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Page 96 text:
The Duke of Venice
The Prince of Morocco
The Prince of Arragon
Antonio a merchan
Bassamo his friend
9 Were wed B
pagrmu Mggney Old Gobbo Father to launcelat Patricia Kellmger
Joann, Gyqbowglu Saleno a messanger Gloria Socha
Pug Hung Leonardo a servant to Bassamo Betsy lochte
of Venice Mary lou Loslxott Baltshasar
Bernadette Bone Stephane
Rosalie Scurti Portia a rich heiress Norma DiMartino
Marlene Balog Jessica daughter to Shyloclr Eleanore Williams
in love with Jessica Joan Kasal A Singer Patricia Lane
Shylock a rich Jew Helen Haines A Messenger Selma Rutkowslu
Tubal his friend a Jew Rita Baldwin Time T500 Place Italy
Launcelot Gobbo clown and servant to Shyloclm Lillian Benson Scene Venice and Belmont
Salarino . . , , Margie Sullivan Nerissa . . . her waiting maid . . . , Joan Webb
lieejllf Ffh auf nf
Portia is not easily won.
WHEN MERCY SEASONS JUSTICE . . . Portia, disguised as a
young lawyer, pleads in the famous courtroom scene that
Shylock show merry to Antonio. Norma DiMartino, the
heroine Portia, is president of the Drama Guild, Marguerite
Sullivan fSalarinoi is vice-president, Bernadette Bone CBas-
scnioj is secretaryg Rita Baldwin Uubalj is treasurer, and .loan
Kcsal llorenzoj is publicity agent.
Page 95 text:
SWAN LAKE. Nor was ballet lacking in
this kaleidoscope of TCHS talent. Here,
Pat Hirt, Pat McMahon, and June Suhre
are caught in a graceful moment. At
the right, star Barbara Brown poses be-
side one of the effective pieces of scenery.
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This was a moment in which to grasp the reins of
Time and shout, "Whoa!" This was the moment for
which the cast had so long waited, worked, and prayed
-November 19, 1953, the opening night of the Glee
Club production, Dream Star. Was this really you, float-
ing backstage among the props? Was this really Bar-
bara Brown rustling down the stairs from the dressing
room in the train of 100 chorus girls? Was this fairy-
land of noise, costumes, and greasepaint real? The
overture resounded through the auditorium, reached
us backstage, tremulous and waiting. Our cue? No!
But there-there's ours. Now! A flash of light, a swell
of music, an avalanche of applause-'then-gone! Gone,
but never forgotten, surely, by us. Somewhere, some-
how, amid remembering laughter and wonderful peo-
ple, the magic of that night lingers on.
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