Ames High School - Spirit Yearbook (Ames, IA)

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HUMAN ELLIPSES. Linda Kopecky, Christina Larson, NIGHTTIME STRANGIES. Missy Wershey, Ethan Hag mI К i | AEN! n. and Lee ( гала dance to aard Laurie Lulz Ka hel Uri hson Sally Lend SLSAN kan i , Nel A i | | ed Am (cb student Fehr, Harry Laudencia, Гот McConnell and Missy Myers Yoon dance to Ronnie Toporek's ‘‘Strangies in the Night.” ü lI E ` LASE MIN UTE INSTRUCTIONS. Dan LA ] Wf т ғ ! , | stew Lr x) director Mrs. Магу Kautzky gives the dancers some nnal à Il , bl. - pointers tollowing their lasi I dress rehearsal. About | || ' l i Ñ yri Ta studert participated 11 Š fov E — =... = Е — o — A. Е i4 ymo : و‎ gem ГЕШ чөл «ж eo Resale a id = zech D- ك ` 9 ر‎ Bags, À 5 SHOCK ROCK. Sue Madden and Maraaret Baumel, and Cam Kottman and Karen Johnson dance to ``Shoc! choroegraphed by Kottman and Johnson. They were one o! Er r z ч „ $ Г Ta ү A, t! $ , Y v y } ` 4 $ Y Р 1111] ÇÎ , 1 арии па пог а лес | ACL) i i STILL LIFE. Shyla Osborn focuses on the sky in the I 1 | shoreographers presentation. All choreographers helped i кате! . w k] Е m y -— e = Tal = = e 4 1 p - Ja | [ | Е aevelop ше тоаегп аапсе interpretation ‹ alled ‘Still Lite +} u we emm, © Д. = а = 1 em L em w L - eg , x e e ce па! ріс „aed а breather trom the Iast-paced music, Terpsichore

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NO СО Because of high interest, several modern dance show choreographers had to double up on dances by 16 Ames High student choreo- graphers. Three sets of partners worked together — Steve Forster and Molly Willsher, Cam Kottman and Karen Johnson, and Lynne Cleasby and Nancy Budnik. Dance director Mrs. Mary Pudwill-Kautzky said that they ve had more than one person choreo- graph a dance before, but never this many. The important thing they had to decide before they started work was how they were going to settle ditterences. | wanted them to be aware that problems would arise, and they should know beforehand how they'd go about solving them. It all worked out very well, she com- mented. johnson said that she really enjoyed choreo- Terpsichore Choreographers coupled graphing with a partner. “It relieved a lot of the pressure of choreographing. You had someone to share the burden with.” Cleasby agreed that working with a partner was advantageous. “We had a few minor disagreements, but we were able to compromise. If I were to choreograph again, Га want a partner,” she said. Forster admitted that he and Willsher had a few problems working together. Molly and I had very different tastes in music and dance. It took us a lot longer to finish our dance. We had to do a lot more compromising than the other groups, but overall, I still think everything turned out super, he commented. JUST А PUPPET. Jerry Hill and Susanne Tachibanna dance to Just a Puppet on a String lenny Bower choreographed by

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(Sood ideas in Come АС Each year, a group of seniors gets together with drama teacher Mr. Wayne Hanson to plan and direct their favorite one act plays. This year was no different. Seniors Cathy Divine, Allison Merrill, Tim Rood, Leslie Snyder, Keith Textor, and Tim Thomas each directed a one-act play. Divine directed The Sisters McKentosh, a EE UT TS че. Play about two sisters and a man that comes to каше yc ue de `` Con. Visit them. It was а good experience directing stance found out where she a play, said Cathy Divine. “I learned to respect was staying. directors more because of it.” Merrill's play, The Actor’s Nightmare, was the story of aman who wound up on stage at the wrong time. 1 thought it was fun being in the play, said Jean Foss. | had never been in a play before that was student-directed.”’ Slacks and Tops, directed by Rood, was the story of a family seeking refuge in Africa while trying to cope with their daughters adolescent attitudes. Snyder directed Me too, then, the story about a women mixed up with a pharmacist, trying to help a comedian get through opening night. “It was great, said Alix Robinson. `I had a neat cast and director to work with.” Next, directed by Textor was a play about a fourty year old man who was drafted into the army. It was interesting trying to be a drill sargent,' said Julie Ford. `I enjoyed playing this manly-women part.” Thomas play, Home at Six, was the story about a father who broke his family's routine by coming home two hours early one day. KEE SHE BURNED MY BED. Tim (Jeff Fetters) and Marge (Sonya Powers) tight over Marge’s doll while their parents (Brenda Plakans and Mike Pell) try to stop it. i k 5 3] H 4 š y E i . | ' b — Tm - ' x ' wd — Ic t EN ч Е Ke 2, (ër y ЖА Мы 4 Е 30 One Acts