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Page 20 text:
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'H OUR 4 Q, ULTURAL ,vf Q 9 c para LL Music N otea' Swlnq ls' fhe Thlnq' HIM IN Irxmg: l5kIllI1fll S1. llltlll cluud Jan xx uw luck m 1911 xxx 1 has 'Xlgvnulu s 1 lmu Pnml ilu world bcc in L Cmnlx lntoxxcxlul ulth MQ new rln 111111 Hmxugr m those clark d'lYSll11Il1klll 'ltelv precedmg Amerlca Q cntrs mio the W orld YN ar and ln the pox ous clax s fOll0Wll'Ie IULISIC seemed to become ln a general sense JHZZIIV IDCIIHCKI '1z7 lI1Spll Ld dancmg If found 11s ww mio I11LlS1C'll Comcclv ml ilu music ui thu post VN 'mr Alnuluum Bum Lritmn 1 nam IH 19 1 1 Cl tunnis fun xvare of V111 pounding. m our runs ug Irs. bcmg, rushul mio ALCLPUIIE anux rhxthm Yung qvsmg IS mcldlnable lfl sxorck poeswscb a certam magnehsm winch makeQ xou mexxtablv begm to tap Vour foot m rhythm It 1S not JazL lt xs not fox trot tempo lt ms QVHDL iLmpo1 It 19 new Bennv GOOCIIUII1 xntrmlunul It and voung AHTQFICIIIS lurcloforg 1117 minded lltuill brxblmul lie faiC1n'xt1n5 IIIX Hmm Svung IS thi lhm 7 Aida, by Guweppe Verdi G1USCppC X erdx from whose pen has Come Such masterful xx orks as Rxgo e 0 ind II 'I mx atom h 5 xQu EJIXLII lo the vsorlcl 'Xldi lJClLltlflll m lte imgeclw Pa ge Eighteen I' LX pt ind lI1LldLl1l 1lls was xx rlttun xv IL order of the Khulna of that countrx It vu xs prcsgnlul for the first lung ln Cum on CIIFISUIIHQ I' Xe 1871 xldl IS the clwughtcr of Amon xsro oi I tlnopn who hae rmcn unsucuss iullx 15111181 Plmuaoh Hu 5.111 lmun5 sh and IU ilu ioriunee of XX'1l 18 t :lun Q aptlu In thc I' EY ptlans md IS Euan us 1 slun to Pharaohs 111115 mtgr Amncms Xt 11115 pomt tha Ltgrnxl trmnglg uolxes Rhadames fnoung. Eungrxl lb lox cd both bv Au nuns and hu' slaxc but the latter I9 Qccrellw lox Ld bv hm Rhadamei I9 Chosen to margh nbnnettlu I tluopnans ulmh ug usum 1 unsl I Klum urns umph xuth lhur lung. Kmon asm xxhmn Rh ulunw docs not know IS Mali s flf.l1LI' dmguxsul is an ufhur Lllunul in lux charlot uhuls ,hx muh 18 so ple xsed xuth the I11llltElI'Y proven of Rhadames that he plane to pav hmu Rhadames vuth the hand of Amnerls Amnerls hossexer IS sus PICIOUS of the growmg mtermt bf. luun Rh ulfxnus and hu sl ug IWC mhmc Alcla feqrmg for ilu ills. 1 ur flt1LI' uhuec ldgnlllx IS not knmxn it the Pgvpilan umurl pkuls that thu Lapllxe be relexiul Um cl m cs adds hls praxers to Ixus Ih 1 rmh parclons all except Amon mm ul um he retouns at the palace and thus the father and daughter are brought mto COlTI'HUI11Cat1OI'1 At her fathers suggestxon Axda begs from Rhaclames the ITl1llt3I'X planQ uhlclx xslll le id to the recox erx of thg I no p1 m lrungdonl and the llbcrts of MQ ruu Flu p miiere 1lXL 1 sgcrc-1 nmgtxng place m 1 dwarfed temple but are ox erhefxrd bv the Jealous AIHDCFIS and a hlgh prlest Rhadames 19 denounced as a traxtnr Andi and her father escape but the unfortu natz Rhadames IS Sentenced to be buried alne beneath the floor of the lunple of Phtah He xc offered the lm mal ofAmner1Q '19 an 'iliernalne but rnfueee to accept It XX hen he dcscgnds nto the xault he finds Axda w'utm5 to share hm death 'Ihe prxests seal 111011 tomb wx 1th a rock whale Amnerm kngels 1n praver abmc thur hung Qgpulchre her pealousv prm mg strong gr than her angu1sh ex en at 1110 last I he muslc ofA1da possesses marked dl'3I113.tlC power and natne Orlental colormg the efTect ln the sacred Lhante and dances bcmg 3Chl6V6Cl llrgdv with harpQ and Huiee Thr. opu 1 18 Qlaldv and majestic m con muem md berx es as a xuhxclg for un bounded Qtagc dxsplax In n V OPIDIOD the mcmt buauflful I1 elodx lb Celeste Alda C Heawenlv Axda D .11 charmmg romanza sung by Rhdmades m the first act In thls song we hear mmgled the YISIODS of tru umph of lowe and of glorv Alda s limgnt Rlforna Ymcltor f May I lurnls Crown 'l hv Prow m WhlCh shy gnu ucpressmn to lur meumh also possesses appeal lhg magmfn Lung and splendor of thy opgrd he nn tln utrfuagance of Coslufmng espe cmllw 1n the sacred dance of the prxestess vshxch takes place IH the len ple of Phfah Another scene ln vshxch extrax agance IS agam the kew note IS the scene at the entrance of 'lhebes There throngs of brlghtly attxred Pgvptlans smg Gloria all Pgxlto Glorv to Fgvpt In thy final scene 19 the plalntnc. ' Y f ' v lh 0 'z IS lend H1 Y , 2 x ' , 1, K . . 2 , , Y , . V V . X I tl X . . . I , . 1 C if. 'fs , - . 1 u 1 a Q . 1 , . . , . . A V . . , , . . . I 1 Q X x . - ' - ' f 2 5 1 ' as x . D , , . . . . 4: I . , X -.--, 1 - '- ' . , ,. . . - . . . .. . ' ' . . ,, . , 1 7 f - .x ' ,, ' ., Y . . ' ff 'Z 5 5' - ' T ', ' ' , , , ,. .t . , v Y .tl . H , -Z , , . ,K ., - i , 9 C ' , X' r' - ' r- x ' ' . 1 . . . .. . fb- . . . . . X L . K 1 C V 1 ' Q 11 Z ' ' . ' . ' K ' . . Y . . ' ,' , , ,' - , , if 1 z 5 1 fl ', i ' , Q i . . - . . I . I , , X i 1 , V v , Y Y ,,,, C , . , u .. 1 4 ' . ' . . ,, xx r v - Q , v I f 1. A' K, r I K n. x 1 . , X v ' 1 u X n T ' ' X lf - 1 n ' ' ' , v v , U I . . . a n f . - , I. . . . . . - , - ' ,Z . X- C g C 5 v rv. 3 41 ' I - v 1 vy -.fx , I . .4 . K . , . . . I , x U , . ' . - 1 ' '. Y' - zgz J I ' He rci ' Q n irx- ,,, -Y , ' - - C L L - . . Iglt of, .fi ' ' f , 2. , - I - - I I- - X U - 1 ' ' Lcpllon, mrllllani am IHCIOLIOUS ln - . . , x . . .. ' 'L - , -1 , , X , I '51 ,, x , 1:1 3 . Y v x Y Ali n gy 1 4 4 5 Q.. . TK K ,- U 1 -Z , S , ,,k,' I Z- 1 . . X . L , 5 , , H It ., S 5 Z . , W , H , ,, H . n u - a 1 7 ' . . , J 1 1 , ' 1 N. , ' ' , . . S' , ' ,' ' '- A'- 9. . N r r ' ' V' ' i, - . - V av , ' I . . ' x .l l 5 E . . , .2 5 ,, . ,. . ,, ,, Y - . . ' V Y . 'i ' 5 2 5 q 4 1 v x 1 YY ' ' . .u D 1 , K , 1 , it ,L V 5, 'M' v 1 5 'l. 21, . ', -, ' , - r Hr H I y I A 0 . , . l . . . . . . . ' 3 ' T ' n w my I ' ' C ,V ' v 1 3 N r s Q y4 - 1 w 1- 1- 1 V 1 - , , , , . , l , I . . . . ' ' 5 KT , x . n K - ' c- 2 , . , , Ek, I I ,- ,. . , . . . K . x K - - K I .- K' x 4 - y - 0 z ' 1 z. . ' K' ' 1 , 6 , , , . , , ,, . ,, . . . - . . , . . . I - , . U n 1 n - 1 - - 4 ' ' 4: ' lit . . ' 1 , a' :lx ' z ' ' 2 all - , V . H v ,, . ,. .. . . . .. . . ,, ,, H Y 1 1, . z ' . ,f C K , K J. L K lu. f , It K ll ,,i , K
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Page 19 text:
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BOOK RE I- I Tu xii ii Ruflifmil lim if RucxircI Ixiphng xx ll :In us In If.l'1l 1 ered A one OI the Is. I iutmr Ihit uu Ined mul rizhtlx 0 L ittii uln ns Ii to such works is ll: 11,1111 11111111111 l ic LIHCI Lh ir iatnrs NI usio. 1 link intromluced to us is orphin children under the zuirahinship OI onu u how onlx interest is thc monex she mIrius Im their susten into Thur situition is piIiIuI 0 L I'mIuttcrc1I In their IrequenI punishnunis their Comfort hes in the solfige OI e ich other mil ihhorrence oi the rest OI the xxorI1I urs ite: 1 ii I L s irtist IH Isl OI in I' LXI W hiIL there in meets Torpenhou the milx intimite Iriend In ucr hid Lpon rumuiiie. Irum I wound he returns to EngI incI I imous in ii imc Iwut iu uulxnmxn p1.rsoniIiIx Utu IlNll1g Ior necks on the xerrze OI sI.u x itiun he s0uf,ht Torpen how ind took up Ioclginirs uiIh him 'Uthough Iimous Im his ui Dunk is xerx self untcrecl ind thi sulnui OI mirIu.1I Lritl usm In his IrinmIs Xt thu pg ik UI his I imc the .artist meets NI nsie Ior tha Inst time since CI11IcIhoocI She is ilso in artist Iwut s X6 unsugccssiul Dick pioniisu to help her .mc ,fur molltlls XlSltS lllr IIIYNLI X lllg IIQF Xxflrlx I111 instructing hcr l lIllIIX Unk Loniusscs his Ioxe Ior her but 'NI aisle h is no illeutlon Im him outside oi i Iiis.n1.IIx inlugst X I L ite: she goes ix to sIuI Immuli ite x Jig st nts xxoik un im :stu plum which IIILI completion he sees onIx onu Ima ruse he he Ionahncss that Lomas to thu II1mI until ha 1 t in gf.: i I Im L omp inionship oI his Iiipml nl thg thi ills oi t c Iront, he trfnels i oss in1I sci inc desert tothe scene oi In ittlc in I' Lrxpt is xx ii I1 id igain started r Iter 11 fechous muinu is hr. nhsnmunts Irom the Camel it his IHIILI he I ills to his Iriencl Torpenhou ind Ihilf. uttcrm-f his n ime I iIIsint0 the irms oi his Iiclox ed Ir1encI IIIIIIX u0uncIecI In isil x Iu LI IN N0 KIISIIIUNIKYIILCI lllll Ill lltl rl5I'xLn tug death that he so xx intccl xx h1IL IiI1ncI Q ime to Dick Deldar at the dose oi I life, Iilled with success ind Iime nusiurtuiis. incl Iilinchicss Tm HL RRIQ xxx- Mniilmfl ani! llzll ro uIiIx xeirning: ii KIKSIFL tc xisit tic CllLI'ldI'Itll'lg Idr OII -XrCI'11p1.Ii5o Isl imls h ue uripped mms OI us Iii. iutx romance, incl s su nm! Iireezc-s uiiin5Ix in mu ist iting men in the Illllflk im. hir in tus lIltLl'CbtlI1g n iii itiu prmul III il 100111. oi these minute :sl inds IEWS llc sl QUII U. in s lim. I isi I x n if in n is I I su mi x i i 1 Isl i gs uma LXIN 1 in is inipinssmn i xisitoi 0 it nnu lkll U NCI X III tlh SULII llil usmnss nh. 1I tic L im: I iv. I 11 L N lllfl Q Inntninnt XIIhuuLh the mi IIN in 1 iIut mfs xx I IIXLN I IIGJILII WOXCFIIOI ll IUIL In Iill 'Q iii Ixusuu I 9 ipi nu Ni IL mere the u P LILus UI In is im s intucsl iii I L 0 Iu i nv. ii item T ringi, who in I L1 iui iii I s unlusf w sc-nI to ihc is nc 1 N mx use ipidgs Lusuul xxhigh num i L his s mama ii pins 1 st in 1 IILI LS oi in xuum L -f hiv: impiisoiimuit in the Preiigh pun il nolrmx IX :inn I L ir ess 0ItI'11f,pmxuIuI im mu x I uml mi x L fi is 1s1 I i ii is im IIHXIIIIL tlq I icI nitixn unpiqvu 1 s s s lllL mn um ilnui spu L I ina. im :Ln s 0 SLLINILlI mth sim 1 I iplchtx tlit tliLuiimif11 u :IL nun s nc 1 in s num I I Ll I rs uu imniu ii L x mslLiuI 4 uiu uiiums in L f I tu. i I nd uit i most OI the mhi it nuts xx s su unugul nc ith thc lIl 'lX xx ilus Tha Nlll ixms xx 1 mu Lll ous x L I ipu KL ili uv. L i :sun c ime 1. -'L Lrnoi L ipt un N iw G mc tx 0 n itixr. I imi ins I L oi um u ii T 1. n 1 L piisumi 1 I ILN L N mmx s xxiis. ll imc L 1 mnrulgss xx itcrx me ith lit I1 mpuis llllll IYXLI ll LI IS Dlll llllll IHC 5tIH If I IU!!! Ull ill 1 int n I 1 iumm 11 im I' I IIXLS L IIS I I IIIIX P'- 4-Q lah xx s I in Iimn IIs Iirs pu lnill tin rLsIsLIIin1 Imula in Ihn Lountix I un 1 ns to ti rn o muse. s i I us s 1 xg in I in huilcnl to the L 1 e i xa I it istmphL UI thg Collapse OI L ut 4 L I' xnrx mic xx is 1 u x nusul ut ii x in in ui L ui :mul Lu I I4 :Io iiixthiim umm. ing it He xxmlxul Im xmis issemhhns In s Iiom th1 Inns oi tlusk xutims is tot L piolii lic IIIS is Ll xg 1 0 i4.sL I h Brut ci uni mu xe i ul 1 x possi IIL UI 1 LS ui I 1 s L im on in i ii oi thc Inu Thx iuount OI tlm mumoirs oi the XIII ui L Ioulunn ii oni iiii su i thinst xuiiiiui in I u u lSIlIIIOIpllI0'sUl1 ix I s u 111 I ui ig cn in1IiIIuLnt1I 1 L rsxLI I1 ii I 1 si 1 mm in it idigss xx ic in I I I xx mst mtlx ii ou XIIU her rctiicnunt Irom the st if L shy Im img in1I1IILrLnt to hu 4 6 iresi Iiiuials in 0 pst UI in 1 xx Linh. LII um I iv. punii mu i L xg us 0 ue.umui in tilu. hex xounucst s an min pro nf lin 4 1 I in Iir mme. tin I t I ci iii nu m iiiuu oi ntmi Wi LI tr ILQS thg Inns Q U I m t ig 11I 1 ui uh L igsu unix tim Inc piriigu ii pusmis who new Lrosslnf Page Seventeen Tu : ,ICIIT .IT I ,c if h V I' uf .-In ' I: ' -1I r - -I's1 II :ur- l V, , , rm: I-11 Ivy Iu'c1iIu:l's. Ii pl ing I -' , ' ' 'ii in' 11-il iii- .I itssl I--.1. 111111. I 's vs 1 5 1 1 , , , , ,Y .1 N I, , uu I I'i'cuch auth 'tl' :ml ' 1 ' 5 i 1 ' ' J 1 m ' , , . Q 1 E 'Q ,H H I. , L ml 11I iIciI Ivy Pullx n ni uu- TI , f ' '- ,f HH lix' -- - in-4. 'ri -in ' 'ii .',.i. 2 .lll'C , . .. . , 4 IH 1 'Q ' I 1 'I. N . 1 1 Q wi- -111 1 . v K I I , i, ' I Ii.' 1' IxS'i '1II- K . . '. I . L . i, K , I I 101 I I ', wa: pence 1 mn- O ' 5 1 5 ll n-. , fi , , S I jar' I nI' ' Ii ' 1 ' 'orc ' 5 i I K I t' .sk-' 4 4141 ' :Q 'X 'I I , K . i. . . I3-I,11:',I'.' I 1 7-51. X01 :I1 ', w ' I II I,l'IiiI,'1Hl1 J thu ,I H5 8 , Is ,I , , , t v , I IWIIIIUI' lol , ITV. ' '31 l, mi 3 1i w1ir , f 'v . - 2, - . , , , , , , and IIN' Caplaun OI 1 .Illl7, . ' K v I f , C LI1 1' .'1 g ', ' n - I ' . I ' ' ' J ' I ' 'QI1 If ' -'-g . I 1. I A . I . . A , I K fa! JIIII N1gI', il I ug- I , A ' I ,A I lmil- ' I-Ib ' pcrsun, uIif.1iincII ai I I , ' , i , nal' I '1 1: 1 l ' I 1 IiJII in il wh' 'xii ai LI ' ' ' HIM J ' gt IwI 1 'rm I x , si, , 1 , I'0I.1 '11 V115 ' 5 IK' 5 '.'I1i I AIIII. I -g gf ' 5 ' - - -Lg A. I L ,L 1 ,Q .Ia -' 1 1 ' ' 'i!w'lI X li. I .HI ft' g --- - 4 I K- -- 4 s - - , V . . 1 s -1 or nu il :nur c I c ic . . .. . . . sci If '- i inn. Th- 5 0' 1m I '31 I . . . , . t' g - , - -4 g i -, I ' X D I I ll T I 1. un Iurm. thc Iran ncwurk Im' I 5 at sry. if ' ' ' ' X 41 I - ' ' 'rl ll ' ,lv ,. . . . . . . ' E A ' , ' ' Xiu- I ' I D tif K I L I 5' I I'1'h 1h 'i1Iu1iIs 1i'1 ' fir Ieutl in ' . 11: 1 1 Z1 'f C I, I 1 . . I ll th g'il I2if' 1 l f 1 J 'III' ' Q vi ,h 4 ,I :LX K. - N, - 1 t 1- ' I I 1 5 . ' , . . 1 ' I A U ' Im Iwi Igc in P-ru. , -' '1 Q I IA' . S S I ' 4. i V -'I I Ili .auth i V I-'. 'I'-riille s iight Im, -I pg. iml lb O lm' B, tlwr IL il A Fran- , , X .,., mtl his w1Ic ZHIQI rhihl to nu umnh1iI tml . . . - - , 4 - - --5 5 5 . I I clsu 1 I, il--1 L-1I i 1 K' J ' '-rii- . ' ' li',', ay. 1 .' ', it ' lu.. . ...1 '.-qzmzl. ' ,'i.tL. Q - -I -Q-5 1' x',4 , I-ttlh .NIC1 ' 1' xii 1 is, 1'ccI 2 ' My h, , :- lg - 5 1 mul- , ly, - Q -Il' for li i'5tc mul 'lei' It' ' Vw, I ' lil-V InIc VCQISUII wIi-v IIlL'.Y, l7iIl'IICllI1ll'I-V, wcrc part I - ik C : Q S V V 1 is it V -1 Q - V gm: -I in th' ruinous clutclics UI' thc hurri- Oi' I , 'J ..tL,l,' i - 1 1 v H Q '1 '. IV' I, tm ' I' I' ruin, 1imI Ii1iiI IIC- l U l A - . 1 - Q' KH X E. Nil H ..'lA x Jvxi .'XIt k'-11's I f'il'C. I1-'I lv comes Iihnd. Dick IOICFIIICS thc 1Ir01i4IIuI ' ' N ' + ' . h ' rev ,l, N n ,HV ilcmilg ,N ,fl 1 - dc X . X I N P I ,- - i pc I - - ln-It :Ira iIQI um Iqt ' gnil IA ' 'lag 'xx' U il '-' ' Fu I D ., . . I - K . , . , . ' ' , CL'1'l1iin I'1 th. IDF. ic fl ' I ' 'I'1 I 'I ' 1iII- nl mm ' arm' II Ita' It X S ' UI' 5 'U' I It .HO IPII 1 .1 'II .V-+ 'S ' 1111 mi .Q U l ty thu ini Nl -md l ug Iuil ' 1 mI LVIICIL' Pio, thu p1irIicip1iiils i thu f f -' -I 1 ' 'f 1 . . . f , ' . 1' mi ' - h ' . . . ici, .. li ,Z I 1 Iiut in x'1uu. Im' in thx raging. Imwlini. iight I ' at ' '1 ' Z' ,1' -1- If's1i , I ' I 'A 1Ii': '1i.' 'fn I ' ' I' I Af 1 1 ' 4 I x. I .. . ' .R ii D.. ,Z , h. .- Illl'.'i IJ' .X ' 1.'1 ', or D 1 A11 '41, thc Ni ' ' ' 131: - 5 v 'Io 1i'I .'I.'-s'1 'I I'1 I, fi Il I ' i li 'I I-I . 1 I . V . X I i 12 4 V .Q Dv- HCT: . t, .un li Djidimcgl' the gov- :is Ii1iil.i1i1'I 'I in Iultcrs wi cn OI I 'I 'ucI -Q V I V - - - 4 , . , . . , . Irut ' 'X :mul lui: 1 ' 1 I ' : ' '. 1 1 . z:I 1 I x' 1 'f 1 I fi, ' 1 Ii ' 1 5 I ' I I , in . 'tl . Tun gi. h. any , Th ' f ai In u h Cain iIi1i's CIIQIFJICICI' is il 2 I -I i -'1 'I in-v ' ll L ' will an Ivuc 1imI Coillligtwlis IIC1 ri, Jcu'1I Iii: 'f1 f4I I img' Im' H5 H 51 I If I I I 'I 'SC A I 5 . ' v ' 1 . -1 1 'Q . I - C X I- Ah ii x lyhllamscl 1-mln thc I'1ir - vas c1mtriI utml tu Vuulc Dio, she 'us ' ' '1 ' ' '1 x H 'll cn Q1 A' i ti' lilo. .1 1 ' - '- - . . .I I . XVI: 1:5 1 J ns 11 result ui! this .ict nf is Vi I I . . , 5 ' .. 1 1 . 5 ', 1 I i b I 1 J ' ' I -QI sa wI 'I 'ns ' - Ill'1II'L'l'-V is Iortymi, rc1icIcrs, to IimI out, If-x' IHUMHIOnlygmntU I- I E N -sg ,ii-br ,- W, ., Im. - tl 5 'phil gl I I I-Y' .'-1 'Q Iii 'J ' I, 1 v 5 sou. Dc In in his cuslculy Im' per train' . v . NWA ' . -- 1 Y Y i 5. Ui I ' 4I1i-v L'ucIc Piv tml- Ii iic iwm I his I ' I ' 'il 11I 1u'x'iIQliI UL' i ccI. P Ii '1i I' 1 ' ' ai II f 1 I ' ' ' V - . ' -1 f :1 Q 1 ' Tu: Biuicai-3 or SAN Luis Rica'-f T! - I In the Si' ' I Ih ' M ' I . ' . .. 1 . H-4 1 ' 5 ' ' uf' th' nth-' Ch2lI'iiCIOI'S 11i1I v 1 ' K A ' K If' ' :oft K. .R LJ V ,4 X. cu ' , Av Cm -ul H Im I - ii IUVIHQIIIUII suppIic1I, you mnlx' cI'1iu 1. -15 1 ' 6 -. . . Ri ., W ' h' Thu- fm X 'iIIIcr. witI I ', ii' ny. . I Avo ' nun cmicliisiim us to the rc1isrin ' hx' the I': ' 1 ' ' 1 --1 ' '- -- Q 4 - insight, 1'1.-va-1iIs the hiaIcIc-u Imclagruuml UI Ive Iu'i1Ig- UI' Sun Luis Rcy c'oII1 v. 'I 7 I I use I Q I 1 g. ' in thc cxceII1nt phil .4 1 Iiiczil 'cl I ' 1 Ii ' 3 - ' 5.
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rapturous song ofA1da and Rhamades nn xx hxch thev bud farewell to hfe 0 Terra Addxo C O Earth Adleu I The strange chant of the priests and prxestesses IS heard aboxe their duet and as the song grows falnt the cur tam falls Classical Recordings ln the entlre llterature of Concertos tor plano and orchestra none has the lastmg appeal ofthe Brahms B Flat Mayor Concerto Thls composltlon IS often desxgnated as the symphonx wlth plano obhgato and not wlthout reason for the rlchness of Brahms scormg sets the work apart from anx other m that form I had the extreme pleasure of lxstenmg to the new album of thxs work set bv Arthur gchnabel and the Br1t1sh Broadcastmg Svm phony Orchestra It IS superblv played and magmflcently recorded and wlll be a source of nexer endlng enjoyment Partlcularly appealmg to me was the thlrd mox ement the Andante ln whlch the cello and plano carry on a hteral dlalogue of unspeak able beauty Nelson Eddv has alwqvs seemed to me as achlevlng success ln h1s ex erx recordmg Hls newest record contam mg 'Dusty Road and Through the Years IS no exceptlon to mv theorv Hls beautlful barxtone IS unusuallx dvnamlc and hls rendntlon of these numbers unusuallv fine Jazz Recordings YV1th Swmg the tops ln muslcal rhythm Benny Goodman offers Chrxstopher Columbus and Get Happy The former number whlch lncldentally was xxrxtten bv Fletcher Henderson a negro conductor IS xn my estlmatxon the tmest example of qwmg rhythm lsham ones Bo Greater Loxe as recorded bx Gux Lombardo deserx es note MUSIC affects people ID XHFIOUS methods but the most dxsastrous re sult of any work xs that of elghteen people hax mg alreadv commltteed sul clde after once hearmg Gloomv Sun day Thls pxece has smce been barred from the two mayor broadcast mg networks because of posslble re occurrence of tragedv Paul Yvhlte man s plavlng of thls adaglo number IS excellent CELEINA SEIGLE 1957 Cmema E SHOULD llke to see the person xx ho doesn t enjoy see mg a good mox 16 xx hen he has the opportumtvl Clf such a person exlsts send xxord to us 'lbout hun and xxe ll send word to a museum to haxe hmm put on dlsplav as a freak 'J Therefore thls column xxas estab lxshed to act 'as 1 student guxdc to see the better hlms of the month After much research xve haxe concluded that the txln s rexlewed beloxx tra. the ones that are most outstandmg most sulted and most profitable for hlgh school students to see lhe Great Zzegfeld After months of work and prep ara txon IW C M has Hnallx released 'I he Great Yxegfeld The result IS the tmest most profltable mus1cal motlon pxcture exer to come from Hollywood' That IS a bold statement to make consxdermg the dozens of muslcals that haxe been produced vet lf vou should haxe an oppor tumtv to see lt you will not denv that the Great flegfeld IS greatl W hy IS It great Because xt IS really a com bxnatlon of all the Zxegfeld Folhes of the stage condensed 1nto one motlon pxcture plus Yxegfeld s oxxn dr'1mat1c llfe storv The glorxtler s carefree romance xx 1th Anna Held h1s marrlage to B1ll1e Burke and many other adx entures m Zlegfeld s lxfe are brought to the screen m such a forceful xx ax th at hxs back stage lxfe alone would be enough to make a trxumphant plcture But 'Vl G 'Vl has gone further and has brought mto the motxon plcture also sexeral of the orlgmal folhes stars The suaxe YK lllxam Powell as Ylegfeld W deserx es a cheer for hls fine characterlza txon of the worlds supreme showman 'Vlvrna lov as Bxlhe Burke and ILIISL Ramer as Anna Held also prox :dc commendable per formances Besxdes these stars hoxvexer are such troupers as Fanme Brlce Frank llorgwn leon Errol Yxrgmxa Bruce Regmald Owen Rav Bolger and Harrxet Hoctor 'lhen there IS a surprlsmglx reallstxc lmpersonatxon of Eddle Cantor done bv Buddx Dovle The late Wlll Rogers IS also lmper sonated m such 1 masterful xxax bv A A Trlmble that xour eves xxlll open wlde m astomshment The Great Zxegfeld was umquely dlrected bv Robert 7 Leonard pro duced bv Hunt Stromberg and the screen plax xxas xxrxtten bv Wlllxam Anthonv ATCGUIFC Dont let xour frxends tell xou lbout lt fake adx an tage of vour onlx opportunltv of ex er seemg thxs musical masterplecel Romeo and Jul et ' Exght of the most famous stars m Hollywood haxe combmed talents wxth one of the most xaluable pro ducers IH M G W1 and haxe com pleted work on one of the greatest works of hterature 'Should there be a doubt about the outcome of thls clnemal How manv modern romances are not patterned 'after Shakespeare s Romeo and ulet It IS surprxsmg to find donns of publlshed nox els to dav that suggest to us the old theme about these txx o lox ers although thev are now hardlv recogmzable because of the present dav dmlogue FIRST TOPPAN PRIZE fPamtmgj Page Nineteen 1 U . o ' 1 1 ' 4 ' I . . . . ,, . f - V , - ,, 1 , , 1 - 11 41 - 11 ' ' 1 . , I . . 1 - . . , 1 1 . . . V V H H , . V 1 , 1 . , V. . . ' - . 1 , , K 1 4 1 ' A - 1 ' c V ' V - , 21 K 1 L 1 0 ' . ' . ' - - - . . . . H ,, ' .1 ' ' ' - . V V . . . ' . . . ' L I K 1 ,. . . . U 1 1 1 . - . K , Y . ,, . . . . . ' 1 ' V V' . . H X x W V. ' P ., . V - V V , , , . , t V 1 1 1 V . . . ,, . V ' , , ar - 11 v . , . . 1 1 ' . . J' ' ' V . T . ' . AV . ,. . V V . . . Q . U V . , 1 V , P ' ' V V ' ' V . . . . 4 ' - ., ' V 1 v . V , Z , . . . . . . H . . ,, . I I 1 1 ' , It ' ' 11 . 1 - 1 ' I . . ' - . - , , rr l 1 1 , ' ' . . . . - 4 ' , V 1 . V' V - V 0 t 1 , ' - . . A . ' - V . '. ., 1 , . . . . H f . V, . , V V Y L 1 . ' ' '. L ' If 11 14 - - - . . , 11 - - - . ' U . ' I - , . . . . Y . . , V , t x , L 1 4 c 1 . . . . . H U , . , . x 1 . V . , - -1 ' - 1 , V V V , L ' ' at 11 - - l , , . V ' ' ', Z . X ' ' Z c . 11 - 11 11 . ' ' 11 - Y W Y ' F . . . . . 2 . i 1 1 ' V . ' . . , . 1 . . l 1 1 11 Y 1 1 1 . e . , 11 ' V 1 1 . . . V if -ww 7'9 A V . , V 1,. . . . . , x A V' ,V , - 1 ' ' . - - V V' ' . - '.. - - - , ' . ..... ' t - 1 1 1 :3V'?,,:. ' ' 11 v ' - V . t . ,, . . . , . Y ' . 1 v ' A 4 , , . . . v v 1
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