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Page 32 text:
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orchestra ' A familiar face' in a familiar place: Keith I Chapman ,at the keyboard of an organ. Keith lwhose solo performance of Handel's 'Sixth ,Organ Concerto' highlighted Music for Christ- - mas l has numerous successes credited to him -including a 'radio broadcast of selections played by him on the Grace Cathedral four- ' manual organ . . . H . afr- A' V, A 1, QT, 'C , f.f'lQ 1 -,fa 5 if , , A ff 4 C x- EQ -be Q , s X7 7 -3 ff f f L .7 r' sm ,, g if 4 y Y 6 mgm r'l42f.zf Z mmm' Brass, woodwind, and percussion instruments from Band combined with the strings compose Cap's Orchestra offers culture for r A pianissiimn conducted by Maestro' ,Mgiele,nzVelici'ts the merefst whisper from hus'hed'fs'tri:ngs,. rf' ' , ' , Keeping togetherness a bylaw of the small but exacting group of musicians are cabinet members Kathy Neal, Keith Chapman, Bev Pierce and Elizabeth O'Connicoff. These orchestra officers organize excursions to the S.F. Opera House for symphonies under the famed baton of it 1 3 N ., . Q . if' ' X Leonard Bernstein-and other such little thmgs l genie! ,
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Page 31 text:
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With a ready smile, Mr. Grimes was always there to help and advise a hectic staff trying to meet a dead- line. hoofprints publishes capites' fi? best endeavors Editor Eileen Kindell believed 'Hoofprints' had a reputation to maintain not only as a Capuchino tradition, but also as a worthwhile literary magazine composed of original, high quality contributions- a collection of the best Cap students had to offer. , Z, Many sketches resulted from the skillfully wielded pen of Hoofprints art editor, Kathy Lineham. - Staffed by these capable students and advised by Robert Grimes, this year's edition 'of Hoofprints was a memorablevpublication, especially to the staff which Coped with all the situations that arose involving Hoofprints. to l
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Page 33 text:
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ITIUSIC contemporary As the firsi chords of the HoHe!uiah! travelled their eleciric circuii up every X' f I' Several! resin, L 'I ' 'P 79 !'n , y 'fu ff,
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