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Page 82 text:
Mentfleury, an actor barred from the boards by Cyrano, was played
by Michael Gaineyg apparently the role and his identity became 1
one. . .at least it looks as though he had been granted the bard's
Page 81 text:
The promise of a meeting with Roxanne stirs
Cyrano so, that he feels capable of taking on the
World, in lieu of this he settles for a mere hundred.
SET DESIGN . . . . james E. Mitchell
COSTUMER .... ......,.. A nn Malesich
ASSISTANT ........., . ..,.... Kathryn Otenstein
COSTUME CREW .....,..... Nancy Rabaurlwanq- Kelley
Ruth Fleischmann. Mimi Murphy. joan Kovach
Mary Ellen Mitchell, Patricia Boyle, Sue Gillis
janet Anderson,joanne Hornak, Cynthia Mailer, Betty Kovach
joyce McKinney, Vera Brown, Terri Gcoghan, Mary Pat Howe
Kathleen Agostini, Marilyn Martin, Diane Bassett. Sue Rapier
ART CONSULTANT ..i...,....... Sister Mary Luis. O P
COLLABORATORS . . . . Sister M. Alpl1onsus.O P,
Sister Edward Mary. O.P.
Sister Mary Brirlc, O.P
Sister Maris Stella. O P
ART WORK .......,.............. james Wisnewski
STAGE CONSTRUCTION .. George Tilton, Thomas Milanowski
Thomas jargonsen. james Readwin
Daniel Lewakowski, Charles Frydrych
janico Kozak, Lynette Best
David Burnett, Frances Bekken
PROPERTY CREW ...... jeanette Leik, janet Armbrustmacher
Ursula Berg. Suzanne Rutledge
Suzanne Streng. john Rich
LIGHTS .....,, . . . Leon Switzer. Thomas Doyle
MUSIC .....,... .... ...,..,.... E u gene Hopkins
SOUND EFFECTS ........ Margaret Kroon, Catherine Duba
MAKE-UP .... Bonnie Herlgepeth. jucly Rcttig. Patricia Granger
Betty Farrell, Vera Brown. Frances Wunderle
Madelaine Fendt. Tamara Paul
Cheryl Nahs. Marian Dougherty
Patricia Thompson, Mary Pat Howe
Pamela Major, jo Ellen Denman
PUBLICITY . . . ......,,....,.,.. Ursula Berg
Sister M. Carol. O P . Patricia Mayer
ASSISTANTS. . . . . Nancy Fitzgerald, Bonnie Bowhuis
james Wisnewski, Merla O'Loughlin
PROMPTERS I - r I Germaine Maurer. Mary Ruth Humitz
BOX OFFICE , , , ..... Ursula Berg
Page 83 text:
Disturbed by DeGuiche's advances, Roxanne
tums his infatuation to her advantage by letting
him continue to believe that she has some feel-
ings of affection for him, this enables her to
convince him that the best way to strike a blow
against Cyrano is by leaving him and his cadets
behind. Little does he know that the same com-
mand enables her to hold her beloved Christian
for a few more moments.
The tender torment of that moment when Cyrano
recieves Roxanne's summons is resolved by
his friend, LeBret: . . . she wants to see you,"
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