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Page 180 text:
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Wgew A f ART A DCRAFTS ff ,.. Art provides the necessary creative experiences that give lite meaning in ig our ever-changing technological world - a world in which we Find it ever more difficult to function as intellectual and emotional beings. The Art De- ,itil partmenf, recognizing this basic need For creative experiences for all students, ' an :YH provides cl sequence of courses evolving around exploration of various art media and culminating in development of special appreciations, talents, and skills that will 105+ Q nfefame. its i is Enid Miller Deliliah Peacock 9 1 , X , Art is the path ofthe creator to his work . . . an instant arrested in eternity. r ' A. , is - rf' iff is -yr -nd! l r t , , s ' if fzxf -A tj is , 1 ' T3 51' EE? ' E H' - ' 111-71 ' El' ,!E5 1EE' 1 , f ga! 1 -1 E f - - Q ttf , . ' Q r W- A 1,53i??Y' I K W M W f. A .loenffsi Art is the only thing time cannot harm . . . it is the highest form of communications.
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Page 179 text:
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lnsights are found in role playing. v--A' Mary C . Bouley DRAMATICS After a year under the dedicated coaching of Mrs. Mary Bouley, clramatics students will tell you that drama, like poetry and fiction, is an art of words -- words used to make sense out of the myriad perplexities that befall man. They know of what they speak. They have passed through a series of ever-expanding ex- periences through which they came to appreciate the theater as an art form. More important, however, is that, while enjoying every moment of their class- room work, they developed an empathy with all man- kind and Found new ways to express how men and women think and feel. Emotional scene from award-winning HELLO OUT THERE. ..v.s.mW. . ,MRM ,,,s,. f , 3 A ,X . Projection Costume ,T Q W4 t 5 ,4 Elocution Dress rehearsal tonight and I want to see everyone on stage at seven o'clock.
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Page 181 text:
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-2 MUSIC it VOCAL AND INSTRUMENTAL Mr. Michael Luzak faced two distinct and inter-related problems in supervising the music program at CPHS. He sought to discover and develop the special talents ot emerg- ing professional musicians. At the same time, he sought to I nurture and encourage amateurs in music who will constitute r',,- f the sensitive and appreciative audiences of tomorrow. The extent to which this dual goal was achieved can be seen in the tremendous force that music represents in the total Trojan Do-Re-Me-Faaaaaaa. . . Michael T. Luzak environment. r e Af sf 1 .s My .S is :il K, UU,-I CONCERT BAND--FIRST ROW: Kathy Hasch, Bruce Davis, Cathy Sobke, Larry Roscoe, Frank French, Jo Cortez, Gary Durrett, Retha Jennings, John Sheets, Ardean Hargis, Sue Schramm. SECOND ROW: Greg Domasig, Steve Lane, Richard White, Greg Jones, Richard Castro, Irene Vas- quez, Sandy Rosenberg, Luci Monroy, Lilia Cortez, Janice Lawyer. THIRD ROW: Phil McCain, Joe Contreras, Vince Avila, Craig Rice, Jeff Lamberth, John Cruz, Doug Hyde, Jeff Freeby, Greg Saville, John Henry, Lamonte Thompson. FOURTH ROW: David Hernandez, Bob Michaels, Albert Lucero, Stan Fronczak, Enrique Munoz, Marcos Hernandez, Tony Arzate, Linda Kind, Steve Domasig. FIFTH ROW: Bob Rentgria, Mike Boggs, Ray Gassaway, Ray Skarlowski, Bob Emmert. Mike Sncrnnino. Rick Kmet. Gene Gulzynski, Mike Simonds, Dennis Mikolich, Sharon Jones. THE RESULT -- A WINNING BAND ' IST PLACE PERCUSSION SECTION - FINE MUSICIANS ,M s A I S we My sk ii, I, y W 3, A. 2, ri , w-rg iris gift' vw aw' I. g I ,,f Q, N V ,.,- X, 5 , . s ,7 ? I I eg it ii Hg, it S 9 ' ,J 2... , ,, il fp, , I Ry?-Zi ,,is 5 ,VT-9, at ,gf I t I A 3, 2 l ift! ,fmt I l M I Y V ,. N , :tiff I F I , I I ,,i at M , ' I 'T ' wi aww' T'J 5 'WL' I fr n 57 ,A 1 ' X. 4 , 'D 1 nl I -53 ' MTM ,,, 17
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