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Page 28 text:
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i H, Robert Case The Peace Corps was first regarded as an outlet for youthful enthusiasm. Now we are discovering that it is an extremely valuable arm of our aid program fin those areas with aj narrow cultural base. These areas require aid in the form of actual people . . . Iohn Kenneth Galbraith Distinguished Lecture Series Nov. 1965 . .A wf ' ,,ki :se 3 . Y H. Robert Case Man has been described as the only example of a 150 pound non linear servomechanism that can be wholly reproduced by unskilled labor. It is one way of looking at him. Another is as a challenge to fulfill- ment. If we would assure humanity's future we must pay attention to the conditions in the present that will ensure that future. If anyone cares to ask, as Bernard Shaw once put it, What has posterity done for me that I should do anything for posterity? The answer is that it is not enough to be clever-Satan was not wanting in cleverness-furthermore, that Bernard Shaw left no posterity and so wouldn't have known anyway, but that what humanity will always stand in need of this involvement in the past, pre- sent, and future, for those of us who live now are the heirs of the past, the beneficiaries or victims of the present, and the makers of the future. Dr. Ashley Montagu Emphasis '65
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Page 29 text:
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Robert Haiko I'm optimistic-I've had reason to be, without hav- ing escaped too lightly, nor any more than other people, perhaps more than some and less than some -I don't know .,.... l'm an optimist, l've always believed from very early in life that art took care of herself and if for a period of decades in the opinion of some people- my own or notitrends showed themselves as of a deleterious bearing on the good health of art as one wishes to see it, we know that there have been fam- ines in all lands and mankind has kept going. And it isn't a perfectly smooth graph. lt's got a lot of chunks in it, about like a barograph. I've always Robert Haiko found that it survives and I don't think anything coming along is goin' to interfere with that. I don't have to be self-committing on certain sides of art which you perhaps have in your mind as my having an opinion on-I find that freedom from representa- tion as an art objective is a great benefit and we can thank enterprising modern art thinking for that. That same kind of thinking underlies the great designs of the Tintoretto's of this world, too. l'm an optimist for better or for worse. Edwin Dickinson SFAA Lecture May 1965
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