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Page 12 text:
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Symphonic Band—S. Aldridge. K. Arkes. P. Baker. T. Bangert. P. Bauer. E. Begnaud. S. Belles. G. Beran. S. Biever. S. Borgeson. K. Bredenbeck, D. Britton. P. Buescher. M. Cahill. J. Calhoun. K. Campbell. C. Castanien. C. Child. K. Clark. S. Cowan. K. Cowden. D. Daso. A. Dipert. D. Dorsey. L. Dorsey, M. Farhart. R. Fisco, R. Foote. L. Godley. T. Golay, L. Greco. M. Groeneweg. J. Heiser, P. Hess. P. Hornig. D. Huffman, P. Kassel, S. Kier. P. Kille, D. Kirsop, G. Kristof. A. Lindstrom, T. Marlier. D. Miller, M. Mrohaly. E. Nagy, M. Nelson, R. Oldrieve, C. Poltorak. M. Post. C. Pulver, D. Quigley. M. Raymond, K. Robison, J. Rush, P. Sannit. J. Schlegel. J. Schofield, N. Schuster. C. Sommer. L. Spencer, B. Stewart. V. Strimbu. D. Stryffeler, K. Teske, R. Tont, T. Trotter, D. Vogel. H. Wolfgang. R. Young. In between parts, Marilyn Post and Lorraine Dorsey find time to discuss the finer points of playing the oboe. 8 Symphonic Band Organizations
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Page 11 text:
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- ‘'■m PTA meeting», like the one shown in p: gress here, are one of the many ways the new auditorium will now be used. The stage of the new auditorium is very spacious, with rich velvety red cur- tains and black floor, and more than ujMMatxjani
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Page 13 text:
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Bassoons and clarinets provide the counter- melody for symphonic compositions. Kris Brendenbeck. Linda Greco and Nancy Schuster add the needed contrast. New Surroundings Enhance Music After playing in a stuffy, closet-like room, the new band room is like playing at Lincoln Center. Being in Symphonic Band, seventy- three members strong, we tend to get rather loud. This newly designed facility allows the sound to be really let loose. Because the acoustics are so much better, it helped us in pre- paring for state contests. The building itself contains much more storage space which gets rid of the clutter. More practice space makes it easier for the directors to work with us individually. Somewhat more important to me, musically is the whole atmosphere the room gives to me. Its newness and cleanliness makes me really want to do my best. It’s also more fun to play in. FUN FACT: The Symphonic Band’s woodwind section uses 678 reeds a year. The auditorium provided the neces- sary space for formal performances. We also spent quite a bit of time practicing there to get the feel of playing in an auditorium. I believe the quality of our music has improved significantly because of our new surroundings. We’ve waited a long time for the facilities, but now that they are here, they’re great. Symphonic Band Organizations jy
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