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Page 19 text:
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Jennifer Hockenbery and Rhonda Hise, Torch page editors, make a list of their next in- terviewers for their articles, (top) Ms. Harriette Kraus and Amy Feiertag dis- cuss Lamplight lay-outs. Bexleo copy editors, Andi Shell and Sarah Arnett are pleased with Seth Rogers' final draft (right top) Torch editors, Kim Winer and Kevin Huffman, assign their stories for the week.
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Page 18 text:
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Tony Thum and Julie Chorpenning look over the new flex eo negatives. P.J. Levine and Cathy Johnson review the results from their last Torch survey, (top) Ms Peg Zidonis reads off Torch's agenda for the week while the attentive staff listens Karin Magaziner and Amy Feiertag concentrate on their Torch layouts. Bonnie Green is fed up with editing, but Amy Whit- tenberg's enthusiasm helps to keep her qoinq. (center) Journalists tackle assignments student efforts. Compared to last year, senior editor, Amy Feiertag said that this year was much more organized because deadlines were earlier. The staff sold the magazine in February as compared to last year in May. The Bexleo staff had their fair share of work this year. New computer tac- tics had to be mastered as well. Dead- line time brought first frustration, then delight. Waiting for an early fall delivery was the last assignment. The Torch continued its dominance of Na- tional awards winning the top prize in every competition it entered. With forty three on the staff, including twenty three on the editorial staff, the monthly paper maintained a delicate balance of work and play. Advisor Peg Zidonis said, “They re- ceived no academic credit for Torch , but they still put in the time and effort.” The Lamplight put together student writing, art, and photography into a lit- erary magazine made completely through
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Page 20 text:
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Cast sets up 4077 On November fourteenth, drama club presented a realistic view of the 4077 Mobile Army Surgical Hospital during the Korean War The cast and the set both contributed greatly to the overall perfor- mance. The talented students enhanced the play. Bill Early as Colonel Blake was a perfect representation of an army official. He humored the audience with his ap- pearance and jokes. He showed the au- dience how crazy an officer can become after several months saving lives and liv- ing in a tent. The play was originally the forerunner to the movie and popular television show M A S H. The actors and actresses close- ly resembled the portrayals of the char- acters in the familiar television version. The set of the swamp and the interior of the compound including lockers, bunk- beds, and benches created a realistic view of the mobile hospital backed by a drop of mountain scenery to resemble Korean countryside. Kelly Katcher said, The cast put much effort into their parts capturing the hu- morous and serious aspects of the play.” Julie A. Friedman Trapper, Hawkeye, Father Malcahy, and Radar dis- cuss important camp matters on the set of MASH. Crew and actors prepare for the premiere. MASH cast and crew members: Front row; Eliza Howey, Amy Rorris Second row; Chrissy Long, Andrew Hertzoff Back row; Chris Jebsen, Kevin Freeman, Steve Herbst, Patrick Clark, Seth Mitchell, Julie Eyen, Kathy Blank Chrissy Long, Michael Steve, Susan Feyher, Buster,” and Bill Early pose for a picture after the performance.
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