Catalina High School - Torch Yearbook (Tucson, AZ)

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Girls Chorus Stresses Musicianship and Performance Development of amusicianshipv and performance technics are stressed in Beginning Girls Chorus. Girls who have satisfactorily passed their first year can go on to Advanced Girls Chorus and are ready to give per- formances. These performances prepare the girls for entrance into A Cappella Choir. Each year the number selected depends upon the balanced quality of voices. This year the chorus participated in the Fall Concert, Christmas Program, University Music Festival and Patio Concert. sf 4: fr' ri .. 515 W GIRLS CHORUS OFFICERS-Front Row: Melina Staininger, Carol Hart- H ley, Janice May . . . Back How: Stephanie Winn, Penny Larson, Janie Gregory X . ,W A c A Issn 5 V in , i y f y' GIRLS CHORUS-FTOUI5 R010-' Cefel Hartley, C1053 EVHHS, Glorria rick, Sandi Owen, Penny Larson, Delores johnson, Mariellen Mc- Mitchell, Lana Voss, Gayle Lewallen, Becky Antonson, Charlotte Culloughy Janie Gregory, Marcia Lucas n I u Back Row: Cathy, Tallman, Christi Carpenter . . . Second Row: Lauretta Gaddis, Lemley, Suzanne Simpson, Melina Staininger, Jerry Comeuy Madeline Mack, Stephanie Vvifm, Cflfel Berridge, lane Caffleu, Georgia Williams, Iane Westmoreland, Anne Baustian, Laurel janet Vlfazemegger, Eileen WViley, Elaine Lohmann, Jean Vose . . . Meyer, Darlene Clark Third Row: Lois Montgomery, Roberta Cunningham, Kathy Lar-

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Vocal Ensemble Studies the Many Styles of Music Appreciation for the many styles of music from old madrigals to modern classics and pops is emphasized in the Vocal Ensembles course of study. This group makes request performances be- fore community organizations and ap- pears in regular school programs, sing- ing as an unit or in trios, quartets or mixed groups. Members of Vocal Ensemble are se- lected on the basis of audition. Becom- ing a member of the Ensemble is an achievement any music student can be proud of. 14?f2l ,.,.,,,-, ..,,,.,.. ... r ti , 2 ,t.,, ,,,., ,lli, , ,Z r w J if :lag VOCAL ENSEMBLE-Front How: Sharon Hawke, Carole Bennett, Linda Blixt, Sue Dees, Gail XVyman, Cheryl XVoods, Carole Currie, Indy Stiger, Linda Traister . . . Back How: Rick Nowell, Andy Thorne, Doug Nelson, Larry Allen, Harold Young, Lee Stensrud, Bill Dennerly, Ron Hinrichs, Randy NVair1scott, Bob Tompkins ACCOMPANISTS-Front How: Marion V 10 N ' a R' . 1 , MCB1'ide, Kafgn Clladdefdonl - - 'U Back Mi, mi, mi, hummed mlembers-E A Cappella Choir as a warm up exercise before How: StePhame Wmn: Bobbl lenkms Harold Porter led them in an evening of song at the joint concert with Rincon.

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,,. BOYS GLEE CLUB-Front How: Joe Vernon, Alan Bonney, Steve Ulrich, Dan Taylor, Ron Nenigar, Ray Tompkins, Don Remington Acken, David Kopec, johnny Granillo, Steve Miller, Butch Schuler, Bill Hogan, Tony Wolfe, jerry Vernon Fred Ginsburg . . . Back Row: Tom Frederick, Lenny Crose, Roger Production Techniques Studied b Boys Glee Club Softly, now, advises Max Brillhart to the members of the Boys Glee Club as the group rehearses a folk ballad for the Patio Concert in May. Performing and training are included in Boys Glee Club which is open to any interested boy. The group sang in the Fall Concert, Christmas Program, U of A Music Festival, and the Patio Concert. Auditions determine which boys will be advanced to A Cappella Cihoir. In order to be selected the boys must give two au- ditions and receive permission from Max Brillhart of the Glee Club and Harold Porter of A Cappella. Q '3.6'f5 EQ? ' 1 f 2- xr ' ,,., ,V Q is Max Brillhart, director.