Archbishop Carroll High School - Patriot Yearbook (Washington, DC)

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DRAMATICS jack Chesney , . . , . . . Brassett , , , Charley Wykehani ...., Lord Fancourt Babberley Amy Verdun .. . Kitty Spettigue . , . Col. Sir Francis Chesney Stephen Spettigue ...... . Dona Lucia D'Alvadorez Ela Delahay . . . . . . , . .john Topper fWilliam Rutan lAllan Griffith . .Richard Cuthbert . . . A ,David Barrett g fPatricia O'Meara lBarbara Byrnes Annetta Travers lSusan Savercool fWilliam Gallagher llllichael McGrath , . . . .Gaillard Hunt ,Catherine Stevens Uoy Neff jlileanor Gallagher lx Frances Murphy This scene from the last act of Charley's Aunt takes place in the drawing room of Mr. Spettigue's house. Judging by the look on Mr. S's face, it appears that the play is about to come to a climax with the discovery of the real identity of Charley's aunt. The players are J. Topper, Barbara Byrnes, Susan Savercool, D. Barrett, G. Hunt, Joy Neff, and M. McGrath. Dave Barrett unconcemedly fans his way out of a tight spot in response to suggestions from John Topper. Reggie Van Gleason, Ill, gets into the act at the right. Moderators of the Mask and Buskin, Frs. Kelly and Churbuck, are faced with the problem of choosing the right people for the right parts as they watch tryouts for Charley's Aunt.

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DHAMATICS The Mask and Buskin is intended to provide an opportunity for the students of Archbishop Carroll High School to develop their dramatic and technical talents in producing good plays for their own self-improvement and for the entertainment and enjoyment of all. Stalag 17, a production which enjoyed a suc- cessful and well-attended two-night run, was the first play of the season. Charleylv Aunt, bright- ened by the presence in the cast of a number of young ladies from Immaculate Conception Acad- emy, followed in the spring and was rated by many as a worthy successor to last seasonls highlight, Twelfth Night. Under the guidance of Father Kelly and Father Churbuck, the Mask and Buskin has developed into a dramatic group of exceptional competence. Split-second timing behind the scenes is necessary for effec- tive lighting and sound effects. John Marr, Mike Werle, and Frank Sabate are alert tor their cues as Stalag 17 unfolds on stage. l. Sager tries to entice A. Gill to get out of the tub and retrieve the towel, while- J. Warner, T. Bishop, J. Godbout, H. Raymond, D. Barrett, and F. Turca wait with amusement to see what will happen. In this scene from Stalag I7 Tom Bishop peers over Richard Bomlser's shoulder to see what's cooking. Henry Raymond shows a lack of interest in an early breakfast. l