Boys Technical High School - Artisan Yearbook (Milwaukee, WI)

Page 28 text:

. . 1 if .,,,. ,,. . by N, az- ,Z N-Q ix X i 'x ,Mf. L, ,gg-p-fl' ' ' 'i ' 1 ' X fm X Nl A me Tj Nfoioig A Home Sul, 3maE5 'li 'l l X LA -x 3.4 0 Y. LT' Fei E9 .Arek ifecfzi For ideas of their own, Duane Bieden- bender, Dave Lehman, Roger Poehlman, and Ron Mclafferty study a model section of a shingle roof. Our architects have to know more about building than iust how to draw the plans. Long arms help Gerald Hoefer and Ray Malek, two of the department's graduat- ing Seniors, as they collaborate in arrang- ing a display of student drawings and plans, showing the scope and quality of tho work of the Tech architects. Harvey Borkowski, Wayne Wagner, and John Guse are shown looking over the house plans drawn by Wagner, a new student who entered this year from one of our iunior high schools. Perspectives and renderings of details are also an important part of the training of an architect. Here Laurence Renaud puts the finishing touches on a charcoal rendering of a formal entrance, while George Gloff observes the work.

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eromec anim Flight theory is illustrated as Laurence Burger tells what factors oppose flight, while Joel Tucek, George Astemborski, and others watch the demonstration. Don Zirbel and Jerry Kennedy develop keen memories as they remove the super- charger drive gears from a 2000 h.p. air- plane engine. Up in the clouds, figuratively speaking, is George Price who takes instructions while at the controls of a twin-engine Cessna. Stockroom boy Al Kowalski exchanges CI wrench for a toolroom order slip written by Joe Davis, illustrating the systematic check on tools practiced by all Tech's shops. ln the foreground Joe Molter, Jim Becker, Wayne Lemler, and Laurence Burger hash out a few details encount- ered on their proiect on an airplane en- gine, while in the background Terry Gun- ther, Don Zirbel, Jerry Kennedy, and Wally Bergmann remove supercharger drive gears.

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4' ,, 1- ...fs jd f , nf., ' Arfidfd, llfufkouf WOJQL, .gplzow The air brush is an artist's best friend, as Bob Wargolet tupper leftl uses that technique to bring out the canine qualities of man's best friend. Glen Hamilton and George Gloff iupper rightl do perspective sketching in a class in architectural design. Another example of artistry is silk screen work, and here Cleft centerl Ken James does some fancy silk screen film cutting. Soft iobs in art are illustrated by Hilbert Rottler who busies himself with ceramic sculpturing fright centerl, while Dick Hanson works material used in pottery making. ln poster painting, Arden Krahn looks over his gridiron star, and Jim Kaiser seems to b ation tlowerl. e hypnotized by his own cre- 25