian Ughts as Hall McCord and Parry Stewart. Hall waxes eloquent both rhetorically and operatically, and Parry uses his deep bass voice to such good purpose that the general effect upon his audience, considering his lack of inches, is one of, " Tain ' t so. " The newly discovered elasticity of John Vantrease ' s arms, together with his hitherto unexploited blankness of countenance, makes him one of the outstanding comedians of the show. He fills to over- flowing the shoes of Red Kirkland of former fame. Sammy Peters and his inevitable and talented clarinet produce an atmosphere which is slightly disturbing, at the most conservative estimate. The appreciation with which Kollege Kapers was received is due in large measure to the orchestra with its timely (and a pun, however weak, is intended) pieces, ably directed by Dana Dawson, who is com- monly, and at the addresser ' s own risk, know as Mr. Beautiful. Betty Lane Grigsby and Allen Prickett accomplish the impossible by being received with greater enthusiasm this year than last: by each other and by the audience, both on and off the stage. Ruth Richards and Grace Virginia Rathburn, both new to Kollege Kopers, and the Three Notes, Doris, Phillis, and Irene, sing with the orchestra, adding to the quality of musical numbers. Helen Rosen- blath does a solo tap dance. " Gipsy " Shirley Simmons and the veTy-dTamatically-sold roses . . . Pretty pianists }o Beth Nel- son and " Wini " Boles ready to tickle the ivories . . .
Page 124 text:
The Junior Class Officers President Bill Harris Vice-President Sarah Williams Secretary Roy Montgomery • ► .y With studious calm and carefully restrained political activity, the third- yearers showed good judgment in voting in their officers. Realizing the negligable value of a class officer ' s job, they, nevertheless, chose three fine officers. Cognizant that a nice personality is rare, they boosted in President Harris. Willing to concede that loveliness is always welcome, they sent Williams up the ladder after him, and liking blue eyes and a grin, they gave Montgomery a secretary ' s notebook. • Page 120 •
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