Boston University - HUB Yearbook (Boston, MA)

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THE HUB 1966 THE SENIOR ANNUAL FOR BOSTON UNIVERSITY Editor-in-Chief DOUGLAS 1. PARKER Executive Editor CARLA LEWIN Photography Editor DONALD BREWSTER Art and Layout Editor SUZANNE LEVY Organizations Editor PAULA LEVENTHAL Portraits Editor HELEN GORDON Biographies Editor MICHAEL KRAMER Sports Editor MARVIN PAVE Business Manager GARY STARK Assistant Business Mgr. LESLIE BENSUSAN Promotions and Circulations Mgr. VERA NIKIFOROV Editorial Advisor MRS. ELEANOR R. GOLLIER Business Advisor PROFESSOR LOUIS G. CAREY PHOTO CREDITS: 1Numbers in parenthesis indicate position on page, starting left to right, top to bottom.1 Donald Brewster: 19111, 33 11, 51, 39 14, 61, 42 19, 7, 11, 47 11, 31, 46 111. H. Robert Case: 11 151, 16 121, 17 13, 4, 5, 61, 19 131, 42 12, 4, 3, 6, 81, 46 12, 31. Ion Goellz 33 131, 32 111, 37 151. Robert Haiko: 11 12, 41, 12 11, 2, 3, 4, 5, s, 7, s, 91, 17 11, 21, 18 161, 18 161, 19 14, 5, 91, 34 11, 5, 7, 91, 37 11, 2, 3, 7, a, 91, 47 121. Ellis I-Ierwig: 18 121, 35 121. Marc Hollander: 18 181, 35 131, 42 151. Suzanne Levy: 19 161. Pedro Novak: 13 121, 16 11, 3, 5, 7, 8, 91, 19 171, 33 161, 44 111. Douglas I. Parker: 11 13, 11. Peter Simon: 18 111, 19 121. Suomynona: 11 161. Stephen Vail: 16 14, 61. Linda Woodford: 18 141, The Richard Anuszkiewicz painting reproduced on the title page is from the Cocoran Bienniale exhibition at the Boston University Art Gallery, Nov, 1965.

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AFTER NINETY-SEVEN YEARS, IA recording of feeling-its method is the jux- taposition of more or less meaningful ideas, made useful and more poignant through their environs.J There is rhythm in learning, with apparently aimless and rambling quest, periods of seclusion and periods of ebullience, a capture of insight, and the exhaustion that follows a prolonged period of work. BU is at once a part of the world and a world in itself, like a scale model of the way bigger places are run, with people in charge and people who work here and people who come to live here. Some of us are here to learn and some to teach. One group earns a living here, the other spends one. As far as most BU people are concerned, the place is bounded by West Campus at one end, Med Center at the other, and the Charles and the Pike extension on the sides. Its depth is the rare book vaults and it's as high as Law Ed. In most cases BU is four years long. Iacob Sleeper, one of three Boston University founders, is described as having been wise, cheerful, tactful, winsome, shrewd, and modest withal-a thorough-going gentleman of the old school. His portrait shows him to have been full-bearded, noble in bearing, with a certain benign handsomeness of face and figure. Daniel L. Marsh Chancellor of Boston University President 1926-1951 And as we have grown, Boston University has grown. In four years there have been many changes-some we have questioned. There have been differing opinions, and many of us had to resolve conflicting loyalties. But dissent is the vitality of a college community. This vitality is its source of growth. During the social transi- tion many have worked with imagination and dedication to make BU a better place. We salute them. This concern is the spirit that we will carry away, and it is precisely this spirit that will draw us back. Student life onward rushing morning noon and evening in a constant state of motion surging forward past the union oops watchout for the glass door forging onward listening feeling life is fast take-a-break coffee friday brings the weekend. We are impaled on a crook of conditioning,-a fish that is in the water has no choice that he is so. Genius would have it we swam in sand. We are fish and we drown. We remain in one world and wonder. The fortunate are taught to ask why. No one can answer. Iames Dean The content of education is kept open and rel- evant. nothing can remain static a state of flux exists around us we're gradually drawn into it and a community of people evolves Experience is never limited, and it is never complete, it is an immense sensibility, a kind of huge spider web of the finest silken threads suspended in the chamber of consciousness. Henry Iames We've lived the good life as if we knew what it was 'cause a man's got a right to talk about what's on his mind' that doesn't necessarily mean he's the revolutionary kind. Sonny and Cher Hey Girl-with sunlight in your hair! Ronnie and the Daytonnas a young girl, a young girl of fifteen, child of springtime still green Charles Aznavour and there's a long-haired girl to ease my mind Tom Paxton people-adding warmth to the landscape love-happening in a situation the more alive for it effervescent laughter breaking into sadness