Arlington High School - Anchors Yearbook (Lagrangeville, NY)

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Elliott Odell and Kenneth Smith, the collapsible lunch box of Marquis Van de Water. Delmar Jaycox and Paul Hornick, the prominent features of Ronald Van Kleeck. William Daly and Stanton Sherow, the streamlined speed of Donald Tim- mons. Robert Beck and Andrew Velletri, Ernest LeRoy's stoicism. Dorothy Denny, Hilda Anderson's fondness for gum. Edna Wright, Dorothy Bargeski's love of fun. Virginia Beam, Virginia Bingham's dancing feet. Ethel Proctor, the personality and attractiveness of Margaret Buckley. Dorothy Kopf and Winifred Murray, the friendliness of Julia Burnett. Jean Schroeder, Marian Clark's smallness of stature. Mildred Smith and Elizabeth Sherow, the efficiency of Doris Clearwater. Ruth Wentworth, Helen Clinton's Flaming Glory. Jean Fox and Arlene Bates, Dorothy Dinka's fiustered manner. May Brown and Rena Nichols, the thoroughness of Ada Doughty. Lillian Van Ackooy and Mildred Humphrey, Marian Doughty's demureness. Mary Gidley and June Merritt, the impetuosity of Marian Graham. Betty Garrett, Catherine Grant's poise. Ruth Stratton, the quick temper of Alice Hayes. Olympia Taddeo, the basketball adroitness of Gertrude Hegeman. Edith Ollivett and Catherine Martin, the helpful manner of Sarah Helms. Josephine Meier, the timidity of Doris Hunt. Constance Faulkner, the pedagogical attitude of Edna Jacobs. Helen Cook, Mildred Jones' characteristic giggle. Mary Bauer, the shapeliness of Anna Keenen. Dorothy Adams, Marie Ke1ley's popularity. Constance Tartter, the mouselike manner of Ada Lynch. Antionette D'Angelo, the jolliness of Leona MacElveen. Antoinette Rinaldi, Myrtle Mellenthin's Ma Dame air. Barbara Postler, Alice Miller's ivory sailor, with the request that it be con- stantly worn in a conspicuous place. Virginia Coulter, Muriel Monroe's store of sunshine. Jennie Knickerbocker, Miriam Morgan's dancing ability. Hazel Clum, the unobtrusiveness of Sarah Nardone. Charlotte Moore, the pleasant, even disposition of Helen Relyea. Anita Timmons, Beatrice Rittinger's ability to tease. Louise Stockholm, Rose Sabia's magnetic personality. Virginia Spilbor, the intellectual attainments of Phyllis Singleton. Margaret Brennan, Evelyn Skelly's ability to make friends. Doris Knapp, Elizabeth Sleight's desire to please. Mary Pfleider, Elizabeth Wade's dimples. Grace Lyons, Dorothy Zimmer's admirable tact. Barbara Beam, the collection of sweaters owned by Gladys Whiting. the office, our cherished accumulation of pink slips to be kept on file as a permanent testimonial to our perpetual activity. the Janitors, our irremovable tracks which we have placed so lovingly and conspicuously in prominent places. In witness whereof, we hereby place our hand and seal. THE CLASS or 1937.

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Lost Will ond Testornent We, the senior class of 1937, being of sound mind and body and in full pos- session of all our senses, do hereby make this last will and testament on this twenty-first day of June, 1937. ARTICLE I. To the class of 1938 we give the honor of being the fourteenth graduating class of Arlington High School. ARTICLE II. To the Juniors, we bequeath the following: To Paul Brown we leave the personality and executive ability of Charles Bar- ton. Perhaps you can also manage your Senior Class so efficiently that you will find time to choose a life partner. To Patsy Morreale and George Dennis, the loquacity of William Aldrich. To Victor Cady and Richard Whalen, the inspirational influence of Charles Allen. To Wesley Bradley and Robert Garrett, the sophistication of Vincent Amato. To James Nichols, Stephen Owsiany and Ray Schattle, equal shares of Anthony Antenucci's limitless ambition. To Glen Carpenter and Ray Pfautz, the all-around athletic ability of Robert Bennett. To Andrew Pink and Clifford Lattin, the flashing basketball style of Clare Duprau. To John Qualls and Lloyd Carpenter, the mathematical ingenuity of Philip Porter. To Leonard Satz and Leon Van Vlack, the authoritative voice of Ralph Powell. To Harold Van de Bogart and George Mastin, the fine, artistic talent of Ray- mond Smith. To George Luhman and Norbert Koenig, the step'n-fetchit way of William Sundbloom. To William Martin, Jean Underwood's fondness for Freshies. To Eugene Scerebini and John Wright, Charles Budd's pleasing personality. To Ronald Nye, Donald Cross' golden locks. To James Exum, Oscar Boone's many friends and ardent followers. To Harry Walters and Clifford Schnell, Joseph Eberhard's mastery of English. To Gordon DeNike, Donald Knapp and Charles Tully, Windy Ender's paper- filled textbooks and Blue Lizzy. To Charles Still and Frank Spilbor, the nonchalance of John Kondas. To James Ryan and Roswell Scism, Joe Manning's three-course lunch. To Roy Bishop and Alfred Antenucci, the surplus Irish humor of Leonard Mc- Glynn. To Harry Monroe and Charles Rittinger, the brilliance of Charles Miller. To Ross Wentworth and Edward Purdy, the don't-care manner of Albert Moore. To William Wishart and Arthur Ringwood, the engaging smile of Coleman Perkins. To August Kampfer and Robert Sears, the colossal diction and quick wit of Edward Pesano. To Charles Wolff and Emil Anderson, is left the shy reserve of Lester Planken- horn.

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