Arlington State College - Reveille Yearbook (Arlington, TX)

 - Class of 1975

Page 151 of 408

 

Arlington State College - Reveille Yearbook (Arlington, TX) online yearbook collection, 1975 Edition, Page 151 of 408
Page 151 of 408



Arlington State College - Reveille Yearbook (Arlington, TX) online yearbook collection, 1975 Edition, Page 150
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Arlington State College - Reveille Yearbook (Arlington, TX) online yearbook collection, 1975 Edition, Page 152
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Page 151 text:

as. ..:.4f1 - -f-4-f.. ' I Y V I JJ sn 0 'sd 'Rf ,fm ., Y, , A. -, . ,., .1 1fg,2.j, H Q , , . " -4-42"97i"rs'1 s. , 4-' ' ' " W , A 'S -T- 1 f-1: --- - 1-za., , I-.- 1 -Q. pf' , f I r, N. ,A 5. :ti-1' . .mom 3? Mai Architecture While the high cost of living swept the rest of the country, the architec- ture department found many ways to cut corners in the construction of the Discovery House fSee page 1841. The building, a 3,100-feet three- bedroom house, was sponsored by the Construction Research Center. Dr. Ernest Buckley, director of the center, said, "Thirty per cent less water is required for the plumbing system, but it is more effective than standard plumbing." In the winter, the refrigerator re- jects hot air into the home and dur- ing the summer, the excess air travels outside the structure." The dish- washer uses less than the normal amount of electricity." In addition to projects such as this, the School of Architecture and De- sign boasts a six-year professional degree program with an enrollment of 800 students. The program is executed by a faculty representing 33 different uni- versities, 17 architectural schools and local practicing architects serving as adjunct professors and lecturers. The one o'clock lectures in the Jury Room of Swift Center have be- come a tradition. Students and facul- ty members describe their projects to an audience in the large room. Dis- tinguished professionals, including foreign architects, contribute gen- erouslly in these presentations. Academics 147

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Page 152 text:

Art The "move" was on everybody's mind in the expanding art depart- ment. After adding two new instruc- tors to the faculty, the department took a giant leap into the Fine Arts Complex where they operated with more space, new equipment and an expanded curriculum. "We've got enough specialists in each field that we have a well-round- ed department," said William Turn- er, acting department chairman. He added that the Hmovef' provided a "good layout of equipment in every area." New kilns, iron-forging equip- ment, glass-blowing apparatus and a phototypesetter were among the aids in the jewelry, clay and advertising classes. Twenty faculty members taught approximately 450 majors in a varie- ty of courses ranging from the study of color to film making. New instruc- tors included Pat Pepin in art history and David Keens, jewelry and silver smithing teacher Keens, a graduate of the Univer- sity of Washington at Seattle, re- vamped the jewelery class by adding new materials and advanced methods to the course. The department gallery managed to keep up with the growing depart- ment as well as art from outside mu- seums. "You canft teach art without having things to look at," Turner said, adding that, once settled in the new building, the department would seek a "much more ambitious gallery calendar." The highlight of the gallery shows was the exhibition of American art, a project of art history professor David Merrill. The show, which was to formally open the new complex in March, was collected from across the country for the bicentennial-ori- ented exhibition. In a September showing, Dr. Mary Hodnett, associate professor of the 1 ademics department, co-ordinated work from her weaving classes with a special demonstration. Three women from the Fort Worth Weaver's Guild visited the gallery to illustrate the spinning wheel and spindle methods of spinning yarn. Among the threads they used were wool, cotton, fleece and horsehair. The exhibit included batiks, silk screen prints on cloth and three-di- mensional objects. The weaving course and exhibit proved to be most popular with the students. Students were exposed to the clas- sic as well as modern experimental films each Wednesday in the 'Tilm as Art" series. Louis I-lock, series sponsor, supplemented each show- ing with a Monday night lecture. An award-winning film maker and the recipient of a National Endow- ment for the Arts grant, Hock also sponsored a showcase festival for student films. Four films were se- lected and high rental prices paid for their use in an April showing. l I YQ-jg :QL :- :Q 1?- w. C Q ,,,,,........-----' 1 A 1 'Y-' P-A L E i 1

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